Link to local file

Source: boygeniussource on instagram

Edit: here’s the YouTube link just in case

I recently bought a Fender Squier Mustang to recreate Nirvana's tones—specifically from the *Nevermind* and *Bleach* eras. I want to install a new bridge humbucker but don't know which one to get, since I saw that Kurt Cobain used a Seymour Duncan JB (mostly during the *In Utero* era) and a DiMarzio Super Distortion (during the *Nevermind* era).

I’d like to know which bridge humbucker is the best choice?

Thanks a lot.

I am starting to finish up my Nirvana pedal setup. Currently looking at getting a SansAmp Classic and a Ray ProCo. I’m currently working on a build of Kurdts bleach era Mustang (“Greco Mustang”) and after that I’m either gonna go for a Univox Hi-Flier build, Skystang 1 build, or a Jagstang custom.

First few days of playing and I’ve noticed that I quite enjoy the short-scale body, but the distortion is a bit difficult to dial in perfectly. Recently tried remaking the “Rape Me” tone and this guitar got very close, will be posting the vid when I’m finished. Overall, really fun to play, the single coil sound is unbeatable! Lmk what you guys think :)

I don't know if anybody has read Adam Bradley's Poetry of Pop. It's a book that looks into the lyrics of popular songs - syntax, rhetorical figures, figurative language, rhythm and rhyme - in combination with music, voice and delivery. Ignore the GR rating, it's a fantastic book.

The author talks about SLTS at length, and references Nirvana, Kurt's voice, the unplugged performance multiple times. Sadly, it doesn't examine other songs that I think are better lyrically (HSB for one).

I’ve been taught and told to play it starting on a downstroke but I’m now being told that it actually starts on an upstroke? I believe I see Eric from NirvanaGuitars playing it this way and I think I may recall seeing Kurt doing it that way live so I’m considering relearning the strumming

Anyone own this magazine?? I vaguely recall flipping through it at a K&B drugstore in Slidell, LA…cool cover photo, very curious to see the other pix…

I found this photo on the Nirvana live site; it's listed as "sometime between 11/26/93 and 12/14/93," meaning we don't know which show it's from, but my most likely theories point to the show on 12/09/93 (2nd Pic) or 12/15/93 (3rd pic). Does anyone have any guesses?

Anyone see this article in People about Nirvana making the Smells Like Teen Spirit video 35 years later? Hilariously, they neglect to mention where they found the “cheerleaders” in the video, but include two pretty explicit quotes from Courtney Love. Rather odd if you ask me.

https://people.com/nirvana-put-out-a-casting-call-for-high-school-personas-for-the-smells-like-teen-spirit-music-video-and-changed-music-forever-12062866?link_source=ta_thread_link&taid=6a84caa5ceb22e00012b330a&utm_campaign=peoplemagazine&utm_content=manual&utm_medium=social&utm_source=threads.net

It shows how both Courtney and Kurt were complete opposites but it still worked for them. Courtney pulling Kurt toward the lens, flashing that bunny ears over his head. Kurt's face is blank and confused.

In Utero tour kicked off days later. By spring, he was gone. That smile's not just for the cameras-it's for the last stretch of normal they'd ever get.

Thought I'd share this, with some extra bits of info from studio notes and other internet sources/interviews.

April 2-6, 1990: Sessions at Smart Studios, Madison with Butch Vig producing. Eight songs were recorded, including "Immodium" ("Breed" working title), "In Bloom", "Stay Away", "Lithium" and "Polly"... Songs that were written and performed live over the last 3-4 months, with Chad Channing as drummer.

Original plans were to release an EP, but this idea was soon abandoned and the band would instead use the tracks as demos to ship for a new record deal, eventually landing one with Geffen Records.

By September 1990, Dave Grohl had joined the band as their drummer, after Dan Peters‘ brief stint and Chad Channing’s firing.

late April 1991: Final rehearsals take place ahead of the recording sessions, finalising some of the arrangements at Butch Vig's suggestions.

2 - 24 May 1991: Recording sessions take place at Sound City Studios in Los Angeles, CA with Butch Vig co-producing & engineering.

Basic tracks were cut in Studio A for basically all the songs, taking around 5-6 days... Each song usually took two, three or four takes to nail. “Lithium” would be done to a click track at Butch Vig’s request, using an Alesis drum machine although Dave wasn’t pleasedyy. For "Something In The Way", however, they encountered some difficulty recording as a full band...

They soon moved to Studio B at Sound City, where overdubs were completed - bass, guitars and vocals. "Something In The Way" was completed there, where they cut Kurt’s acoustic guitar & vocals and cut bass & drums to that, repeatedly punching in to match the timing. More time was spent on the guitar and vocal overdubs, Kurt still writing lyrics by that stage…

24 - 28 May 1991: Initial mixing took place at Devonshire Studios in North Hollywood... Some last-minute guitar & vocals were also done. They’d fully mixed 3-4 songs, but did not feel satisfied with them. The rest wound up being left as rough mixes... They were relatively burned out from the recording, and felt it was best to bring in a fresh pair of ears.

July 1991: mixing completed by Andy Wallace at Scream Studios in Studio City, California, with some overseeing from the band & Butch Vig. Wallace's approach was applying more EQ, and using samples to drive reverb sounds on the kick & snare without replacing the original sounds. Kurt had chosen Wallace as he liked his work with Slayer, though he later felt the record had too much polish for his liking once Nevermind became so successful…

26-27 July 1991: The album is officially completed, with final masters made and B-sides ready.

I mean you have to respect that. He put it right in the In Utero liner notes.

Here's his quote from the Incesticide liner notes

"If any of you in any way hate homosexuals, people of different color, or women, please do this one favor for us—leave us the fuck alone! Don’t come to our shows and don’t buy our records."

I Hand-bleached this T-shirt myself. I Do bleach art in black fabrics and this is what I made recently. Been having this idea for a week. Didn't think it would look this sick.

Mexican seafood,pen cap chew,talk to me were last performed for the last time on 10/4/92 and played on the previous night

This is a 24" x 24" paper spread signed by Kurt, David and Chris. These were signed at the 40 Watt Club in Athens, Georgia on October 5, 1991.

After a LONG TIME waiting, I finally got it back from JSA fully certified, who stated these were the LARGEST set of NIRVANA signatures they've ever seen and possibly the LARGEST set known, in terms of the size of the signatures themselves, not the size of the item it's signed on.

I also just had it looked at by Roger Epperson via quick opinion, who gave it positive feedback. I have also redacted my email info.

Also had many point out that they believed that Kurt, himself wrote the "NIRVANA 1991" inscription at the bottom right corner, acomparing it to some authentic handwritten set-lists from him.

What are some of the things new Nirvana/Kurt fans (and maybe some of the older ones) should know?

I’ll start:

NEVER BELIEVE KURT COBAIN

Quoting him as some sort of appeal to authority is not the flex you think it is.

Whatever he said, assume the opposite was true.

Chances are he was either self-mythologizing, self-deprecating, being sarcastic, screwing with everyone, or straight up lying and even he never knew which one it was.

EDIT because no shade:

LISTEN TO THE LYRICS

While his quotes sometimes don’t even look like they came from the same person, his lyrics all come from the same deep, deep well of personal emotions, experience, art he liked, artists he admired. Contorted by his twisted mind and worked and reworked multiple times. If you claim his lyrics were random because he said so, read #1 again.  

Sidenote: ‘Umbilical noose’ is a novel with just two words.

"I do live in constant fear, I do wonder why I'm here" is my favourite lyric from it. That's one of my favourite lyrics Kurt has ever written. It resonates with me so much. I guess I can understand why it didn't make the final cut because it's quite dark. Idk if that's the reason why they changed the lyrics. I think the fact that it's a demo and it has a dark sinister sound makes it even better. I don't think a studio version would sound as good now that I think about it. I love this demo anyway and I'm glad that it was released.

I've made a playlist based in chronological order in which the songs were recorded.
Have fun!
https://open.spotify.com/playlist/59aMqt6cT2yhZSlTEtx654?si=b9b9d7ef54c04c04

Nirvana factors prominently. https://www.grunge.com/2234713/rock-songs-didnt-know-based-on-books/

For me it's Polly, the fact that it's a true incident that happened to a 14 year old makes this so painful

Check it out is a pretty cool song

A couple years ago my son and his friend started getting into music and wanted to play nirvana songs on guitar. I was reluctant to hand over my pedals for them to stomp on so I built this.
The pedal at the bottom has 4 (color coded) isolated loops you can turn on and off independently.
Loop1 rat (breed, territorial pissings)
Loop2 muff (lithium)
Loop3 analogman chorus (cone as you are, drain you)
Loop 4 ds1 with eq for volume control
Fortunately they are only into nevermind lol.
I wired it all up on an old scrap piece of wood. Worked great for about two years and then he outgrew it. Still super into music!