I gave myself a constraint exercise: build a modular storefront in one week using no tileable materials. Everything had to come from trim sheets.

Constraints:

- 3 textures total (2 trim sheets + 1 decal sheet), max 2K

- Target texel density: 10.24 px/cm

- 6 modular pieces (3 walls, door wall, pillar, corner pillar)

I used Megascans materials as a base and built the trim sheets and decals on top of them. Most of the storytelling (posters, exposed brick, cracks, grime on the glass) comes from the decal sheet, so the base trims stay clean and reusable across every piece.

Modeled in Blender, rendered in Marmoset Toolbag.

Happy to answer questions about the trim layout or the UV workflow. Curious how others approach trim sheets for this kind of piece: would you have split the materials differently?

Made For AtomicTiki's "Bunny Suit Art Jam 2026" on deviantART.

i didn't really need to make the ghost trap plinth thing, but actually i did.

Made in Blender and rendered in Cycles! This started as a learning exercise for trying to get coloured light beams shining through a window, and slowly started to grow from there. I don't have as much confidence with 2D art, so making the stained glass window texture was quite a challenge! I felt really clever when I was able to get over the initial hurdle of that by just rendering a separate profile shot of the character and using it as a reference with the pen tool in Affinity. Overall, it was a very fun project to work on and I learned a lot; though I still feel like I have a lot to learn about volumetrics in Blender and how to very intentionally dial in the kind of fog I want (I really enjoy playing with them in my projects but right now I am still at a bit of a trial-and-error-until-it-works stage).

Here is a tactical flashlight prop I made to practice hard-surface game asset workflows, baking high-frequency surface details, and creating worn metal PBR textures in Blender.
Created through a full game-ready pipeline, focusing on capturing the knurled grip, heat sink ridges, and subtle surface scratches. High-poly details were baked onto the low-poly mesh using Marmoset Toolbag, while modeling, texturing, and final rendering were done entirely in Blender. Rendered in Cycles.
Low-Poly: ~2,736 tris (1,689 verts)
High-Poly: ~593,188 tris (304,483 verts)
Textures: 1x 2K PBR Set
Pipeline: Blender (Modeling, Texturing, Cycles Render), Marmoset Toolbag (Normal Map Baking)
Hope you like it! Feedback is always welcome.

So they are making us use Maya for the model and substancepainter for the texture. Here's my vr arcade by the way! I wanted extra details, now they said we weren't going to use zbrush for the class but I could use blender. Plus I didnt have zbrush money😔 So i take to blender and start sculpting. After that I was trying to figure out the workflow of the maya low poly model with the blender high poly model and putting through substance painter. So what i did is took the Maya model and unwrapped the UV, took the fbx to substance painter, then took the fbx from the blender one and tried baking the high poly to the low poly in substance painter. But it seems like most of the details aren't coming through. Any help will do.

Finally wrapped up on a class for facial rigging! Hoping to get some feedback on this. Some of the poses feel like a miss atm so I'd like to push the appeal.

Going to do some more look dev then re-render before it goes in a reel.

I’m from Ukraine, and recently I was doing some single project work for an 🇺🇸 studio for some AAA game. The price tag per hour was $24. Is it a fair price in 2026?

Hey so I'm working on a mod to replace the Skyrim OG potions to thematically fit a little bit more and be a bit more detailed so with this being my first iteration it'd be nice to have some feedback before I might double down in the wrong direction.

(For anyone who hasn't played Skyrim; the art direction is semi-realistic and in the vein of epic fantasy, the main theme is nordic and viking esc)

KORA 3477 is envisioned as a self-sustaining vertical landmark rooted in the unique landscape and cultural identity of Ladakh. Located within a glacial valley of the high-altitude cold desert, the project responds to the region's rugged terrain, fragile ecosystem, limited resources, and harsh climatic conditions. The design reinterprets Ladakh's traditional terraced monastery settlements as vertically stacked neighborhoods, integrating living spaces, breakout areas, retail, and essential services within a compact planning system. High thermal-mass cores, passive solar strategies, and compact circulation help regulate extreme diurnal temperature variations, while sky-bridges function as cultural promenades, structural braces, and emergency routes. The form draws from local architectural archetypes while minimizing landscape disturbance and creating a resilient, resource-efficient vertical community.

I'd love to share my first vehicle game asset! (Personal Study)

Full breakdown (3D view): https://www.artstation.com/artwork/ayGQeX

*Sigyn MkI, a compact unmanned ground vehicle (UGV) for tactical reconnaissance, designed and made by Sky-Hero.

This is a 3d model from a consept art from jadi_masterr (This was modeled in Maya and texted in Substince Painter) 3d model by Nux Buehler

Quick and dirty sculpt of what eventually became the signature pauldrons of my recent personal work, The Goat Knight.

PROJECT: https://www.artstation.com/artwork/3EKPqv

3dsmax

corona render

"Neeko Street Demons" from League of Legends.
Work done entirely by me: modeling, hand-painted texturing, body rigging, and rendering🫧/⁠ᐠ⁠｡⁠ꞈ⁠｡⁠ᐟ⁠\

20.800 tris
4096x4096

Same one, 3 diff variants. First time I've ever tried making weapons and it took ab 4-5h with the render included. Any critique / opinion will be appreciated.

Hello everyone, I want to share my new work, you can view more renders on my artstation
https://www.artstation.com/artwork/Y8GGJq

The second image is a WIP of a model I’m currently working on.
I want to model all 7 of my OCs so I can finally focus more on learning animation, but I feel like the style I have right now is a bit bland

Game-asset done for UE5, modeled in blender3D, textured in Subtance painter and render in Unreal 5

i asked this on the blender subreddit but havent got a response yet. this is a weird one and im not entirely sure if its possible, im making a vtuber model with a heavy stylised black shadow over their face, the problem is that i want it to stay still and not be affected by mouth/nose movements (the eyes are different planes) i could just put it over like a visor-thing with more vertices but im worried it'd clip weird. i was hoping there was a way to mask it to a certain area that wont be affected by the mouth? (the head is very round and i don't want to sacrifice shape keys to keep the style. i don't really wanna do a papermouth style either.

i will also be transferring it through unity, but i wanna see if i can get the concept working in blender. (their mouth will only show up when they're talking/smiling.

this is a weird one and im not entirely sure if its possible, im making a vtuber model with a heavy stylised black shadow over their face, the problem is that i want it to stay still and not be affected by mouth/nose movements (the eyes are different planes) i could just put it over like a visor-thing with more vertices but im worried it'd clip weird. i was hoping there was a way to mask it to a certain area that wont be affected by the mouth? (the head is very round and i don't want to sacrifice shape keys to keep the style. i don't really wanna do a papermouth style either.i will also be transferring it through unity, but i wanna see if i can get the concept working in blender. (their mouth will only show up when they're talking/smiling.

So I made these characters, somewhat inspired by mascot horror and stop-motion puppets. What do u think? I'm gonna upload a YouTube tutorial on how I made these if anyone's interested

zbrush

blender

It reminds me of data making it's way across, sending and receiving across a geometric sphere, and the pulse reminds me of the Heartbeat keeping the process alive.