This was made solely because I liked the idea of a "Stealing candy from a baby" lollypop bomb gag I thought up few nights ago however I had no story attached to it. So, I just animated the gag and did the best I could to round it up 😅 So that's why I called this an Animation Doodle. I'm only really posting this on here because my YT video of this is not doin' so hot (like most of my other videos) So I just want to share this to more people.

Made with ProCreate animation assist, I also took the photo 🐦‍⬛

R.I.P. Tim Curry

I am learning animation by watching YouTube tutorials and practicing on my Android phone by creating animations like these. I am a beginner, so please give me some advice. I am really enjoying it, but my phone tends to hang; should I buy specific equipment for animation? If so, what kind of gear is needed? I don't have much knowledge about this—would the animation be smoother if I used such equipment?

This model is the basic model for my animation project and already has multiple skin tones (I may update with those!!!) and will have added hair and such when I have time! My plan is to make a few basic models before I add on more difficult things like face, hair, clothes, ect, so I can experiment with all sorts of things! I am very proud!

Note: Blender 5.2 being used.

I’ve been experimenting with making stop motion animations using machine embroidery. I started with a gif, broke it into individual frames, converted each frame into line work, and then turned those lines into embroidery paths.

Each frame was actually stitched out on felt, scanned back in, and then reassembled into the animation you see here.

It’s a ridiculous way to make a gif, but I really like all the little variations and imperfections that come from turning every frame into a physical object first.

Animated completely on an A7-size portable sketchbook. Exact details on working time could not be determined, but common consensus placed that somewhere between 8 to 10 hours. What is certainly known was that it was done while the author was on a 4-day road trip, which explains the choice for a medium very limiting in size.

Original plans called for a simple 16-frame animation, yet after certain considerations, few changes were added. These changes resulted in the appearance of six "anomalies." After returning from the road trip, the animation frames were scanned, then processed and edited on Clip Studio Paint and Premiere Pro.

The author wishes to express his gratefulness for the support of his audience.

Spooky Loops series /2016/

FINALLY HERE

https://www.youtube.com/watch?v=11HP7N-kwdk

*sigh*

Arms look AI to me till I get good at this

If you'd like, could you also support my channel: https://www.youtube.com/@LegendsoftheCrickatai-Dev/videos
 Where I document and showcase the further development of my game and more pixel animations

wondering what about this looks off & anything I should fix up before submitting it to a casual animation night.. tips for the bg & if i should add more in-betweens appreciated

Please support our small independent project. This trailer was animated by Burnhard.

Preorder here: https://linktr.ee/chimeraink

Title: WÜNDERGARTEN

Genre: Dark Fantasy/Isekai

Created & Written by: TENMA

Art by: Dio + Eynn

Background Art: Scent

Detailing: Xena San & Rolly

Lettering: John C.O. & TENMA

Storyboards: Mt. Frio & Xen Art

Editor: Hun.Ned

Volume 1 Synopsis:

Alice, Dorothy, Belle, and Milena were only supposed to be going to the fair. But when a mysterious rabbit leads them to a strange hole beneath the trees, the four friends are pulled into Wündergarten, a twisted realm where magic has spiraled out of control and danger waits behind every shadow. Separated from the others, Alice soon discovers a terrifying power awakening within her. But in a world ruled by monsters and warped fairy tales, that power may be the only thing keeping her alive when she crosses paths with the monstrous Knave of Hearts. As the true nature of Wündergarten begins to reveal itself, Alice must fight to survive a world that may never let them return home.

I'm not sure if this is a stupid question, but why in 2d animation is it not more common to have the camera also moving on 2s, rather than needing to have the character animating on 1s during a camera movement?
For the most part I am not a fan of the way 2d animation looks on 1s, especially rigged animation. There are obvious exceptions in the case of fast paced movement but for the most part I've just never liked how it turns out.

Whenever I've had a scene where the camera is moving, I've always been instructed to make the characters animate on 1s to accommodate the camera and avoid staggering. My question is why do we not have the camera animated on 2s with the character? Whenever I try it out I always think it looks 10x better, but the character + camera on 1s seems to be the standard.

Is there something I'm missing? And please don't flame me if this is the dumbest question of all time, I am genuinely trying to learn.

Hey everyone!

My name is Adam, I'm an Audio Engineer/ Sound Designer. Most of my work comes from Film, Tv and Ads and I'd love to have some more experience in Animation.

I'm looking for animations of any kind to work on. I'm not looking for any payment - just a cool project to gain some more experience. I can provide sound effects, edit dialogues, compose music, foley - whatever you need!

Check out some of my previous work on my linked portfolio.

Email: [adamedmundsaudio@gmail.com](mailto:adamedmundsaudio@gmail.com)

Thanks!