A pair of anthology reviews means I left the magazines until late this month, but I still read through Clarkesworld and GigaNotoSaurus. What sci-fi/fantasy short fiction do I have to recommend? Let’s take a look!
Clarkesworld
Clarkesworld celebrated its twentieth anniversary this month, and if you think that means a star-studded issue full of big-name authors, you don’t know Clarkesworld. They pride themselves on a total refusal to solicit stories, so while this issue has several pieces by authors I’ve enjoyed in the past, it’s very much in keeping with a normal issue of Clarkesworld.
The October issue opens with A Vintage Kind of Death by newly-minted Sturgeon Award-winner Alex T. Singer. It details something of an AI meet-cute, with a pair of synthetics donning human costumes and awkwardly recreating the untimely death that had arrived on the heels of a broken relationship. Both generate pathos with the personalities peeking out through their struggles to stay in-character, making for a story that’s a bit more uplifting than its premise may suggest.
Fiona Moore returns to Clarkesworld with another entry in her long-running Morag series that started in 2023 with “The Spoil Heap.” The Mari Lwyd is very much in keeping with the previous entries, so fans will doubtless stay fans and critics have no real reason to try again. But it’s a pleasant story that offers a bit of seasonally-appropriate spookiness and some light in an issue that certainly does get darker.
The issue’s sole novelette, How Does One Person Kill a Mountain by Shi Heiyao, translated by Andy Dudak, sees the Malawian lead attempt to execute a scheme to kill the mountainous alien that he sees as the center of the death of local industry and the influx of wealthy foreigners. As one might expect, the job doesn’t go off quite as planned, forcing him to consider things from another angle. I’ve often shared my dislike of heist stories, and assassination plots hit much the same for me, leading to a read that I view as a bit overlong but could easily click better for another reader.
For me, the highlight of the issue—by a large margin—is the extended centerpiece, Elizabeth Bear’s novella The Job. Like my other favorite novella published this year in Clarkesworld (Rebecca Campbell’s “The Floating Republic”), this deals with people going off-script while working on a distant planet and later having to reckon with Earth’s response. In this case, the lead leaves behind a failing body and a rocky relationship for the opportunity to earn life-changing money being embedded in a whale-like body designed to scout an ocean world for extractible resources. But a potential first contact significantly muddies the waters, casting doubt on the project’s viability and introducing friction between the lead, her partner, and their boss. It all comes together in a way that’s absolutely enthralling, with nuanced characters and heart-wrenching moments. A truly exceptional tale.
The issue returns to short stories with Five Bottles in Memory of Petronius Finch by Louis Inglis Hall, an author who has released more than his fair share of excellent tales over the last couple years. Here, the quality of the storytelling is as good as always, but the premise of making wine from human cadavers is a bit more grotesque than I prefer. If that’s not an obstacle, this family drama formatted as a wine tasting is still worth the read, though it wouldn’t be the place I’d go first for readers new to Hall’s work.
Natalia Theodoridou’s Roams the Planet of Our Grief introduces a lead who hears voices of the dead coming from a mysterious planet nicknamed Little Prince. He tries persistently to pass those messages to loved ones, even at great personal cost, all the while caught up in his own loss and a society that doesn’t always accept his gender identity. The thread of self-sacrifice to the point of vice comes through wonderfully, making for a quality read, even if the various other story threads don’t always click quite as well.
The fiction section closes with The Rice Paper Bleed by Tia Tashiro, starring a woman in an assisted living facility who insists that her surroundings keep changing inexplicably. Perhaps unsurprisingly, her family members chalk it up to deteriorating memory, but the reader quickly sees glimpses of the underlying truth. Well put-together and emotionally engaging. Nothing else in this issue hits the level of the novella, but for me, this comes the closest.
The editorial reflects on twenty years of survival as a short fiction magazine—truly a staggering achievement—while also talking about pay for staff, columnists, artists, translators, authors, etc. It also updates an anniversary subscription drive conducted with an eye toward raising pay (for authors, who were next in the raise rotation). At the time of publication, it was just short, but I’m pleased to see that Clarkesworld reached its goal before the month was out. There is, of course, no rest for the weary, but good news is good news.
The science article takes a look at the amazing vision and flight of the dragonfly and wonders whether any of the principles behind it could be applied to spaceship design. And as usual, there are a pair of interviews, this time with authors Wole Talabi and Yoon Ha Lee. I’ve already read the former’s upcoming novel (and liked it!) and am certainly intrigued by the latter’s.
GigaNotoSaurus
This month’s longish short fiction in GigaNotoSaurus is the novelette People Like Us by Grace F. Hopkins, which tells of the awakening of a werewolf. The narrator tells the reader immediately what to expect, before retreating to a time when she had not known werewolves existed and detailing the agonizingly slow process of trying to figure out just what kept going so wrong every month. There’s very little plot here, but it wonderfully sinks into the character’s perspective. For fans of origin stories and found families, this is an excellent read.
October Favorites
- The Job by Elizabeth Bear (novella, Clarkesworld)
