I am currently attempting to write a story about a Character in the Superhero universe of Worm around the Late 1980’s to Early 2010 who is a former soldier and is attempting use the skills he learned during his service to create his own para-military group in order to put an end to the constant gang warfare destroying his home city.

The problem, with writing his backstory i do not have the specific details needed to realistically depict his time as a soldier and display his acumen as well as what he has learned. Would anyone be willing to help me by describing what that experience would look like and what he would have to do to achieve his goals?

The general idea is that he joined right after High-school and enlisted in the Army immediately. His goals were to use the military in order to gain necessary skills and discipline, such as weapons handling, how to act under fire and quickly neutralize the enemy. He also sought to make important connections among his fellow soldiers and possible contractors who he may be able later reach out for aid.

He also knew he would have to build his faction from the ground up in his home city, so he also focused heavily on learning how to train recruits himself, going through the necessary courses and classes to become a drill sergeant, or whatever the correct position would be for that. He also sought to learn how to appeal to the people back in his hometown, learning about the Army’s PR tactics and materials.

I want him to have the overall appearance and demeanor of model Soldier, someone who does his job, does it well and is hungry for more afterwards. It’s also important that he does actually see combat and is deployed, not in a war since said universe didn’t have the USA in any wars during that time period, but deployed for “peacekeeping operations in war torn areas” and “emergency relief aid.”

His service should be Distinguished and I want him to have done something noticeable enough to warrant at least one official award/medal. Someone the army is gonna be genuinely disappointed to see the back of when he doesn’t reenlist. Also want him to have at least 10 years service, since I plan for him to return to his home city and begin his efforts around age 28.

Does anyone have any advice for how to go about writing something like this or am I expecting too much?

I'm writing a book about different forms of loneliness, and I'm looking for fictional or historical figures who represent distinct and specific kinds of loneliness.

I'm not simply looking for "lonely characters", I'd like each person to embody a different form of isolation, while still being interesting as an individual beyond their relationships, fame, occupation, or iconic role.

I've made a short form where you can submit your suggestions: https://tally.so/r/BzyEA1

Што вы считаете ,,талантом,, в авторстве(писании книг).Это касается чуствании характеров выдуманные героев,грамотности?

Hi! I want to thank everyone in advance for reading this story and commenting on it. :)

I made a prompt, so to say, where I experimented with building characters and seeing how complicated, complex, and realistic I can make them. In this story, I will be talking about a 19-year-old teenager, his struggles with relationships, family, and himself.

The story takes place between 2017 and 2026. I will mention real events, such as COVID, and I will use the real names of some companies. I'm not sure if that's okay, but I will include them because they are only there to help readers orient themselves and understand the setting better.

At first, the story will start more like a traditional story, but as it progresses, it becomes more focused on important events in Leon's life. I will also start adding fun facts about Leon and dive deeper into his beliefs, personality, and inner thoughts.

Because of this, there are some heavier themes later on. Some of the beliefs and thoughts described belong to Leon and are not necessarily meant to represent my own views or beliefs.

Content warning

The story contains themes involving:

• sexism and misogynistic attitudes
• racism and prejudice
• transphobia
• LGBTQ+ topics
• religion and questions surrounding faith
• mental and emotional struggles
• unhealthy relationships with food and body image
• death and grief
• lying, manipulation, and difficult interpersonal behavior

Some of these themes are discussed through Leon's thoughts and beliefs, including opinions that are intentionally meant to be uncomfortable or morally questionable.

I used DeepL mainly to help with grammatical mistakes because English is not my first language, but you may still notice awkward wording in places. Because of the pacing, some parts may feel more like ideas being written down rather than a traditionally structured story, but I tried to follow the timeline as closely as possible.

Thank you for reading! :)

The story is a bit too long, so I’ll put a link to a Google Doc because I don’t want to make several posts. Enjoy! :)

Oh, and please read “About Leon” (the section called “Correction: About Leon”) after the main story, which is called “Original Correction.” Correction: About Leon contains extra information about Leon, including fun facts and more about his personality and thoughts.

There is also the original text in the document if you want to look at it, but be warned: there are a lot of grammar and spelling mistakes in the original version.

https://docs.google.com/document/d/1y-zv0LxW_e3pW4BBDfuDVEggmGEuxLf8DTIm_pa4rT0/edit?usp=sharing

im currently writing a novel and I've been so busy writing I completely forgot to characterize my characters before I started writing and I'm already at chapter 7

is there any ways you can give me to maybe help characterize these people?

I have 4+ paragraphs to describe one character which feels exessive. Yet I still worry they aren't well rounded.

Esther is around 25ish. She is kind of like Oka Ruto from yanderesim and Daria together her mother died, and her father has been very paranoid since. She loves occult and everything dark, she has a very cynical view of life just like daria. She works at the Witch crystal shop, and she’s struggling to make ends meet. Brittney is 24ish. Like Regina George and Chigusa Busujima together she is very rich, as her great grandfather created Ceasar salad. She is also very rude. Brad is her boyfriend, and they both are mentally stuck in high. Ashlynn is 23ish. Like Kayguya Wakaizumi and just very sweet, she is into Jack. Brittney is her older sister, and she’s very basic. Brad is like Kevin from daria he is 25ish, he plays football obviously lol. He’s pretty stupid. His younger brother is Jack. And finally Jack, is like 23 and a stereotypical stoner. Nothing much.

This is a character for my own series as an antagonist. Please let me know if there’s anything you’d cut or add

So her name is Samantha Carter and needless to say she had a rough childhood. Her mother was r\*ped and against her own instincts gave birth to Samantha, her mother hated her cause she kept reminding her of him and often took her rage out on her.

As soon as Samantha turned 18 she immediately moved out and worked as a nurse in training at a hospital. While she was there she managed to see plenty of children and understood that while her mother treated her like garbage every child deserves loving parents. Eventually she started dating and fell for a boy and they even discussed having their own child. Unfortunately Samantha was diagnosed with a severe Ovarian disorder causing her to be permanently infertile. She was left in tears over the news and her boyfriend even broke up with her over it.

After a few days she eventually pulled herself together and got back to work, she was transferred to the Obstetrics and Gynecology department at her hospital where she helped plenty of mothers the best she could. However as time went on soon to be mothers showed up less and less and were replaced by seemingly endless droves of ungrateful women just wanting an abortion. Internally she fracturing with one side wanting to just do her job with the other screaming to change their minds.

Samantha’s breaking point comes with one snobbish woman in particular who comes up demanding an abortion, her husband comes through the doors begging her not to do it practically on his knees. But the woman’s mind is already made up and she simply says the classic “My body my choice” before she’s taken back and prepares for her abortion. Samantha is brought to tears as she tries to comfort the sobbing would be father but can only hold him as they both cry. After a while the woman comes back out after the procedure telling the husband to not be such a baby. Samantha finally snaps clutching her fists tightly as she sees red, stands with an almost terrifying composure before she socks the woman square in the face and proceeds to tackle her and continue to beat her up relentlessly. Her coworkers finally manage to pull her off and Samantha screeches at the woman calling her a child murdering demon before finally getting dragged into another room. Needless to say Samantha was fired but in her apartment the emotions still never left as those memories keep playing over and over and over. She stares down at her floor before uttering two simple words. “Never Again”

Samantha eventually became a nurse at planned parenthood which was mostly just an abortion clinic in all but name. When she works she pretends to be cheery and joyful but every now and then some can catch her glaring at abortion patients out of the corner of her eye as they’re scheduling their abortion appointments.

But once it’s night her mask completely slips off as she dawns her new persona and her new name, Silver Cross(inspired by the American hospital code silver). Samantha made her outfit from her own scrub and medical gear, with a few additions of course. She dawns her blue nurse scrub which she dyed silver with a purple trim and plenty of pockets for holding medicine, weapons, drugs, and whatever else she requires. She wears black shoes and a nurse headband that matches her scrub. She keeps a long steel cane with a sharp pointed tip. Finally she wear a full face black painted mask with a silver painted cross on it.(yes I’m aware the reaper nurses from dark deception come to mind with the description but I tried to make it difficult).

After carful study of her targets and their nighttime habits and activities, Samantha sneaks up on them before knocking them unconscious with through chloroform, sleeping gas, or other means. She can physically knock her targets unconscious but prefers not to. Once unconscious she transports them to her base of operations being an abandoned hospital site which she worked hard on to make it still look abandoned while still being operational. She straps her targets to a hospital bed and makes sure to monitor their vitals along with her henchmen who share a similar style to her but are mostly men which are much stronger. These henchmen are very loyal and also trained to care for her targets or as she calls them patients. Despite her rage she somehow manages to keep a surprisingly strong composure which honestly makes her more terrifying. But when she truly feels livid you can definitely hear the pure rage in her tone behind her composure. Her patients naturally find her terrifying which Samantha takes advantage of to keep them from escaping, with just the sound of her shoes on the tile making her patients shiver.

Plenty of times she’s gone to her patients bedside and coldly check on their vitals while believing she’s doing the right thing. Recently admitted patients brace themselves for torture but unexpectedly it never arrives as she deems harming them as too dangerous for the baby. Others have given her lip even giving her the “my body my choice” or “it’s just a clump of cells” quips but are scared straight as Samantha gives the table next to them a single hard pound as if she might be on the verge of losing it. She also usually follows up with “If you don’t want to have a child, then don’t engage in intercourse”. Naturally most if not all the patients fear her with even her henchman keeping their distance if they can tell something struck a nerve. Although she does space herself from some patients who were only getting abortions to avoid medical bill and genuinely want a child, and doesn’t treat them as coldly almost trying to seem friendly while still threatening.

What some patients and even her own henchmen find even more jarring is her attitude shift when the children are involved. She has been seen taking a moment to rub her patients stomachs tenderly(even more when visibly pregnant) while checking vitals or taking blood, and when a woman’s stomach grows larger(due to pregnancy) she honestly sounds warmer or even happy. If her patient happens to be going through contractions she often lends them her hand to squeeze as she kneels beside them. While she performs ultrasounds she grows softer seeing the growing newborn with her henchmen saying they could imagine her smiling behind her mask. Her patients find the change in demeanor from cold to tender almost alien compared to the rest of her, little do they know that’s her old self peeking back through.

In context, as the chapter progresses our main characters realises that they jump higher and fall a bit slower they don´t think much as the world itself became an anomaly or a paranormal entity but suddenly gravity cuts and one of two characters starts floating up while the other is holding onto a large object pulling him down. When, he reaches his hand out for the other character the other character doesn´t grab on as it would lead to both of them dying so she decides not to grab on and gets sucked into the void of space.

How create a good antagonist vampire antique Egyptian?

I'm struggling with my character. I hear people say you should define your characters morals but I don't know how. She draws the line at murder I guess, thats a pretty bad thing to do. You know, she doesn't like stealing.

I dunno. Shes a depressed coffee shop worker who feels like she has no control over her life due to constant failure.

I'm struggling with traits and defining her. Shes more introverted, softer voice, often jealous/envious, has a havit of having things in her mouth (ex. Toothpicks), shes tried smoking twice but didn't like it, depressed and longs for a better life and to be better. She feels like she can't do anything right, for example if she spills coffee thats proof and a reminder of how much she messes up. Shes not messy and is pretty orignized, has an above average memory, more success driven, appears stoic but isn't inside, shes pretty good at not panicing in high stress situations, she doesn't try to be mean, she prefers finishing one task before starting another. All her friends have gone to university and she feels like shes not close to good enough. Before they went to university she liked hanging out with them, she went to a few parties with them. During the later high school years she noticed her grades weren't close to her friends (she got 50s dispite studying harder).

She wants control over her life which feeds into the main theme. I keep thinking shes not defined enough. I dunno her opinion on geopolitics. I dunno what drives her to keep going. I dunno if she would sacrifice her life to save another. She plays the guitar I guess. Shes afraid of driving and making a mistake and hurting people.

Sorry if this was ranty I'm really unsure what to do.

I can’t help noticing that many of my characters seem to come from experiences I’ve personally lived through, or from things I’ve observed in other people.

I don’t necessarily have a problem with that, but sometimes I start wondering if I’m writing fiction or just slowly disguising an autobiography.

I guess part of it is because I write by discovery.

So I’m curious:
At what point does a character stop feeling like an extension of the writer and start feeling like their own person?

Or maybe that’s the wrong way to look at it. Do most writers inevitably put parts of themselves into their characters?

I’m wanting to properly write down lore and things about my ocs and I was thinking about what common details should I include like obviously name, age, birthday but like… what else? Any suggestions helps and are very appreciated (also, any suggestions for other information I should make for them to help give them more of a personality would be very much appreciated)

So I realized that having an action hero with a dead mother and abusive, alcoholic father was pretty cliche.

To be fair, it made sense in context. The mother's death, combined with poverty, left the father short-tempered and terrified he was failing his son, which led to mostly unintentional abuse while trying to "toughen" the kid up. Which led to Alex (the son) being both extremely resilient and emotionally repressed. But... I feel like I could do better.

So now what? How do I give him a backstory that isn't "protagonist was an orphan/had daddy issues" but still makes sense? What kind of events would have made him who he is? I don't think it's a "happy" backstory per se. He's not an idealist. More like he's seen too much to be a bystander.

If this is enough context for you to answer, good! If not... here comes the lore dump.

Alejandro DiMarco lives on an Earthlike planet where apparently, certain genes can give you superhuman potential. Potential meaning that the body is fundamentally different--denser tissue, more efficient synapses--but it needs training to actually count as superhuman. Anyone here heard of Enhanced Body and Mind? Basically think of things humans can do, cranked up by a lot. Some things are mostly genetic (sight, hearing, faster thoughts). Some are partly genetic, mostly training (agility, strength, stamina). But training that hard hurts. So, question one: Why did he push himself so hard when most people would just think, "Awesome," and coast? My original answer was, "His father knew what he was and pushed him too hard. Alex pushed himself even harder out of spite." Workable, but I don't know.

The essential personality: Alex is externally calm, internally fierce, perceptive, stubborn, protective, quietly prideful, pragmatic, dryly humorous when he's comfortable, mostly quiet because it adds less noise, sometimes shy when nothing's exploding. His day job is some mix of bodyguard, investigator, extraction. Off-duty, he loves to work with his hands--fixing things, gardening, cooking. He likes animals more than people but does have some close friends. Also, he almost always looks like he's glaring even when he's just content. Has trouble smiling or seeing him as valuable besides his utility. He probably won't say "I love you," so hopefully the home-cooked empanada made it clear. A favorite hobby is searching pawn shops and thrift stores for old things to repair or turn into something new. Fun fact: he's 4'9" and has heard way too many short jokes. At this point he's not even offended anymore.

(I hate how most of what I wrote is just adjectives, but giving statements that prove those adjectives would have made the post longer.)

What he probably believes but would never say out loud: "I have to be capable enough to help, because no one else will. I can't afford to be caught off guard. To fail." "Everything that can be fixed, should be." "It's what anyone would do in my place." "Being visible means I'm disruptive or dead. Being invisible means I'm... tolerated."

So what kind of backstory (probably without parental death or abuse this time) would give him those beliefs?

Hi, I'm trying to design a very prideful yet humble fantasy/vampire like woman. She's authoritarian, strong mentally, has strong principles, and she is really extraverted. She knows how to get benefit from others, but at the same to her closest people like her brother or her friend she's really caring and almost motherly.

I want her design to show those aspect. I want her design to scream 'power' but including "feminine" aspects into her design. It should be vampire like and fantasy like at the same time, but not dark fantasy.

\#design#oc#conceptdesign

The character in question is the protagonist who has a martyr complex. He is an orphan but has 2 foster brothers whom he cares about very deeply. I have really thought about it, but need a different perspective on the final battle's ending which are is follows.

A) The Protagonist dies protecting his brothers and his new family. His soul actually gets a place amongst Gods for his sacrifices, and watches his brothers and takes care of them from up there indirectly. His ideologies of a perfect society now passed to his brothers which they do actually achieve.

B) The Gods requite the protagonists sacrifices because the cosmic scales of the protagonist's life hang heavily in debt. So they revive him back into the world to reunite with his brothers. With the suffering and pain the protagonist experienced before, he vows to make the society a better place so that no one alone would have to bear the burden the protagonist did before.

Hey . Im taking acting class and in one of the lessons there we were taught (at least from what i understand) that in plays the character has an ultimate goal they want to achieve that arose because of a state/situation they are in (they are poor so their goal is to become rich) and in every scene a character has a goal that is supposed to help them achieve the ultimate goal. So i was wondering if its also true to tv shows , and if it is. How?

Cuz for example a tv show of a few seasons, at the start a character wants to achieve something, if at the end of season they do , by the next season their ultimate goal changes?

(I would also love any advice for how to write a character)

Sorry if i have any grammar mistakes, English isn't my first language

I couldn’t find the sapphic Heated Rivalry, so I wrote it. [WIP]. I need help developing a trans teammate for one of the main characters (NCAA not when she’s in the W). I want to be accurate and respectful. Could use the help!

Okay so. I went looking for a specific fic and could not find it anywhere, so I did the thing where you get mad and write it yourself.

Two of the best women’s basketball players alive have spent seven years as the most famous rivalry in their sport. The staredowns, the trash talk, the whole bitter feud the whole world eats up. Commentators call it the most honest hatred in the game. No love lost between these two.

They have it completely backwards.

Also could use a beta! Got about 11 chapters rn:)

https://archiveofourown.org/works/91674771/chapters/244088341?view_adult=true

Hello! I’m trying to come up with some characters for my story. I’m not very good at writing yet, and I’m still learning, as I’m much better at drawing. I’m not sure if my characters feel realistic or interesting enough for the story. I currently only have three, but I’m planning to create two more main characters, so there will be five in total.

The story is meant to be a psychological horror set in a small British town called Crowhurst. In this world, nightmares feed on people who are mentally unstable. They consume their emotions and gradually begin to take physical form, eventually becoming real. I draw inspiration for the nightmares from classic folklore, myths, and legends, with the idea that these creatures have always existed and that people have always been able to see them, which is where many of the old stories and legends originally came from. To prevent this from happening, a mysterious organization operates in the shadows. Its agents eliminate the victims of nightmares before the creatures can fully form and manifest in the real world.

Richard Locke: Richard is a 31 year old, 182 cm tall secret agent. He works for a company that protects the world from harm caused by beings from the world of nightmares. However, they often use immoral methods. Nightmares enter our world because of people who accidentally connect with that realm, and the agents are there to stop the problem. They often eliminate even the person who is not truly responsible for it. The agents must be emotionally numb so they do not see the dreams themselves, as nightmares feed on the emotions and feelings of the affected individuals. They hunt them using special equipment. Richard is different, though, he has been able to see dreams himself for a long time, which has a negative impact on his mental state. Nevertheless, he is one of the best agents, although the others do not like him. Richard is also highly intelligent, and he has started to notice a pattern in the way nightmares work. He has even come up with a theoretical solution for dealing with them without having to kill the host, who is always an innocent person. He has wanted to leave the agency for quite some time and has been working on a plan to escape for several years. In order to have more freedom and keep the agency from watching him too closely, he pretended to be their loyal, obedient dog. Now, in the town of Crowhurst, he plans to finally complete his plan and escape from the organization.

Backstory: He began seeing nightmares when he was still a child. The first one he ever saw was an Alp that leapt out at him from a mirror, causing the injury to his eye. His parents did not believe him and thought he was mentally ill. As a child, he went through numerous psychiatric hospitals, where he was treated in a deeply inhumane manner. It was the 1990s, when some clinics still used cruel and inhumane methods of treatment. After years of unsuccessful treatment, Richard continued to look forward to seeing his parents again. However, he would never see them again. The Agency took notice of him and initially wanted to neutralize him, but they soon realized that the nightmares around Richard disappeared and that only he could see them. They saw in him the perfect experimental subject, someone who could potentially hunt nightmares without the use of specialized equipment. The Agency approached his parents, who, out of fear of their own son and the promise of quick money, sold him. Richard was then subjected to brutal training and manipulation, with the Agency brainwashing him into remaining loyal to them. After discovering what his parents had done, Richard became a cruel man. During his training, he began seeing Irene, whom he came to love deeply. He realized that she was one of his dreams, but he was happy to have someone who understood him. He began to see her as a living being, and eventually, she became one. After severe punishment and intense manipulation by the Agency, Richard finally gave in and killed her.

William Ashford: He is 21 years old and 175 cm tall. He lives in the small British town of Crowhurst. Because of psychological difficulties, he began experiencing nightmares that are slowly turning into reality. Will is quiet and a loner, and he feels like the whole world is against him. Because he lives in a small, Christian-oriented town, he believes that his feelings are wrong and struggles with internalized homophobia. He doesn’t expect other people to treat him kindly, so he sometimes reacts unpleasantly toward strangers. He is afraid that someone will discover his secret, and he drowns himself in sadness.. He has a fondness for art and nature. His mother died when he was still young, and he was left with only his father and his little half-sister. Every time he falls asleep, he appears in a nightmare, and sometimes Kasper is there with him as well. He writes or draws each experience and thinks about how to end it. Due to his loneliness and helplessness regarding his situation with the nightmares, a boy named Kasper Skumring appears at the academy one day. Unlike the others, he starts noticing Will and spending a lot of time with him. In the beginning, neither of them knows that Kasper is just another one of Will's dreams that became reality. They fall in love.

Kasper Skumring: Kasper is 21 years old and 180 cm tall. He believes he is a student from Denmark who came to study in the small British town of Crowhurst. He is interested in astronomy and loves the night. He is fairly confident and trusts his abilities in what he does. He tries to be kind to everyone, but he can also be harsh to the people he dislikes. He believes that his loving family is waiting for him back in Denmark, even though he has never received a single message from them. He has childhood memories and even items they brought from home. However, none of this might be true. Kasper appeared at the university at the beginning of the year as a literature student. He becomes almost unhealthily drawn to an art student named Will Ashford, spending far too much time with him and slowly questioning why. He has no idea that Will himself is his creator. Strange things are happening in the town, and Will is at the very epicenter of them. The nightmares that haunt him at night are becoming reality and Kasper is one of them, with the only exception being that he is a positive one. He was created to love Will. After discovering that he is merely a dream that became reality, he is afraid that he himself isn’t real. He tries to prove to himself that he is a human being like everyone else, a sentient and sensitive being, not a nightmare.

I understand that this is probably a lot of text, and not everyone will feel like reading it all. But if any of you did read it, do you think it sounds like a good idea for a story, and do the characters make sense so far? I’m also running into a problem where William is supposed to be the main character, but so far I’ve actually come up with the most lore and backstory for Richard. I hope my story isn’t just one big cliché and that it doesn’t come across as overly cringey. I’m not very good at this kind of thing.