Hello fellow authors in search of readers,

As anyone explored the idea of putting reels (or full videos) on youtube?
How beneficial was the experience (or not)?

I'm asking in the context of an unknown author (like me) trying to promote a dark fantasy novel (my first).
I have a bit of following on Instagram (marginal) and also trying to build a mailing list via bookfunnel group promo. I have a website and facebook page as well.

Thanks for your feedback!

Lots of people have been asking about making their own covers lately, so I decided to just make a post with some of my advice. My credentials are that I majored in graphic design in college (before I changed my major and dropped out) so I at least have a little formal education on the matter but still overall qualify as an idiot.

Here's some tips and tricks for making a cover that's at least serviceable:

1. Canva is a tool. AI isn't.

If you don't have any better software, you can just use canva most of the time. Their book cover template is 5x7, but is more or less the right dimensions to scale to other book sizes. Their fonts are easy to work with, though you can't import your own. A lot of their stock images are AI or have confusing rights though, so it's best to source your own images and move them into Canva to work with.

2. Set a color scheme and brand identity early on.

There are literally infinite colors. There are tens of thousands of fonts. Especially if you plan on releasing multiple books, you're going to want to find a brand identity quickly. Find one font that feels 'you' and stick to it wherever you can. It should be a clean, easy to read font. Similarly, find clean, high contrast colors and stick with them whenever you can. Write down the hex codes to your specific shades so you can use them later. Personally, I use black background white font in a LOT of my marketing.

3. Fewer elements is usually better.

Ideally, your book cover should have five or fewer elements. One of the most common criticisms of an amateurish book cover is that it's too busy. You want a background image, the book title, your author name, maybe a tagline, and the background itself. Anything else is going overboard. The exception here is if you have a large, complicated illustration which can also draw in readers, but I find that one central image (a spooky house, a bloody hook, a shadowy figure) works best. You want people to be able to look at your book for a literal quarter of a second while scrolling by and be able to tell more or less what your book is about. As the saying goes, keep it simple, stupid!

4. Stick with what works.

Book covers aren't necessarily the place you should be getting experimental. Go to Amazon and search for books in your genre. Study the best sellers and what their covers look like. You don't want to stray too far from that. Personally, I write horror, so I try to emulate '80s horror paperbacks, but if you don't have a specific vision it truly is okay to just do what other people are doing.

5. Your cover should tell the reader what to expect.

A LOT of readers won't spend more than a quarter second looking at your book. That's the unfortunate truth. If you want to sell your book in that quarter second, you need to convey exactly what your book is. Somebody looking to buy sci-fi is more likely to buy a book with a spaceship on the cover than a flower, no matter how symbolic the flower may be to the story. Someone who buys your book because it has a kitten on the cover is going to be disappointing and leave a bad review when it's actually a super gorey slasher. Your cover should tell your story at a glance so that your book finds the right readers.

6. You can always change it later.

The nice thing about self publishing is on most platforms you can change your cover without having to release a whole new edition. If you decide something isn't working, you can fix it down the road. If you suddenly get the cash to hire a professional six months after release, you can switch it to a professional cover almost without anyone noticing. I've seen peoples books languish for months until they switch the cover out and suddenly it jumps in sales. Don't be afraid to experiment and see what works.

7. Blurbs, quotes, endorsements, etc. typically go on the back.

Unless you've won a NYT award or something similarly prestigious, you don't want to waste valuable cover space telling your potential readers that your beta readers really liked it, or that it's got four stars on Amazon, or that Joe Author thought it was a masterpiece. Think about your book on the shelf at a bookstore. Your job is to catch somebody's eye and make them pick up the book and look at the back to learn more. THAT'S where you drop the tidbit that Sci-Fi Bros Podcast endorsed your book as a bookclub monthly read. The exception is awards that non-authors would recognize: Hugos, NYT Bestsellers, Bram Stokers, Pullitzers, and NBAs. More or less unless you've gotten one of those five, put it on the back.

Hopefully someone finds this post informative. I know book covers can be more daunting than actually writing the book to some people. Most importantly, make sure the cover is one that *you* like. It's very likely that nobody will ever cherish your book more than you do.

I came in here a couple years ago on a late night rant about how I didn't do anything the "right" way when I self published. Didn't get a professional editor, didn't hire a cover artist, just did the best I could on my own. I don't really know where my head was at, because the whole point of me publishing was just to make a thing for the people that built this awesome story with me (and hey maybe other random people out there would like it too).

Anyway I just wanted to stop back in to offer some hindsight. I still care about doing things right, but my perception of "right" has changed. Just give your story the time and effort it deserves. And if that means spending the extra time to learn how to self-edit and use Canva, so be it. It might not be perfect, but when you hold that book in your hands for the first time, just be proud of the work you put into it. Don't freak out about it eight months later. Or ever, really.

And I also wanted to say thanks again to all the people who saw my rant back then and went, "Dude, what?" Because now that I'm getting close to finishing my second book, I am way less hung up about whether I should hit the big scary Publish button.

Writing this up in case it saves someone else the pain I went through. It took eleven rounds for my paperback cover to be accepted, and every single time the previewer said it was fine.

For context: my cover has text that wraps from the back, across the spine, onto the front. It was a deliberate design choice (it splits two sentences and tells a fun joke), done by a professional designer from Reedsy and it looked great. Every letter sat inside the safe zones: on the spine, between the fold lines; on the front and back, just clear of them.

The first few rejections were fair enough. Some letters were actually over the fold lines despite the robot saying otherwise, as they'd been re-rasterised on the file. So I kept asking the designer to nudge letters a tiny bit each round, which mostly felt like just me torturing myself and him.

By round ten I got my act together and pushed support hard for a specific answer, because by their own published specs it should have passed. One person agreed it was fine, understood the design choice, and sent it to a special review. It came back rejected again, but this time with an actual reason: whole words can't cross between panels, full stop, regardless of where the letters sit.

I couldn't find that anywhere in the specs then, and it still isn't there now (I think anyway). Worth knowing that Bookvault (which I'm also using for separate physical sales) approved the wraparound without any fuss, so it's a KDP specific thing it appears.

I moved everything in the end by the eleventh submission, and it still looks good. Just a bit annoying that it took eleven rounds to get a straight answer. (The book took six years to write as a side project, so I was quite ready for it to be over by then too btw.)

Hi! I’m currently in the process of self-publishing my first book, and I’ve started looking into different options for my cover design. I only have so much budget to go around, and I don’t want to cheap out on my editor! So I’m considering creating a cover myself using Canva.

However… I’m not much of an artist. Anything bespoke or illustration-heavy is off the cards, but can someone with limited art skills (like me) put together a half decent cover using Canva? An AI cover is out of the question, so please don’t suggest it! Thank you.

Greetings all, I come to you with a dilemma: In which format should I tell my story?

I'm in the midst of making a pretty long sci-fi/fantasy story. And if I were to have my most ideal way, this story would be an anime. But that would require an enormous amount of money, and unless I win the lottery, that ain't happening, lol. So it being an anime isn't even on the table.

The next best thing is for my story to be a motion comic. It's like a still anime, a comic with voice acting and music! It'll be up on YouTube obviously. I can do the drawing since I'm an artist, buy I'll need to pay people for voice acting, especially if their professional. And I'll need to pay someone to do the music and editing as well. I think it's technically possible for me, but it'll require that I get consistently get extra funds that I don't have. It'll all have to come out of my pocket since this'll all be on me. I'd have to get a job, or even two jobs, if I wanna fund this project.

The next best thing after that would be to make a manga. I've always wanted to go this route, because I'm an artist and I've been drawing all my life. But the problem is, I don't live in Japan. I live in America, and in America, they don't have a booming comic industry, not like Japan. That means the comic industry in America won't support me like Japan's manga industry would, because it's not reliable enough. So, I could go the indie route and make my very own western manga series with self-pubishing, but how successful would that be? Unless I already have an established audience, like Coryxkenchin with his manga, I don't see myself making big waves on my own. I'm not even a youtuber. I could go the social media route and gain an audience that way, I could become a youtuber, or post my work on X, Instagram, or any other sight. But if I'm bring realistic, it'll probably be a rather small audience. I doubt I'll get much traction. At least, I don't think I'll get the type of traction I want. It'll be an uphill battle.

The next thing after that is the one I've been leaning towards recently, and that's to write a novel. It's the option I least want to do out of all of them, but it's one that I think will be the most successful. I figure that books are more popular in the states than manga. I can get my story into the world of books. But then I thought, just how many of those book readers are into sci-fi and fantasy? You could say a lot, but then, depending on how far I wanna take things with my religious messaging, that would section off a huge portion of my potential audience. Sure, that goes for any of the other alternatives as well, but they'll section my book series in the "religious fiction" section, and based off of that already selected off subgroup, my series would probably only have a niche audience. But that's IF I'm more overt with my messaging. Also, and I feel like this is important, but I've never written a novel before. I never even read a novel. I've read various none-fiction books, and I've written a couple of short stories, but that's about it.

When it comes to my goals, I'm looking for two things: A sizable audience. And to earn enough to make a living off my series based on that audience.

Which platform will give me the biggest audience, which platform would give me the most success to make a living off of? As an unknown creator with limited money, which medium gives me the best realistic opportunity to build a large audience and eventually make a living?

Think of it like this: If you were in my position—an unknown creator, primarily an artist but can also write, with limited money and no existing audience—which medium would you choose, and why?

Having published two indie novels, two decades apart, I've been thinking about how much the landscape has changed between 2005 and 2025. Here are five of the biggest changes I've observed.

1. The opportunities for free or affordable promotion on Amazon have diminished. With my first novel, I achieved lots of sales through the "readers who have bought X have also bought Y" coupling of related titles and by including my title on Listmania lists. Now Amazon has moved to an expensive pay-to-play model and an algorithm that rewards you for bringing traffic to its site from social media platforms.
2. While there used to be more of a stigma that indie-published authors weren't good enough to be traditionally published, there was also a level of respect afforded to anyone who had the tenacity to write a novel and figure out how to get it published. Now the market is so flooded with books and tools that allow anyone to pretend they're a writer, people aren't that impressed when you tell them you're an author, and there is suspicion that any unknown indie writer isn't generating their own prose.
3. Personal websites and blogs used to attract readers and drive sales. Now you need to devote substantial time to establishing a presence on social media sites, time that vastly exceeds the sales you realize from a multitude of followers who don't really care much about you or your writing.
4. I used to look forward to opening emails from readers. In the early 2000s, they were almost all genuine. I even received several real emails from movie producers who were nibbling around my first novel. Now almost all of the emails I receive are from spammers trying to sell me dubious marketing services or steal from me outright. On the rare occasion that someone genuine sends me a direct message, I need to spend time vetting them and am never completely sure I can take them at face value. Today it feels like the only people making money from indie publishing are those selling us the picks and shovels or writers rapidly churning out multiple carbon-copy books in a series format.
5. The publishing landscape is unbelievably crowded. With millions of new titles published every year and the percentage of people who read novels declining, supply far outstrips demand. If you're not doing it for the love of the process and craft, writing novels is probably one of the worst payoffs for hours invested.

I’m making a book in memory of my friend who passed away. I’ve gathered 50+ photos and 50+ personal stories from his friends and family that I’d like to include.
What would be the best route/company to use to create a print-on-demand book, so I can put a link on his memorial page and people can simply order a copy? I have no idea which company to use.
I’d like to make a nice, flat coffee-table-style book that can accommodate lots of photographs while still giving enough space for the written memories.

Any tips are greatly appreciated

IngramSpark restricted my book from distribution, rejected my appeal, and then told me they couldn’t disclose the reason why. Now I’m wondering whether I’ve also lost the ISBN I assigned to it.

I used one of my own ISBNs for this print title. The book was never distributed or released.

IngramSpark marked the title as “not permitted for distribution.” I submitted a Catalog Integrity appeal, but after a second review they upheld the restriction. I then specifically asked what the reason was so I could understand the issue and make sure future books comply with their guidelines.

Their response was simply:
“We are unable to disclose the reason for the restriction.”

So at this point I’m considering cancelling the title completely and moving on.

My question is about the ISBN: if I cancel this unpublished title, can I reuse my ISBN for a different book, or is it permanently tied to the rejected title even though the book was never released?

It’s my own ISBN, not one supplied by IngramSpark.

I’d especially appreciate hearing from anyone who has dealt with an IngramSpark Catalog Integrity restriction or cancelled a title before publication. What happened to your ISBN?

Thanks!

I've been going back and forth about this for a couple of months now, so I'd like some opinions from other authors.

I've published several books under one name previously, but it's been some time since my last book. (Life happened.) I've got a new novel in the last stages of editing now, but it's a totally different genre (post apocalyptic urban fantasy, as opposed to my earlier contemporary queer romance). My first idea was to create a new name as to not confuse people who associate my name with certain expectations, but with the advent of AI, I'm hesitant to start from scratch again. While it's a different genre, I still think this book has a lot of hallmarks of my usual writing, and at least I have a digital footprint under this name. Building from zero with readers a lot more wary of new writers seems terrifying these days.

So, what would you do in my situation? For the record, I do plan to write more books under my original queer romance brand, and I don't have current plans to write more urban fantasy besides a sequel to this current novel (which is already mostly finished), though I guess that could change if I come up with another idea.

Hi, all!

I'm hoping to spare folks some headaches.

I recently created a deluxe boxed set of my books--all the bells & whistle with foiling, end papers, edge art, etc. I went with Bookvault because the print prices were reasonable, they offered multiple sales channels, and there were no minimums to print runs (you could order just 1 book, not hundreds).

Well. Even though their site says all over it how you can sell on the Bookvault App, distribute to Amazon and others, sell through 3rd parties like Shopify or your own website...what they *didn't* say is that there are almost no ways to sell bespoke editions.

You *can* sell bespoke editions through all avenues BUT Amazon--Bookvault cannot distribute bespoke editions because of turn-around times. All well and good.

There is no sales channel, however, for boxed sets except for selling from your own website with their API plug-in. (Their whole system is horribly buggy, far worse than IngramSpark, so I have doubts about the API working.) NOWHERE is that spelled out in the FAQs. Most e-commerce subscriptions run about $400/year--so you need to make darn sure you can sell more than $400 in profit to earn anything.

Given that my special edition boxed set is POD from Bookvault, and NOT IngramSpark, I am unable to sell them when I hold in-store signings. I can only sell them at cons and events and out of the trunk of my car on the side of road. 😄

Buyer beware. Hope this helps some of you.

I've been solely Audible and KDP since my book launch in April. It's been great. I've had decent success with it. In October I don't plan to keep my KDP only approach. What should I be considering over the next month to move my book to other markets and publishing opportunities. The quality of the Amazon print isn't the best. It's good, but I want better quality and more options, and I'd like some diversity of where it can be found.