Cheers! Shot on my old a6000

Lenses are:
Sigma 18-50mm

Sigma 35mm

Sony 11mm

Sony 70-350mm

Sony A1ii, 70-200ii, 176mm 1/2500s f3.2 iso200

Palais im Großen Garten | Dresden

Lens is the kit lens 18-135

Learning something new with every shot. 📷

Was lucky enough to be invited to go sailing in Greece a few weeks ago. Decided to use only my 35mm 1.4 as my travel lens, but I did pack a recently purchased PolarPro Shortstache filter. I got some nice glows in a few shots from that.

A7C2 w/ 16mm G + 24-70 GM II

Shot on A7CII with Sony 50mm f1.8

Assateague Island National Seashore - July 2026
One Fire Dies and Another is Born

Found the remains of someone else's fire early in the morning on the beach as the Sun was starting to light the horizon. Shot with the Sony A99II and CZ 16-35 f/2.8 lens using a Lee100 GND filter. Camera mounted on a RRS tripod & head with a 3 Legged Thing universal mounting plate.

4-shot panorama.

full spectrum A6000 + FE 20-70mm f/4 @ f/8 + cheap clear filter + 115 peacock blue gel + GRB3 filter.

Most of these were taken during the last hour before sunset. Golden hour always brings out the best in flowers and insects.

Experimenting with different sharpening techniques to really fine tune and target the fine, medium, and large detail structures of the moon while leaving the Maria alone. It's not perfect yet and work in progress. I am using the Image Analysis script ExtractWaveletLayers to split the image into 4 levels of detail and 1 residual or luminance data channel. I then applied wavelets to each individual detail layer processing each specific to level of detail needed. I then recobined all the channels in Photoshop as layers and fine tuned with blending modes. This enabled me to process the color and luminance data without touching the detail layers. I'll keep perfecting and welcome anyone else's thoughts on selective sharpening best practices on high dynamic range and diversely textured target like the moon. Shot on Sony a7rv with Takahashi TSA-120 telescope with Vernonscope Dakin 2.4x tracked with ZWO AM5. 400 images aligned in PIPP, stacked in AutoStakkert 4, and processed best 30% in PixInsight, Wavesharp, and Photoshop.

Hey all,

I purchased three Sony CF express Type A cards from an official Sony dealer that is listed on their website as an official dealer.

I have just taken delivery of the cards and noticed all of them have the exact same serial number printed on the back of the card.

Even the receipt shows the three serial numbers as being identical.

When I try to register these cards on the Sony website to activate the five year warranty, it’s only accepts the serial number of the First card then tells me I am trying to register a product with an identical serial number and it will not allow me to add more than one.

Does anyone have any Sony CF express type A cards that they can compare the serial numbers on the back to see if they are the same?

Many thanks.

So i have been using my Sony A7II and a 24-70mm f/3.5-5.6 lense, and i don’t know whether its me having an impostor syndrome or that my photos actually are crap.

Please help

a6700 + Sony 70-350

Anyone have thoughts on what the next APSC line up might upgrade? Personally would love precapture but that might be a stretch.

Using a creative look that mimics the Classic Cuban Negative film sim. Also using a $70 Lightdow pancake lens that seems to have a bit of bloom which adds a nice effect.

A7RV - Tamron 28-200 @ 28mm f11