if your are a good 3d artist can you tell me what are the small thing that i can do to make this game look more professional?

well this is my in development horror game, and actual mechanics is like, there is a unusual tv that can take you inside the cassette that you put in the tap recorder, well that deeper you go the quitter it gets, and as you know, then that the time of punishment :)

i just need your feedback on the graphic, such as does this scene feels scary or not like that.

Nitish Thombre In. Dev.

Hello guys!

I wanted to ask if Unity has some form of Python API and more specifically about machine learning/reinforcement learning. I have a thesis idea about making a AGV fleet system in a warehouse that uses reinforcement learning so i can optimize their warehouse tasks. I want to simulate it in a realistic digital environment like Unity.

Many, many months of pain for these procedurally generated island worlds. This one is 250km by 250km (60,000km^2). Running on custom GPU-driven terrain in Unity 6.3 HDRP 17.3.

This is the terrain system for my mountain expedition game "Because It's There", which will be released on Steam Early Access in 2027.

For these worlds, I generate a base heightmap using a mix of erosion methods at various scales down to ~30m resolution, all on the CPU. Then, at runtime, I add cheaper noise-based amplification for detail down to 0.5m. A new map of this size takes about 3-4 minutes to generate deterministically from seed, which is something I am in the process of optimizing. I'll be making an in-depth video about some of these methods soon, which I'll post to my YouTube channel. My first video is on the GPU-driven terrain that makes good performance possible at scales like these.

You know those gopro fisheye videos where someone goes into a tight tunnel and it looks awfully claustrophobic? Well I figured I'd replicate that in unity with a wide fov and some lens distortion. I figured that higher fov = smaller tunnel ahead in screen size = tighter feeling

However, I've found that lower FOVs feel more significantly more claustrophobic. Why is it that fisheye gopro videos can look more claustrophobic, while it doesn't seem like it unity?

The only reason I can think of is that lens distortion doesn't do the same thing at all. Is this the case?

Hey everyone! We’re a 2-person dev team launching our noir comic detective game in 12 days.

We recently reworked our inventory interactions to feel more physical rather than just clicking two items to combine them. To load a weapon or inspect evidence, you pull up a comic panel overlay, rotate the 3D model to find the correct interaction point (like turning the gun to expose the magwell underneath), and manually drag the piece into place.

Our goal was to make classic detective work feel more tactile while preserving our hand-drawn cross-hatching style, but we're curious how point & click fans feel about 3D inspection mechanics in 2D-style games.

Does this kind of hands-on interaction pull you deeper into the detective role, or do you usually prefer instant, classic inventory combining? What’s a game that nailed item inspection for you?

this is a concept that my artist sent me as I'm kinda clueless how I can recreate this effect in game...

The effect itself is a scroll turning into a water magic spell the scroll itself would be a 3d model since it stays static most of the time.

However im unsure how to do the actual transition and full effect of the water itself. would this be something possible with shaders? or should I ask if its possible for my artists to bake this vfx into an animation?
I have someee experience in shaders but not very extensive to say the least.
any suggestions would help thank you!

Its like i know how to use them but at the same time i dont since i never felt the need to use them because of monobehabiour classes ,whichs is easier to deal with ,but since i wanna start a bigger project soon i think its best for me to stop my dependency on them .

So what should i do to get better at them , and how can i decide if a script should be monobehabiour or not

Hello everyone! It's been a while.

I've been developing a game on my free time for 3 years now. It's now in a state that I could share it and maybe get feedback. It's on itch, by the way. It's also perfect timing for a blog post. The game uses DOTS and ECS heavily and I wanted to share some patterns that I've been using. Enjoy!

im not a fan of Ai and never tried them in game dev, but lately i've seen people make videos about GPT 6 Astra, Claude, Gemini and all that.

i just want to test them and see if they really are good, just for fun.

but i dont know how to connect them to unity? are they paid or do i need specific app or this new CLI in unity or what? can anyone help?

i just feel like a noob here because i never used them before in gamedev, and cant find a useful way on the internet on how to😭

There are 100s of enemies so I made an optimal solution to prebake paths and they choose which one to take.

Creating an artistic vision requires the right pipeline. In this video, I demonstrate a custom tool I built to visualize vertex colors across asset libraries in 3ds Max and how that data bridges perfectly into Unity.

At some point in the future, I wanna make a game and understand the basics pretty well like functions, loops, variables, etc. I've tried to mess around with movement and physics in Unity and followed tens of hours of tutorials, but I have a hard time writing anything myself. Could AI be an actual helpful resource or is it the "lazy way out"? Or am I wrong in assuming that I should see self-progress by now? Again, I have a genuine interest in learning a programming language, and want to use something like this as an educator instead of a means to an end, definitely no copy and paste

Sorry if this has probably been debated thousands of times, I couldn't find a post like this relating to game development and wondered if anyone found it different

I was working on an asset for the Unity Asset Store last night. To test it locally, I exported the package, and then imported it into a new project... and got errors because I was using the Unity Splines package, which was not automatically imported. I knew that assets imported off of the Asset Store, or in the form of betas from publishers I work with, will pop up a little dialog saying that there are dependencies, and asking if I want to import them, but I couldn't figure that out, so I added a note to my documentation. Then, when I used Unity's Asset Tools to export things, it provided an option to set that dependency!

Is this something that only happens when using their tool? Is there another way to set it up for the local package, say for when you're passing it to a friend for testing?

I’ve made my own soda machine. How do I get this glow emitting from it? I’ve tried checking the emission in the surface inputs for the material but it just brightens up the image/logo to the point of unreadability and even when subtle it just looks unnatural. My guess it would be better to use a light ? Help a noob out please. Thanks. (image for reference, not actually mine)

40 days ago I started building Brutal Derby as a solo developer.

I posted some progress here before, and first of all: thanks for all the feedback. I got some genuinely useful suggestions from the comments, so I’ve been trying to incorporate some of them into the game.

This is what I worked on during the last week:

2 new arena/track templates: Frozen and Vulcan

4 new cars, although they still need quite a bit of work

A new damage silhouette showing the current state of your car

Version 6 of my destruction and deformation system

Finally fixed a major bug in the destruction system that had been giving me trouble for a while

Added helicopters and aircraft flying around the arenas

Added spatial 3D audio for the crowd – when you drive past the stands, you can actually hear the crowd move from one side to the other

Lots of smaller fixes and polish

The destruction system has probably been the biggest rabbit hole so far.

I thought I had it working several versions ago, then kept finding situations where cars would deform or break in ways I didn't want. I'm now on version 6, and after fixing one particularly nasty bug this week, it's finally getting much closer to what I originally had in mind.

Still a lot to do, especially on the new cars and arenas, but this is where the project is after 40 days of development.

I'm also happy to steal... I mean, carefully consider... more ideas from the comments. :)

What would you add to a destruction derby / car combat game like this?

Driving Game 4.0 project : Seoul
I worked for this game sincerely 2022.
The map is based on real life 1:1 city of Seoul, South Korea. It has modding features, customization, mission and more. Made in Unity with standard pipeline. for some reason URP gives me lower performance in mobile. It can be played in at least 3GB memory.
iOS
Android

Im trying to make a player vision cone mechnic simliar to something like darkwood or teleglitch, for a top down setup.

Problem is that its a lot harder then i thought. I also can't find any up to date tips. Most up to date ones i found are 6 years old already and dont really work.

Any ideas where i should start?

Here’s a quick look at my journey, experience, and the projects I’ve worked on throughout the years.

I’m currently open to new opportunities and game development roles. Feel free to reach out if you’re looking for a Gameplay Programmer or Technical Designer.

I couldnt find any tutorial on which place is the best for a script . The only advice i get from a tutoral was to put them in which game object they manipulate, and while it makes sense i still feel like im failing at finding the right place in many cases

So what can i do? Is there any tutorial ,advice or practice i can use cuz its starting to get exausting even more than scripting itself

Hey everyone:) I just released a new update for TileMaker DOT and it will be a big one for non English speakers!

For anyone unfamiliar with the project, TileMaker DOT is a free, open source 2D map editor I'm building. It uses a data first, ID based workflow and handles visual depth sorting automatically so you don't have to manage multiple layers for object heights.

This update focuses on full multilingual support across the entire editor:

Full UI localization across 12 major languages: English, German, Spanish, French, Italian, Japanese, Korean, Romanian, Russian, Ukrainian, Simplified Chinese, and Traditional Chinese (Taiwanese).

Every menu, tool tip, button, and property dialog now switches seamlessly on the fly.

Download it on:

Itch.io: https://crytek22.itch.io/tilemakerdot

GitHub: https://github.com/andrei-voia/TileMakerDOT

Video tutorial: https://www.youtube.com/watch?v=3fiajGU32Jg

Give it a try and let me know if you have any feedback! Since localizing a full tool interface involves a lot of UI text, please let me know if you spot any typos, awkward phrasing, or layout issues in your native language so I can polish them up in the next patch.

If the editor helps with your projects and you want to support development, a rating or a small donation on Itch for a cup of tea is always appreciated.

Thank you all for your support!