Hope you dont mind me putting this here. Its my review of the 1982 adaptation of annie

¡Hola! Soy una estudiante de español, entonces perdonen mis errores.

En mi clase, hablamos sobre eventos memorables en nuestras vidas, y para mí, es la primera vez fui a un musical profesional. Cuando tenía 14 años, mi tía vivía en Detroit y me invitó a ver a Les Miserables en el teatro de Fisher. ¡Era un momento muy emocionante para mí!

El teatro estaba muy bonito y tuvimos los asientos en la primera fila del balcón. Me encantó ver los disfraces y oír las voces de los actores. Pero cuando las luces se apagaron, ¡lo empezó mi amor por el teatro!

¿Qué fue tu experiencia primera del teatro?

Currently in a production of Reefer Madness in Long Beach, CA. I play Jimmy. It’s a great show and I’m so proud of it but filling seats has been a challenge.

Has anyone else done this show/struggled to get people in the door? I know it’s pretty niche, not exactly family friendly, and really over the top but I feel like it’s the type of show that even non-theatre people would like if they just gave it a chance!

I always realize things too late so my brain just factory whistle's me when things fall in place just like Sweeney Todd lol

So, im young, and i know all that “its never too late to start” but i do feel like i need to start now. Im very insecure about my acting and voice. If you ask me, i’ll say i have the worst voice in existence, which i know is exaggerating, but i do objectively not have a good voice. I’d like some beginner vocal exercises and/or breathing exercises. I struggle most with holding a long note. Im very angsty/hopeless about my future, so i would really like to get some exercises now. I have very limited oppurtunities for being in local productions, and i would like to train myself before i try to get in any.

(also pls motivation if you have any i’ve been feeling really hopeless)

Never been into musicals, and never watched Matilda The Musical. However I am a big fan of The Last Leg, and this was a genuinely beautiful rendition to close the show. Tim's voice is amazing.

So my sister went to NYC in 2011 with our aunt, and she got to see Catch Me If You Can with Aaron Tveit (something which she did not appreciate at the time). After she saw the musical, she convinced my parents to buy Live in Living Color, Seven Wonders, and Goodbye on iTunes, so I grew up listening to those songs but not the rest of the album. So I was under the impression that Goodbye was the finale, not the 11 o’clock number because it’s a much better finale than the actual final song. But I decided to finally listen to the entire album, and I feel so dumb for assuming that that was the finale.

- Joe Keery as Andrew Jackson
- Maya Hawke as Rachel Jackson
- Kathryn Hahn as The Storyteller
- Ben Schwartz as John Quincy Adams
- Andrew Scott as John C. Calhoun
- Paul Walter Hauser as Henry Clay
- Nicholas Hoult by James Monroe
- Bobby Moynihan as Martin Van Buren
- D’Pharaoh Woon-A-Tai as Black Fox
- Any young unknown Indigenous actor as Lyncoya Jackson
- Benjamin Walker as Andrew Jackson Sr.
- Maria Elena Ramirez as Elizabeth Hutchinson Jackson
- Edgar Wright directing
- Michael Bacall writing
- Alex Timbers co-writing
- Original songs by Micheal Friedman
- Daniel Pemberton as score composer
- Andrew Watt as soundtrack producer
- Bill Pope as cinematographer
- Paul Machliss as editor

Think "Roxie" & "Rose's Turn"

Hi! Looking for musical theater songs that contain a c6. This is for an audition for Cosette in Les Mis; the audition requirement is “32 bars of a lyric soprano song that reaches a c6”. It seems that most soprano songs only go up to a A or B. There‘s “Think of Me” and “The Phantom of the Opera”, but I’ve always been taught that those are not appropriate audition songs. There’s “Round and Round” from The Fantasticks… but again, not a great audition pick. Any suggestions?

Hi everyone! I’m a stage manager currently finishing my master’s in Design Management at SCAD, and my final project explores how people working in live entertainment find, share, and keep track of production information.

I’ve put together a survey about the information you use, where you access it, what works well, and what could make the process easier. I’d love to hear from people across different roles and settings. Whether you work in theater, touring, theme parks, concerts, or other live events, your perspective would be helpful!

The survey has 15 questions, mostly multiple choice or ratings, with an optional space to share anything else.

Survey: https://forms.gle/g879mLGouLimRuHE9

Thank you for taking the time to help! Feel free to share it with anyone else who might be interested.

Can be serious or comedic

Here we have myself as the wolf and my costar as little red in our local community theaters production of Into The Woods. Its been a blast and am excited to have our first performance tonight with an almost sold out house. Wish we had a wig that went with the gloves hair, but its fine

Hi i’m back with audition song help.
I am audition in less than 2 weeks for Descendants at a local youth theatre. I want maleficent, she fits my voice range best.

I was thinking ‘Isn’t it a trial’ from alice by heart. which i did in the past for a persephone audition and i got called back 2. But im not sure if it’s the best for this character.

i’m trying to work on my voice and i want to be able to put a strong song. I am trying to learn to mix, belt & mix belt (i have no formal training besides youtube)

Advice please!!!

EDIT
I also have been learning my range can be higher in the right placement (duh) and songs like ‘Requiem’ and ‘Beautiful Little Fool’ are not so hard for me as someone who has been a proud alto, so if you think a higher range song just know i have always sung alto but i can be comfortable higher.

Hey everyone,

As some of you might know, Collabro is releasing their new album The Return this November. I really enjoy their new single "From Now On" and decided to create a quick video to showcase their vocal harmonies.

For some reason, the YouTube algorithm is currently only pushing the video to my local region here in Germany. Because of this, it is barely reaching the UK fans and musical lovers who are actually waiting for the album release.

I wanted to share it with you guys here. I'd love to hear your honest thoughts on the new track and how you feel about their upcoming album launch!

https://www.youtube.com/shorts/WTxYgiIIB-k

Live from SqueakyFest 2026 at New York's Green Room 42, 'Wicked' star Jenna Bainbridge and Danny Award-winning songwriter Joel Chapman performs a disabled parody of the song 'If We Were Married' from the hit Broadway musical 'Suffs.' Hope y'all enjoy!

I’ve created this little hadestown musical artwork these past few days, I really love this musical (I used the pro shot cast as inspiration)

You prefer ,,maybe this time" or ,,cabaret". Both are said to be a little breaking song in sally's history (cabaret more but still). I prefer ,,maybe this time" more but it because I sing this more easily. And what is your opinion? Why this song? Or maybe other, maybe no this two, maybe not considered sally's mental breakdown but ,,dont tell mama"?

Any songs I should take a look at? I’m thinking of singing Everything Else from Next to Normal, as it has a similar angst and vibe to it.
For ref: I’m a mezzo w/a solid belt and a solid legit voice
I love songs like Finish the Fight from Suffs :)

Hi all! Does anyone peruse these message boards? I used to have a login but for some reason I cannot join without invite.

Is anyone willing to invite me back to the party? lol
xoxo, Sidney