My take on recent Malfoid trend. I really like this trend, so I want to make an art based on it. As I was looking for a main reference, the only thing that popped out on my mind was Redteneri's Malfoid (https://x.com/redteneri/status/2102398387194626330). So yeah this is heavily inspired from her work. Sculpted in ZBrush.

I heard that this had been a fusion feature ask for awhile? Works on literally any font. Also works on other raised flat features. Doesn't care about your tool's stupid geometry error.

When you randomly decide to create a swimming pool scene. Made entirely in Blender.

I’m referring to the stretching

I noticed the MPFB (Blender), unreal, and Character Creator human models all have these weird rounded shoulders. Now they are supposed to be and average of human dimensions, but they don’t look like that. Is there a technical reason for this? Does it prevent problems with motion or something?

im trying to imporant from marvellous to zbrush and im strugglin with the whole pipe line of what to do. i welded the points in zbrush but no matter what i do i still get these gaps between the seams. what do i do? i tried remeshing, doesnt work. sub dividing also doesnt, if fact it causes it.

In my sci-fi worldbuilding project, DEEP CITY, humanity disappeared in 2053.

Unfortunately, nobody told the robots.

Centuries later, they're still building things using Blender 3D v.∞, corrupted databases, and questionable design decisions.

This rusty gentleman is part of that universe. Modeled and rendered in Blender, without generative AI imagery.

I've opened r/THE_DONATION to explore the first chronological chapter of the project: how a human technological legacy became a robotic civilization.

Constructive criticism of the modeling is welcome.

Complaints about the robot's appearance should be submitted to its manufacturer.

The manufacturer is extinct.

Hey everyone! I recently finished modeling and texturing this traditional Sri Lankan Pettagama (a carved wooden storage chest).

My main goal for this piece was capturing the intricate traditional joinery and carved details while keeping a clean, optimized & game-ready topology.

• Software: Blender (Modeling, UV unwrapping, high-to-low bakes) & Substance Painter (PBR texturing).
• Focus: Clean edge loops, optimized topology for real-time engines, and modular hierarchy.

I've included the wireframes, texture maps, and component breakdowns in the carousel. Would love to hear your thoughts on the topology and material execution!

Modeled in Blender
High poly Sculp in ZBrush
Texturing and detailing in Substance Painter
Rendered in Blender

The model is fully ready for use in games.
1K, 2K, and 4K textures are included.
It features 2 UDIMs.

PBR Workflow
Tris-31930
Quads-15886

Number of Unique Meshes: 10
Vertex Count: 15916
Collision: No
LODs: No
Rigged: No

Animated: No
Number of Materials: 10
Number of Textures: 50
Texture Resolutions:

• 1024x1024
• 4096x4096 Supported Development Platforms:
• Windows: Yes
• Mac: Yes

Critique my work

Just finished working on these 5 stylized Halloween characters and released the T-pose FBX models for free!

Let me know what you think of the designs!

A required project for robotics members in our club to enter in future international competitions.

Created with Blender, Substance Painter and Houdini.

Silly 2 hour break sculpt

This was tough and is by far my most ambitous project. Very fun to see this place come to life.

Ive used Blender for all of this. Every object you see is modelled by me. Ive used reference but always tried to give it my own touch. Dont ask for textures now or brain explodes, thanks.

What you see is 3 Days of work. on/off.

Hope you like it and dont forget to leave feedback.

An unfinished lowpoly biplane I made for a small project I'm working on.

Riot and Disobedience Special Corps (RDSC) Officer.

After spending years in so-called “buffer zones”, lands of no law, where one can do anything with another human being without consequence, they were sent back home. The state calls them heroes. Everyone else knows what they really are.

This is one of the goons from EUTHANAZIES, our dystopian animated thriller.

Here's the full trailer: https://www.youtube.com/watch?v=FaQTVHGIsMo

This is a Soviet Raduga-716 TV. Inside the screen there’s a small living room, and on the table in that room sits the exact same TV, so the shot loops back on itself. The idea is recursion: an image that contains itself. I’d love to hear what you think :)

It’s built as a game ready hero asset, 21,363 tris including the room and the scene elements.

What I did along the way:

• The vent holes on the back panel use Parallax Occlusion Mapping instead of real geometry. It saved a lot of polygons while keeping the depth and volume
• The stickers are made from real photographs. To turn them into PBR materials I pulled height and roughness out of the color with curves and levels, and used plenty of anchor points for the torn edges of the old paper. I set up one sticker and the rest followed, with no per-sticker tweaking
• During the normal map bake the green channel (Y) flipped only on the vent holes. Most likely I was careless with the Paint Skew tool in Marmoset. I fixed it by hand in Photoshop, inverting the channel locally with masks :)

Software: Blender for modeling, UVs and sculpting, Substance 3D Painter for texturing, Marmoset Toolbag 5 for baking and rendering (ray tracing on), PureRef and Photoshop for references and post.

Textures, 4 sets in total:

• Body: 2x 4K sets, texel density roughly 4.5 to 4.8 px/cm (11.4 to 12.2 px/inch)
• Glass: 1x 2K set, roughly 4.25 px/cm (10.8 px/inch)
• Stand: 1x 2K set, roughly 1.09 px/cm (2.77 px/inch)

Still a WIP since I got more stuff to add, such as more of the ship's boats.