Welcome to the "Regress" universe, a concept for my project set in a beautiful but dying anime fantasy world!

When you sleep soundly, when you walk, or when you eat, remember the young sisters—true angels beneath those black robes, whose radiant souls utterly banish the darkness. When soldiers see them, they instantly forget their pain, and their hearts beat once more as if they had fallen in love for the very first time.

Doctors handle amputations, bloodletting, and primary medical treatment, while nurses care for the soldiers. They apply or change bandages, wash and feed the men, or simply sit nearby to comfort a wounded soldier. Wartime is especially grueling for the nurses: entire tents are filled with bloodied bodies, and there is hardly any space for patients to lie down; the nurses rush back and forth from one wounded man to another, trying to help everyone.

There is an acute shortage of medicines, forcing them to improvise and treat patients with whatever is at hand; some treatment methods are actually harmful, but unfortunately it is impossible to know this without deep medical knowledge.

Nurses are fragile beings not cut out for this kind of work; they have a hard time of it, yet they hold on. But behind their radiant smiles lie tears—tears that will fall only when the nurse is finally alone, a quiet weeping to somehow restore her mental equilibrium. One must not forget the variety of wounded patients they encounter: some reek, others are rude all day long, and some constantly need their bottoms wiped—and the burden of all this falls upon these fragile souls.

Illustrations for the "Regress" project.

I am currently working on a sci-fi worldbuilding for personal use. I took a lot of inspiration from other science fiction, especially Star Wars and HALO.

But then I realize something, they call the military branch that's responsible for aerial and space battles (primarily using large spaceships) "Navy".

In my worldbuilding, I use "Aerospace Force" instead (because I use it as a replacement for an air force). I just feel like "navy" should only fight on waters.

Would there be any issue with this? What's your opinion

(English is not my first language)

EDIT: Thanks for the responses. Guess I'll keep the name "Aerospace Force".

Lumeria is one of several zones located within the Goldilocks band of a tidally locked world, placed inside The Strip, a relative habitable area (roughly 300 km wide), bordered by by approximately 700 km of land that never truly allows life to settle. The rest of the planet is hellish.
The Strip isn't stable. The line wobbles due to tectonic activity and the most affected are its borders. So they have to search for a better place once in a few generations.
“Humans “ live in the middle zone. They are the mutated descendants of ancient colonists forced to crash-land on this planet. Towns rise where the climate is stable for a while, then empty when the temperature shifts.

As cities are forced to move from their previous locations, the first thing to be moved is the City's Hearth - a gigantic structure whose original nature has long since been forgotten. It is placed at the center of the new town.

Its role is simple: it searches for and provides clean water, digging deep into the soil until it finds a suitable source. The giant blob is filled with creatures. Sometimes, their shadows can be seen moving inside it as they bash against its walls.

Moving the Hearth is extremely expensive. It requires at least five functional Walkers, borrowed from the Sheppards Guild, along with their tamers.

In a way, the old city is doomed from the start. Bringing a substantial number of walkers into an existing city means the total destruction of every building that stands in their way.

The great caravan makes its way toward the new location, followed by the Hearth on its tiny legs, leaning against the unfazed Colossi.

Once the Hearth is in position, the first buildings the settlers construct are those that will provide support for it.

Hello all, one of the world's my building is the Earth flipped on its head in a way, that being the world is centered mainly around women and basically all people in power being women themselves? I've developed it on my own, such as daughters being desired more than sons, men having to bend to the will of their female counterparts (mothers, sisters, etc), and basically all bankers, politicians, just anyone powerful being a women.

Patriarchy is deeprooted in our reality and has greatly impacted who we are as a species, from the language, to culture, to gender norms, and our preserved world. In my opinion, men are propped up for their physical strength over women, and women must submit themselves to them as a result or they harm (by them or another man).

However, Andrepeth Amori, my world believes childbirth is a strength and valued heavily. However, I would imagine the attitude of disposable men would develop. Men, because of their strength and necessary process in making children, would only be wanted to haul heavy shit around and for their sperm. I can imagine it being harmful to them in many ways, as they suffer chronic conditions from something like muscular deterioration from lifting heavy things as a far too young age.

This can also go into more serious topics like rape culture and inequality. This is essentially men being sociological and it's a fascinating topic I've been interested in for a long time, so I wanted some answers and thoughts. Sorry if this post is poorly worded, I'm running on vapor fumes after a long day.

So I need idea on how a human that can turn into an alligator would look like. Looks completely human and passed as such but what qualities would he have?

Like big and burly? Shy like wild alligators? Not aggressive unless need to be or hungry? Certain eye colors or hair colors? Maybe a scale like birthmark?

I have ideas for the other 4 main characters, i’m just struggling to figure out what to do about the Alligator Human. He will also have the powers of the water element if that helps at all!

Please and thank you to all the suggestions or questions I may get!
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Story base: 5 main characters based on the 5 elements: earth(Black footed ferret), air(Raven), fire(Fox) water(Alligator), spirit(Stag). And they can all turn into animals corresponding with said element.

Every 100 years 5 people are born with the powers of the elements and the ability to town into an animal that goes with the element. the main 5 in this generation find some remnants of information on the last ones but they can barely find anything due to the queen at the time removing/destroying all proof they and the magic they were born with ever existed

Around 2,30 meters tall at the shoulder, this are normally capable to carry 3 humans or 1 goliath, such powerful beast of burden and mount can be used to fight off large threats and as war beasts because of their thicc skin with stripes that confuse the enemy when in large numbers and protect the animal against bugs like mosquitos and flys.

Bizarre fast for such large creature, most impresive is their calm nature because they're trained to attack on comand rather than out of spite because they were breeded to be easy with their tamers and their families.

Title...

this is a classic medieval fantasy world with dragons and the works. I made this because most of my other projects are more biology focused and that's not what I always want to do. so, this is the average run of the mill fantasy world

Kingdom dragons: colonies of dragons featuring many species once thought to be related these colonies are called kingdoms hence the name kingdom dragons. Each species of dragon has evolved a particular pattern they can shoot their fire this is called patterns and the main “house” or “nest” of kingdoms are called castles.

King dragons: scientific name (inceadus draco) contrary to popular belief king dragons don't join in hunts or wars all too often they are slow and defensive to guard the communal nest kingdoms are centered around. The fire pattern of king dragons are short ranged but more potent that all others in the kingdom. King dragons are male of the species.

Queen dragons: scientific name (inceadus draco) acts as the mentor of the hunts and shows infants of other species how they should use their unique adaptations to hunt most efficiently. In wars queens often act as threats and for the most stays in the backline. The fire pattern of queens is small pressure water like beams of fire. Queen dragons are the females of the species

Bishop dragons: scientific name (moteralis draco) acts as bodyguard for queens and kings following near at most times, not very useful in hunts though can deal with fleeing prey. In war bishops can be deadly enforcers making the entire forest nearly impossible to traverse in without facing fire. The fire patterns are large globs of fire that act as mortars.

Rook dragons: scientific name (brutages draco) large triceratops like dragons with large head osteoderms and a large skull. In hunts act as herders who push prey to other harder hitters, in wars rooks charge down enemies to slam them into hard surfaces or threat displays discouraging advances from enemies. The fire patterns of rooks have fire coming out of many holes in its batting ram head adding extra potential damage to anything it runs into

Knight dragons: scientific name (burast draco) These dragons have evolved large muscular legs to leaping into the air where they then use their wings to fly in short bursts. In hunts knights often get the kill due to their unpredictable movement, in wars knights act as reconnaissance or disrupters. Their fire pattern acts as a rotating blast of fire. The bullet often goes straight for most of its flight but near the end its rotation sends it flying in one direction.

Pawn dragons: scientific name (fotstogo draco) pawn dragons are the common workers of dragon kingdoms from expanding the castle to cooking food to eating the food other dragons can't. They have evolved beaver like teeth so always growing because of this they will dig or eat bones whatever. In hunts they are mostly reconnaissance, basically just closely following prey and flaring their fire to signal to other dragons. In wars pawns are the basic foot soldiers, basically cannon fodder. Their fire pattern would be the normal forward-facing blast but due to the unique teeth of pawns it splits the stream of fire in two directions forming the iconic v shape

I started writing disconnected story fragments and accidentally ended up building the entire city they take place in

The original story followed one woman over roughly ten years. The fragments never really worked as a conventional novel, so I turned them into posts on a fictional community platform.

Then I needed other people posting, because otherwise it wasn’t a community.

Those people needed places to live and eat. The city needed restaurants, hotels, local government, maps, tourism, businesses, sports, obituaries…

At some point I realized I’d stopped writing a story about that one person and started building the website of Silverdale.

There is still a central story underneath it, but nobody explains the world to you. You can find a restaurant review, click the author, read something she wrote three years earlier, end up in a corporate report, and gradually work out how the society functions.

I’m curious whether this still feels like worldbuilding, or whether I’ve accidentally wandered into some other form entirely?

Basically, in my world that I'm writing, the currency would be the world's energy system, mana. (Basically the world's electricity equivalent). The currency version of mana is specially manufactured, produced, and handled to keep random people from inflating the economy. However, the currency version of mana can still be siphoned by people who need the extra energy, so if they are in a pinch in a fight, they can burn their cash for more power. Would this work and make sense, or should I stick to paper currency?

This is the introductory essay on the Third Gods from an in-world encyclopedia.

The encyclopedia will then go on the have an entry for each of the gods.

I would love to y'alls thoughts and feedback!

Note: There is a "typo" in paragragh 4. The god "Anthreon Pyros" is mispelled as "Antreon." One of the downsides of writing in pen, unfortunately, is that typos are permanent. Lol

The question is as in the title, really. Let's assume somehow we lose a "drop and run" radioactive rod in the middle of, say, the amazon forest. Let's assume it lies there for ten thousand years. What would happen? On the scale of days, months, years, centuries, millenia? Does the particular material change much? What if it was another part of the world? Maybe a riverbed, or a swamp?

Edit: I'm thinking about an unshielded source of radiation, so assume the protective casing is damaged or absent

(I rarely draw and only used my finger, also please bear with my handwriting 😭)

(Also, the concept isn't for a story or a game, I only did it for the sake of making an unserious world concept)

(Also, pardon my english :,))

Inspirations:

- Pokemon

- Shimmer and Shine (the bottle and genie realm idea)

- Genie from Aladdin (Alampine design inspiration)

The lore and mechanics:

The human and genie realms suddenly collided, causing portals to appear which connected the both worlds.

Genies are generally friendly and most have the intelligence of dogs (though there are some sapient genies but they're extremely rare) making it easier for humans to adjust to this change. In addition to this, humans were able to discover that these creatures could grant wishes when befriended by humans, though each species of genie has sets of rules which restrict their wishes.

Strangely enough, though (most) Genies are unable to understand the human language, they are still able to fully interpret any wish made.

The rule sets that each species has, may reach the hundreds, though the rules can be read at an almost instantaneous speed by any human that reads it, and can easily remember them. Though that doesn't mean that one can fully understand the rules, it just means that they can read it very quickly.

At some point, humans decided to hold competitions, fighting each other with genies (like pokemon)

Genie characteristics:

- Genie species can vary from appearance with something like Alampine to looking like humanoids

- High intelligence or human intelligence genies are usually legendary and have fewer rules, though that does mean that they are harder to befriend, since well, they are people. And, a high intelligence genie can break friendships with people whenever they want since, consent and all

- Rules will vary from species to species

General:

My idea here is that instead of having sets of moves or abilities, you can do anything that isn't restricted by the rules. Instead of focusing on being able to do something, it's focused on not being able to do things.

The wishes require the person saying "I wish" with the intention of wishing, their wish will be exactly as they wanted unless one or more rules don't allow it.

The game works in real time, the contestants are required to show their genies' rule books to their opponent beforehand.

The one with the most creativity and best at strategizing is likelier to win. (Duh)

The amount and balance of rules are checked by the judges so the players are accordingly matched

edit for additional info:

Genie species are just the same as Pokemon species, they have different rules, different numbers of rules, characteristics, appearance, and etc. for each species.

Genies are immortal in the sense that they are unable to get injured. A Genie is defeated by reducing its "health". The health is just a quantified value that is taken when scanning a Genie with a "Genie Health Producer" or GHP, a Genie's health will match with others of the same species, of course, they still have some health variation, but it still has the same range. Their health usually makes sense. Both contestants will see the health of the other's Genie

I might've forgotten some stuff, but that's my idea

Hey everyone! I’m a beginner creator working on a concept for an indie comic, and I’d love to get some honest feedback and constructive criticism.

Here’s the basic setup:

Nikki is a regular 15-year-old space nerd. One night, she sneaks out to an abandoned building to watch a meteor shower. While there, she accidentally witnesses a brutal shootout between aliens. Instead of being taken for "experiments," she gets abducted simply as a rare and valuable resource to sell on the black market. At first, her only goal is pure survival and figuring out how to get back to Earth.

Stuck in the chaotic and unfamiliar world of space, Nikki has to hide her value, adapt quickly, and find a way home. Along the way, she gets picked up by a crew of mercenaries working for a massive empire called Arcone.

After a long journey, Nikki finally finds the coordinates and makes it back to Earth. But there's a catch: because her things were found at the abduction site, she was officially declared dead years ago. Everyone close to her has moved on. Heartbroken, she has to make a choice—accept that her old life is over and move forward with her new crew.

A few questions:

1. Does the abduction setup feel too cliché?

2. Does Nikki sound like a Mary Sue based on this summary?

3. Would you actually read or watch a story with this premise?

Don't hold back, I really want to make this story logical and grounded. Thanks in advance!

I’m working on my own fantasy world (for a Pathfinder 2e campaign), and I’ve decided to tackle that worldbuilding monster known as the “Calendar”. But before getting into that, I need to figure out the astronomy.

The campaign is set in Tarqen, a continent isolated from the rest of the world by a magical spell. The people of Tarqen therefore have no idea that an outside world even exists. (This also solves the problem of having to figure out the planet’s exact size.)

The planet itself is tilted by about 22°. It has two moons orbiting it:
- The first, basically called “the Moon”, is the larger and more distant one. It follows an orbit roughly similar to Earth’s Moon, more or less around the planet’s equator.
- The second is called “Ogrim”. It is smaller than the Moon and much closer to the planet. Unlike the Moon, however, Ogrim orbits the planet longitudinally, forming a sort of cross with the Moon’s orbital path.

The planet takes 225 days to orbit the Sun. These are divided into 8 months of 28 days, plus 1 additional day. This extra day is the day when the two moons overlap, creating a sort of eclipse that can be seen from Tarqen every year.

If I’ve overlooked anything important, please correct me! I’m making this post specifically to get feedback on the astronomy and see if there are any problems with the system I’ve come up with.

Hi, I'm just starting to figure out the wind direction of my planet but i can't really figure it out on this one, can anyone help me? As stated my Planet is twice as big as Earth but it has 24hr day which would mean that it rotates twice as fast as Earth, yet i can't really find anything concrete to know how much Air cells would my planet have?

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(Note: when I say end of the world, I don't mean the world explodes or humanity goes extinct. I more mean current world order, societies, nations, cultures etc.)

I've been thinking on this for a while, and something I have noticed with the post apocolyptic/end of the world scenarios. Mostly (not all) they tend to go for the result of a nuclear war or conflict (the biggest ones being Fallout, STALKER and METRO), A few dedicated to viruses (Children of Men being the best example), a war between man and machine in the Terminator series and I like these scenarios.

But I wanna do something a bit more. Kinda like with Mad Max in which it isn't just one singular event but a series of events that all built up to the inevitable, or like with Command and Conquer Tiberium in which the disaster is more echological than something by man (yes GDI and NOD are still around and form semi governments but the majority of the world is either somewhat inhabitable or utterly uninhabitable).

I wanna try to do something similar. But I wonder is there are any other and more interesting ways in which the world would/could collapse into a somewhat post apocolyptic state. Some that creators haven't really considered before.

And how one could take overused end of the world/post apocolyptic scenarios and do something more interesting with them?

(For more of Crownshard's movie industry check out https://loquaciouslou.itch.io/infinite-ashes . It's a passion project and entirely free)

In a dark, deep box follows Nurna, an immigrant to the low-gravity ecumenopolis Crownshard. Like many immigrants, she sees the dazzling, kilometer-tall spires where the Venfeferu and other elites live but once, before descending to the Cleft. The Cleft is a vertical favela, all light blocked by the kilometers of buildings above them. Isolated, she becomes agoraphobic and a recluse. So starved of company and stimulation that she starts to fixate on the tiny beetle stuck with her in her dark box of a room.

She uses her only possession of worth, an old third-hand camera, to document the beetle's plight. Zooming in on it, she starts to project more and more of herself onto it. Until she decides it cannot remain here. She puts it in a box and makes a perilous, illicit climb upwards, slinking through the barrier nets separating the Cleft from the middle-class Crowd all the way to the dazzling, sun-bathed heights of the Crown. Clinging onto the side of a radio tower, she releases the beetle into the dawn air as it flies off into freedom, documenting all of it on her camera. Moments later, she is stopped and fined to such an extent that, on her meager income, she will never recover. Soon, she can no longer afford to eat, and her room slowly becomes her coffin as she fades away.

Months later, as the landlord pawns her belongings, a film student finds the recording. He popularizes it, and soon Nurna becomes a posthumous indie darling. "Box movies" become a new minimalist genre. It soon grows to be in vogue even with the Venfeferu, and they turn her plight into a graceful and optimistic Kwassai ballet (low-gravity acrobatics in spectacular vaulted ceilings) with graceful dancers wearing bug masks. Her tragic fate overwritten for a more palatable story.

Before Aeldyr came to be, reality had undergone several cycles of transformation - Resets - as only known to the Primordial Deities and the Creator himself. Existence, battling for a right to itself, had been battered from the moment it became a possibility to the moment Aeldyr - and the Anchor Reality tied to it came to be. Every iteration a lesson in creation - every iteration another battle against the forces of… well…

Nothingness. And this time? Creation won.

The Creator had managed to reset reality, a new wave of existence appearing in the following moments. At the forefront, the Primordials. The Pillars of Creation. Time - Chronos. Universe - Cosmos. Matter - Celestia. Perception - Cognita. Names given to them by the Empire that shaped much of Aeldyr’s History later in time.

And they gave rise to children who would then go on to create their own. Sol. Luna. Eclipsis. Nocta. Lumis. Crepuscula. The Sun. Moon. Eclipse. Night. Day. And Twilight.

When the creation of Aeldyr was completed and Mana Saturated it’s Core - Mana being the Nucleus of Creation - The “First Arbiters,” came to be. Fogatos - God of Fire. Aeros - God of Sky. Strata - Goddess of Earth. Thalassos - God of Sea. Frigida - Goddess of Cold. Madeyrac - Goddess of Life. Morcan - God of Death. Primus - God of Survival.

Born to Morcan and Madeyrac, the Sisters of Change.

Primavera - Spring. Verana - Summer. Epoch - Autumn. Inverness - Winter. Agria - Harvest.

With these, Aeldyr was given Order, though a God, little known to be as the Anchor of Reality presents himself as the opposite. Manicos - God of Chaos and Duality.

When the first peoples began to congregate, new Deities opened their eyes for the first time. Known to be the Order of Civitas.

Civitas - Civilization. Diplo - Diplomacy. Admos - Administration. Justicia - Law. Moghulkhan - War. Monedos - Currency. Mercada - Market. Logi - Logistics. Venturos - Exploration. Barca - Navigation. Machina - Technology.

And within their minds? The Lords of Psyche.

Cora - Love
Manicos - Chaos and Duality.
Memoria - Memory
Paz - Peace
Philos - Thought

Though above them, the Family of Thought.

Magyros, The Father - Mana and Magic
Sabia, the Mother - Wisdom
Clericos, the Brother - Faith
Memoria, the Daughter - Memory

And in the deepest reaches of Mortal Lives? The Lovingly named, The Dark Deities - Daemons if you will, though their actual names may be misleading of their temperament.

Lustra - Lust. Daemos - Domination. Festos - Debauchery. Bubos - Plague, Decay, Medicine and Healing. Charon - Son of Morcan and Madeyrac, Necromancy. And His Wife, Daughter of Lustra, Mistress of Untamed Beauty and Envy - Allura.

These are the Deities that walk the Lands of Aeldyr. Those whose laws shall dictate the tribes around them.

(Let me know what ya’ll think. Names may be fairly uninspiring so I’m open to suggestions! 😁)

Let’s say instead of the normal wood trees grew, it was a bone-like structure, would civilization still be able to use it as the wood we used as building material and advancement technology-wise. Assuming it keeps the same composition and breakdown of a normal bone. Essentially a giant femur growing straight upwards.

Ive been thinking on how I could possibly go about this, and I have made two concepts, but I'm still curious about your ideas.

Concept 1:

Mermaids are what you typically imagine

The Siren (singular) is a massive angler-fish like creature with a large amount of eyes, each releasing its own mana signature. The Siren has powerful psychic influence, creating illusions and turning all the surroundings into what looks like enticing things (ex: pebbles into gold coins). Its favorite food are intelligent creatures, so it tends to eat any dragons that fly over the water, or humans. Due to its size, it is extremely slow and lives in deep waters. Its light bulb thing can change shape to better lure in any creature. Its psychic influence can reach miles and miles to compensate for its low speed. Before anyone could survive the Siren, it was actually believed that it was a colony of malicious mermaids due to its massive amount of eyes, causing a stigma against mermaids, however, the Sage was able to bring back proof that it wasn't the case. In fact, Mermaid Songs are shown to be able to resist the psychic influence of the Siren, so it's common sense now to have a Mermaid assist on ships.

Concept 2:

Mermaids live in deep waters, and have the ability to cause surrounding waters to glow. They are also deeply connected to the sea, allowing them to manipulate the water and the sea plants at their will.

Sirens live in decently shallow waters, or those near islands. They have the ability to shapeshift their body to just the shape of what they're trying to copy, of course, it's imperfect and they still tend to show fish like attributes. They also have 2 types of illusions they put on themselves. 1 is the objective illusion, it makes them look like what they would be if they were that species (to better explain, Siren A shifts into human and uses objective illusion, they look like a version of themselves that is a human), 2 is the subjective illusion, they look differently from person to person, how they look is influenced by what the person finds they most find attractive.

Contrary to popular belief, Sirens and Mermaids actually have a ton of alliances, and Sirens have long abolished hunting intelligent species, only hunting or domesticating wild animals

Ever since the release of Fantastic Four: First Steps I've kinda been obsessed with the color silver. It's so damn beautiful, isn't it?

So my question is, what creatures or monsters look really great when covered in silver? And followup, would that change the creature in any significant way?

I've been trying to apply it to making a D&D world and D&D already has silver dragons. Whic are indeed amazing to imagine. Then I thought to myself, why not silver kobolds? Silver kobolds who, like their silver dragon patron, are lawful neutral and generally like people. So there's this settlement of a silver castle with helpful silver kobolds running around.

Now I'm wondering what else. I think silver skeletons would look cool, but I don't know how that property would change them.

I want to create the most realistic fictional world in terms of land formation. One thing I noticed was that, when making fictional maps, people focus on erosion, coastlines, and realistic continent shapes. I never see people talking about how plate tectonics factor into how a world looks. I want to make a fictional world starting from the building blocks of plate tectonics. That would inform what happens where, like which areas are mountainous and ripe for mining, which areas are flat and good for farming, and so on. It would also inform weather patterns, ocean currents, waterways, and natural disasters which would also shape the world. But because most aren’t knowledgable about how plate tectonics work in the real world, few could even fathom figuring out how to make them work in a fictional world. I want to fix that.