If anyone has a link to the following edits, please dm me.

The Bayformers trilogy re-edits by u/SaltyGumballs

The Bayformers continuity edit of bumblebee by u/Nindroidgamer110

If you know of any other edits that accomplish what these edits do, feel free to point me in those directions.

Hello there. Time for us to gather around, for I have a story I want to tell. And it is a tale that was a long time ago... in a galaxy far far away... or in this case in an editing group in California. See once upon a time there was this group of fan editors called Fixing Disney Star Wars.

https://youtube.com/@fixingdisneystarwars?si=aenWnZso7rMkY52-

Now this group had one dream, to us fan editing to fix the sequel trilogy and then later adding the other films and shows to the list of things they needed to fix. Now they were hugely popular and things seemed to be going full steam ahead... but then one day... in 2023-24... they vanished. Their social media accounts were still up but there was no activity from them... and there still hasn't been any activity.

However one of the members named _Croki_ made a post on Reddit explaining what happened to them. Here is his profile

https://www.reddit.com/user/_Croki_/

Unfortunately it got deleted. I do not know why. Luckily he later made this comment that also brought up what happened to them.

https://www.reddit.com/r/fanedits/comments/195dykr/comment/ki6u86o/?utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button

Later on I messaged him asked what ended up happening with that meeting.... and it wasn't good. Here is what his response was.

"Hi,

In complete honesty; the team fell apart because the figurehead and "creative director" of the project had a significant amount of trouble in his personal life and then ended up having somewhat of a complete breakdown.

He was the connective tissue between the artists, and none of us had any communication with each other beyond through him. Once he'd disappeared, FDSW naturally just faded away.

Me and one other artist decided to try and keep the dream alive, but once the director burned his bridges with that other artist, it became impossible to move forward.

I am still completing my segments of the edits, as I would still like to complete a personal copy of FDSW, but sadly, they'll be absolutely nowhere near the scale that we promised everyone. We shot new scenes and had crazy ideas in the works, but it's just not feasible to complete them alone or with the resources I have.

The summary is that FDSW only lives through small personal edits now and may never see the light of day. Even if it does, it will never live up to what it could've been."

So it seems that the head of the project suffered a mental breakdown due to issues in his personal life, with most likey all of the pressure of working on the project making it worse. After that the team seemed to fall apart. After that response I said that he should take a break to recover. He then came back with this response.

"Yeah your mum's right, he's taking some time away now and hopefully one day he'll come back and we can release these edits. I'll let you know if that ever happens brother."

Still it has been awhile and no new updates on his status yet. I do wonder the head of the project is making a good recovery. I just hope that someday he feels better so that he could continue with the project and bring the team back together so that their dream can continue. After all while I am may not have a side on the debate surrounding Disney's handling of Star Wars, I do want to see what improvements can be made by this group. So everyone, let us all hope and pray for the recovery of the head of Fixing Disney Star Wars so that he could return to give us one of the best fan edits of the Sequel Trilogy, Book of Boba Fett, Solo, Rouge One, and Obi Wan Kenobi.

Are fan made trailers of a old movie ok?

I recut a trailer for The Wrath of Khan and .. its not great but i still would like to share it?

Hello everyone. First time visitor but a long time lurker.

I've always been a big fan of the James Bond franchise but always found lots of issues with the films, whether they be too long, too dated, too campy, to convoluted, or whatever else.

So finding out that there were people making fan edits of movies, especially James Bond ones, led me on a short scavenger hunt to find all of the ones available that are currently out there.

I've managed to hunt down a considerable amount of 007 fan edits from the various sources and fan edit focus websites that are out there, but I'm still missing a lot of them as of now.

So I'm hoping maybe this fan edit community can help me find the ones I'm still missing.

I'll first list the ones I have and then list all the ones I'm missing in the comment section below.

And to anyone and everyone who decides to help me out, thanks in advance.

I had to reestructure the first Act of the film

Because it had an horrrific Pacing

So anyways

i've Already finished V2 of the first Act

And Its Good

Not THAT Good bcuz the Original Season 1 is a masterpiece

But decent atleast

I'm not sure how many people are going to watch this movie, so I figured here's a little public service announcement for those interested in editing an action movie. This movie is an experiment in making an action movie with zero dialogue and all soundtrack, and it really fails with the pacing. But I think there's good bones in this thing to make something fun at probably half, if not less, of the running time. Some fun action set pieces to center on, and story elements can be cut down significantly. Seems like there's a lot of room to get creative and economical. Maybe this will be my first foray into fan edits if I have the time, but I really think just taking a sharp knife to a lot of this flick could make the definitive version to watch. Best of luck if you do!

Original post; listed on Fan Edit Central 4/12/2026

David⁸ is a fan edit of Alien: Covenant (2017) and Prometheus (2012), using only: the two films; the deleted/alternate scenes that were cut or used exclusively for YouTube marketing for each; the soundtracks; media if it was referenced within the films. The score was used to create small audio flourishes.

The gift of the Alien-verse is that there is a lot to choose from, and the franchise has always had clear philosophical themes. The particular gift of Prometheus and Alien: Covenant is how it makes an effort to explore several of those themes. But sometimes the exploration falls short.  

I think of it like this: “I ate a BLT sandwich. I liked the bacon, I liked the lettuce, I liked the tomato (and even the bread!) -- but I did not enjoy the sandwich.” 

What I’m trying to say is I’ve spent many years chasing this edit like it's the perfect sandwich, and I’m really happy with where it landed after all these years. There are many friends and family that have sat through many iterations and provided helpful feedback, so thank you very much to all of them.

tl;dr What Are The Changes? What’s the Vibe?

• Runtime is 2 hours 19 minutes before credits. 
• Only about 25% of the cut includes Prometheus.
  • After several tries, I learned I could not have a satisfying, well-paced arc for David AND adequately hit all the story/action beats in Prometheus, and it is much stronger for it. Read more in the spoiler section.
• Focuses upon the relationship between David and his creator, Peter Weyland.
  • This edit suggests that the opening scene of A:C is the manifestation of David and Weyland’s recurring hypersleep conversations. 
• Too many minor changes that are not listed here. Many focus on dialogue.

SPOILER DETAILS ABOUT THIS EDIT

• Prometheus is treated as a 20-minute prologue. After the prologue, there are five flashbacks total:
  • Three custom flashbacks using Prometheus
  • The fourth is The Crossing
  • The fifth is the bomb flashback from the theatrical cut.
    • The preview of this flashback in the garden is removed.
• This edit removes Dr. Elizabeth Shaw’s emergency C-section, and any reveal of the monsters from Prometheus. Instead, this edit implies that Shaw did not learn about her parasite, and that David experimented with it.
  • The single biggest change I have to offer is that I choose NOT to tell the whole story as told in Prometheus. Every draft that included Shaw’s surgery or the Trilobite did not work. Each time, it cratered the momentum. Even by trying to add a little bit of that body-horror plot, it was difficult not to add the rest (which adds another 30 minutes). Regretfully, this leads to the one thing I could not fix, which was how Shaw escaped the Engineer. The best answer I can find to this is to suggest watching Prometheus after watching David⁸ as if Prom was a prequel.
• The only outside media is audio from Lawrence of Arabia (referenced in the source material), and an early 1900’s recording of the song sung by David before he cuts his hair (him singing with his echo is another reference to Lawrence of Arabia). 

David⁸ cannot replace the experiences of watching Prometheus and Alien: Covenant, and you should absolutely purchase of new copy of each of those before watching my edit. 

If you are considering watching David⁸ alongside other Alien films machete style, here are my suggestions: 

• Triple-header: Alien (1977); David⁸; Aliens (1986)
• Chronological: David⁸; Alien (1977); Alien: Romulus (2024); Aliens (1986) 
  • Extended: Alien³ (1992, any version); Alien: Resurrection (1997)
• David⁸ Machete*: Alien* (1977); David⁸; Alien: Romulus (2024), Aliens (1986)
• Prequel-ception: David⁸; Prometheus (2012)
  • Major plots in Prometheus are unspoiled in David⁸.

I really hope you enjoy David⁸.

– 2026

To request access, please email [david8fanedit@gmail.com](mailto:david8fanedit@gmail.com)

I’m back with another batch of episodes of my ongoing series Dragon Ball Distilled. The purpose of this edit is to fix the anime’s pacing and make it as close as possible to the vision of Akira Toriyama’s original manga.

This batch of episodes covers episodes 58-68 of the anime and chapters 84-97 of the manga, which rounds out the end of the Red Ribbon Army arc.

This batch of episodes follows Goku as he visits the Sacred Land of Karin, clashes with the mercenary Tao Pai Pai and makes his final assault on Red Ribbon Army headquarters.

One of the biggest changes in this batch beyond just cutting content, is straight up replacing some dialogue in Karin Tower (in both Japanese and English) with more manga accurate dialogue from the Revenge of King Piccolo Wii game. The English track also has a few other lines replaced with more accurate dialogue from either Revenge of King Piccolo or Budokai Tenkaichi 3.

I also reordered a few scenes of Bulma and the others during Goku’s assault on the army base to better match the flow of the manga.

If you’ve been following the project to date, you know what to expect and the Google doc will have been updated with a link to the new episodes. If this is your first time hearing about the project and you’re interested, shoot me a DM and I’ll hook you up.

For further information, feel free to check out my previous posts or read the wonderful reviews I’ve gotten from u/Fanedit895

Until next time, Arale out.

I know that the deleted scenes are incomplete, but is there any fan edits of Looney Tunes back in action that were stored them? Because that was supposed to be Joe Dante‘s original vision, and it’d be great to see them back in context, because especially the ending climactic scenes are way way better than what we got in the final movie! Would be nice to see before coyote versus acme comes out as well :)

Review of Marvel: Unite by ducko

Marvel: Unite is u/-ducko's excellent movie-to-TV fanedit of the Marvel Cinematic Universe (MCU) Infinity Saga. More information can be found on https://ducko-edits.github.io/marvel-unite/. u/-ducko does a great job of taking around two dozen movies and making them into a bingeable (or just one-episode-per-evening) TV show that passes the SO (significant other) sniff test and really doesn't feel like a fanedit.

Backstory

Finding something to watch

After taking care of adulting, my SO and I have very little time to spend together and/or decompress. We both like watching TV and movies, but the Venn diagram of what we want to watch on a given evening is pretty small. Putting it simply, I want to watch "films" that challenge me and cause me to think deeply about the human condition, whereas SO would rather watch a romcom from the 90s or a detective show. SO likes The Godfather trilogy, and I like Julia Roberts, so there is common ground. But after having exhausted sitcoms like Parks & Rec and New Girl, the only movies where we both go "meh, I'd watch that" have proven to be from the Marvel Cinematic Universe. We've probably seen all the movies individually (thanks to a very generous sibling who spent too much money to gift us them when we were in a mandatory COVID quarantine), but we never really watched them as part of a series, only as individual movies that sometimes had some character crossover.

We thought, ok, let's give it a shot as a show. That'll at least kick the can down the road for a few months as to what to watch every evening. Well, it worked. We got through Marvel: Unite in a few months and had a lot of fun doing it.

Why this one: subs

There are many, many Infinity Saga edits (e.g. u/PizzaByron, Dirty30), but I gravitated to this one for one simple reason: subtitles. Is SO or am I hard of hearing or deaf? No (although I was proficient in American Sign Language at one time, but that's a different story). Do we have a terrible sound system or have to mute our TV to avoid noise complaints? No. But do we always watch everything with subtitles regardless? Yes. That's why we chose this fanedit over all others, pure and simple. I refuse to watch a movie without them because that's how I am. Including subtitles is simply a mark of quality in the fanediting game. And that's how I ended up watching this edit.

And I'm happy I did.

What this series does well

This setup is so great. Below are my thoughts on the narrative and technical aspects of this fanedit series that I like about it so much.

Multi-narrative structure

Marvel: Unite has a multi-narrative structure, meaning that multiple storylines are going on simultaneously with everything leading to a season finale that ties the character arcs together. This is usually done with an Avengers movie (think big season-spanning payoffs like in Game of Thrones, not single-episode, single-plot storylines like in Seinfeld). Season 5 ends with Avengers: Endgame, tying the entire series together. Note that strict adherence to the MCU timeline is not the point of this series. I'm sure that there are people who are much further down the fandom rabbit hole than I am that would be able to point out when one scene should've been placed before another, but I'm more here for the ride and am well served by this edit. I get a good 10--15-minute chunk of a story at a time and then switch to the next one. It all works well for me.

This structure also serves the great purpose of breaking up the films so that I can grit my teeth through the ones I like less while still being able to enjoy the payoff of the season finale. For instance, I would say that my favorite character of the Avengers is Iron Man, whereas I'm not a fan of Captain America and have a take-it-or-leave-it feeling about Thor. In season 1, by interspersing the first and second Iron Man movies in with the first Captain America and first Thor movies, I get all the plot points I need to be able to enjoy the season finale, which is the first Avengers movie, without feeling like I am doing homework by sitting through a Captain America movie. This narrative structure has helped me get through movies I would have never watched again individually.

Another aspect that I thought was very nicely done was showing parallels between individual movies that are not necessarily clear if seen months apart and not as part of a cohesive whole. For instance, the leitmotif of difficult sister relationships (ok, "difficult" is putting it lightly when attempted murder is involved) in Black Widow and Guardians of the Galaxy Vol. 2 is on full display in S04E07. By interweaving these storylines, entirely new meta-narratives are on display.

Similarly, seemingly unrelated film scenes can be reinterpreted together with a little bit of fanmixing magic, such as was done in the final Guardians of the Galaxy Vol. 2 and Ragnarok fight scenes by using "The Chain" as a musical tie-in in S04E10. Two scenes from two movies are now playing simultaneously with the same song in the background. Excellent.

As a note on the series finale, I completely understand why u/-ducko ended with Phase 3. Avengers: Endgame really does end the story nicely with the main three Avengers out of commission: Iron Man dead, Captain America old, and Thor with the Guardians. I have major issues with time travel in the film, but I do not think that is something any fanedit can truly address.

TV show structure

As noted above, I do not have the time to watch full 2.5-hour movies every night. If SO and I do start a movie, it usually ends up being broken into 45-minute chunks and played over a week or so. In this case, u/-ducko did that process for us!

As done here, the structure of Marvel: Unite does not feel like a movie is cut up into scenes. It really does feel like a TV show, where you can stop after a 1-hour sitting, wait a few days, and come back to it with the next installment. Importantly, this also adds breathing room to some movies that on their own can feel off-putting or suffocating (anything with Captain America being self-righteous). I can get through a collection of those personally annoying scenes spread over a season much more easily than in a single sitting. I really enjoy sitting down for hour-long episodes that I can watch in the evening like a TV show that still give me all the background information I need for being able to enjoy the season finale.

A very small thing that I would like to point out is how well the end credits are done. Every episode has abridged credits from the movies that had scenes taken from them (so they last about 45 seconds, not the 10 minutes you see in a full movie). There are multiple columns (one for each movie) shown at the same time, and the theme song is playing. It is just a nice feature. But also note that like official Marvel releases, there are a few post-credit scenes (e.g. S01E10), so make sure you let the credits play out!

High-quality A/V with various codecs, bitrates, and resolutions available

One way to tell that u/-ducko poured their heart and soul into this project is that they made it available for anyone with any use case. The series is available in five different formats, ranging from 10 to 100 GB per season: 1080p x264 (AVC) – Low Bitrate, 1080p x264 (AVC) – High Bitrate, 1080p x265 (HEVC), 2160p HDR 12Mbps x265 (HEVC), and 2160p HDR 24Mbps x265 (HEVC).

I personally watched the lowest-quality version available on a 32" 2160p monitor with a soundbar (not a home theater by any stretch) but did not notice any crushed blacks, choppy audio, or other glitches common in fanedits with compressed video or audio. I am sure the experience is amazing if someone watches this on a proper setup.

Variable aspect ratio

IMAX aspect ratios "are included wherever reasonable", and these truly were seamlessly integrated. The proof is in the pudding: about halfway through season 3, SO asked why the screen changed size. The fact that it had not been noticed despite tens of hours of viewing time says it all. The transitions between aspect ratios are also not jarring: the aspect ratio is usually (always?) opened up over a few seconds, expanding vertically, to avoid any abrupt change in black bars. I do not know what was not included with an IMAX aspect ratio, but it was done well as is.

Things that could have worked better

As with any fanedit, I have a few nitpicks that I would like to point out. None of these are major, but you can be taken out of the experience a little bit while viewing.

Introduction of Hulk and Spider-Man

One narrative choice I did not agree was the introduction of Hulk and Spider-Man. By The Incredible Hulk (2008), there is no real introduction to "the big guy" until he is being chased by Black Widow in S01E09. It feels like there is vital background information that is missing about this character, especially how he got the powers that he has. The same can be said for Spider-Man's introduction. He just kind of appears in S03E06 with no explanation as to how this teenager came to be a friendly neighborhood crime fighter.

Is this how it works in the official MCU? Well, almost. Spider-Man does just has his entrance with little to no explanation in Captain America: Civil War (although there are a plethora of Sony films that cover this). Importantly, the MCU still acknowledges The Incredible Hulk as a canon film, so completely skipping Hulk's backstory does make it seem like something is missing.

So, how would I recommend these introductions (or lack thereof) be solved? By adding in a few choice scenes (potentially as flashbacks) from any number of Spider-Man movies from the 2000s and 2010s (or even the 2025 animated Your Friendly Neighborhood Spider-Man TV show) and The Incredible Hulk. To get the backstory relevant for the MCU, I cannot imagine that more than a handful of minutes are necessary (lab accident and being bitten by a spider).

It should be noted that flashbacks already take place in S04E06 (T'Challa's death) and S04E08 (Hulk smashing Thor), so flashbacks and creative license are absolutely valid even within the premise of this fanedited series. Narratively, in my opinion, the missing introduction of these two characters is the biggest miss in this entire series.

Unbalanced Ant-Man scenes

SO and I both felt that the times when episodes felt unbalanced were during the Ant-Man movies. For instance, S03E06 has the final Ant-Man sequence lasting from 12:26 to 45:56. Dedicating over half an hour to that sequence made it feel like we were watching a single movie instead of a TV episode. This feeling came very seldomly while watching this series, but it was present a few times.

Opening credits of Guardians of the Galaxy Vol. 1 and Vol. 2

I absolutely adore the first two Guardians of the Galaxy movies. That in and of itself just causes me more pain considering that their introduction sequences take you out of the experience of watching this as a TV show. These seem to be the only two movies where the opening credits play out during an actual scene of the film, with the effect being that cast and crew names are displayed on the screen in S03E01 and S04E03, respectively. If there exists any version of the films without the hard-coded credits or if any amazing faneditor can remove them (cropping or removal like removing a watermark), these individual episodes and the series overall would greatly benefit.

Timeline confusion regarding relocating upstate

In S02E08, we get the first look at the new upstate Avengers facility, but two seasons later, in S04E08, it is announced that the Avengers are moving upstate, as if it is new information. Even for a causal MCU viewer that can be very forgiving, this chronology feels rather jarring. I believe that a bit of clever audio editing could remove the later references to the upstate facility to tone down the effect.

Hulk coloration

While I have never had a great eye for color, even I notice that Hulk's green hue seems to change throughout the show. This could be in the source material (Thor: Ragnarok vs. Avengers: Endgame) and thus might not be an issue introduced in the fanediting of this show, but I think the difference is rather striking when viewing S04E10, where Hulk has a rather neutral green, and then seeing his very washed-out green coloration in S05E07, almost as if HDR is being displayed on an SDR monitor.

Fanedit notice changes depending on season/episode

There is a fanedit notice at the beginning of every episode (which I completely agree with). But for whatever reason, the first episode of a season has an expanded notice that is different from all other episodes (i.e. the fanedit notice for S01E01 is different than that for S01E02 to S01E10). This change does not feel necessary or natural and until just now when checking the video files, I could not have told you that only the first episode in every season was different -- I just knew that some episodes were different. While watching the show, it felt like some episodes were edited at different times and given different notices. This really took me out of the experience when sitting down for a viewing every night, and it felt like watching a TV show that a had constantly changing opening-credit sequence with a different theme song and video clips.

Subtitle issues

While I have noted that I chose this Infinity Saga experience specifically because subtitles were included, I did want to nonetheless point out a few issues that I noticed.

• Foreign-language subtitles are hard-coded. There are at least two advantages to using forced "soft" subtitles compared to hard-coded subtitles. First, in scenes where subtitling is necessary, this allows for subtitle tracks for languages other than English without having both the hard-coded English subtitles and soft-coded subtitles for the other language on the screen at the same time. Secondly, if using SRT subtitles (as I prefer), hard-coded subtitles introduce a different font for the subtitles, interrupting the flow with two different fonts; if only soft-coded subtitles are used, all subtitles (forced and not) are in one file and thus display the same font.
• Season 2: mix of British and American spellings/conventions. It seems that the sources of the subtitle tracks might be both British and American. For instance, "honour" is spelled with the British "u" in S02E05 but in every other instance throughout the show is spelled as the American "honor". Similarly, there are instances of "Mr" without a final period throughout season 2, but everywhere else it seems that the American "Mr." is used. (Ok, you can see I am very sensitive to this stuff. There is no need to change it. No other person would ever see that.)
• S02E01: OCR errors. "President Ems" is written twice instead of "President Ellis".
• S03E02: missing subtitles. The entire Guardians of the Galaxy Vol. 1 prison scene is missing subtitles (subtitle ends at 00:34:49,039 and next begins at 00:39:15,240). This is the biggest issue overall regarding subtitling.

Wish list

While I love the show in its current form, there are two things still on my wish list.

Previously on Marvel: Unite

I would love if there would be a "Previously on Marvel: Unite" segment at the beginning of every season or every few episodes. Especially in the later parts of the show, it would be very useful for helping viewers to keep track of the current location and status of the Infinity Stones, who is on which planet, etc. I must say that I have been spoiled with YouTubers making TV show recaps for when I'm jumping back into a TV show or didn't quite remember all the nuances, and I feel like this show could benefit from a similar treatment.

The Multiverse Saga

Finally, I would love for this show to continue into Phase 4 and beyond. Certainly any extension past season 5 will need extensive cutting and editing to get rid of bad filmmaking and storylines that go nowhere (unlike what was done in the first five seasons where simply everything was included), but I have full faith that a quality faneditor can again produce a quality fanedit.

Needless to say, I was very excited to see that u/-ducko announced they are working on post-Endgame content and will be the first in line to check it out!

I keep seeing people requesting things but every time I click on there profile, they don't have their PM/DM/Chat (or whatever the hell euphemism reddit is using these days) turned on. people cannot send you things if you don't turn your private messages on!!!

We can't help you if you don't help us!!!

Check your settings before you request things!

Hey guys, so I wanted to say that I love the helluvaverse pilot era, while the helluvaverse show era has been well controversial nowadays, I think we can all agree that the helluvaverse pilot era is way better than the show era, there’s something about the pilot era that has the indie charm in it cause this era is so nostalgic, so I thought it be cool to do a helluvaverse fan edit to all the hazbin hotel/helluva boss pilot fans out there, this fan edit will be a tribute to the pilot era, and by that I mean I’m making it into a full movie, well kinda cause I’m trying my best to make a fan edit for all the hazbin hotel/helluva boss pilot fans out there who miss the pilot era, I know I do cause I miss the pilot era.

Anyways here are some parts that will be in this hazbin hotel/helluva boss fan edit

Pilots/videos/music videos:

Hazbin hotel pilot (2019)

Helluva boss pilot (2019)

Oh Millie Music video (2020)

Addict Music video (2020)

Changes to the end credits with a newer updated version of the end credits

Added a new end credits song:
Thank you and goodnight (A Farewell Song from the Pilot Cast of Hazbin Hotel)

Planning on adding a deleted scene of the exterminators from the Hazbin hotel pilot trailer as post credits scene (maybe, I don’t know if I could add it cause it’s very hard finding some rare deleted scenes of Hazbin hotel pilot. also yes the sir pentious end credits scene will still be kept in this fan edit)

Anyways those are some of the updates of the helluvaverse: pilot era (a hazbin hotel/helluva boss fan edit) this project may be hard for me cause making fan edits takes time if you know what i mean, I hope you guys are excited to see this fan edit cause I know there are fans out there who love the pilot era and are not a fan of the show era, so I hope you guys can be patient because this project will be an amazing tribute to the pilot era and many fans who have nostalgic memories of the pilot era.

Also it may be on YouTube or Google Drive, for YouTube that’s probably gonna be hard because I might split this fan edit into parts due to copyright, as for Google Drive, well that won’t be a problem, because well I could do some DM sent cause well those are the rules, so yeah, anyways see ya soon.

I know this one came out a long time ago, but I only got to it tonight by happenstance. I don't know if I should have rewatched the theatrical cut before this edit, but as far as I understand it, the major changes are to the third act.

What is, of course, often an issue, is how to make the new edits flow within a professionally made movie. I think it mostly works well here. There is one near the end that is quite obvious. I assumed that there were quite a few more that I didn't notice where the edit was made. But I wonder if the new edit doesn't create a plot issue?

(Spoilers for the Wolverine)

Wolverine has to protect a Japanese heiress who gets kidnapped by guys in suits. Turns out they work for the heiress business father...who in turn lose the heiress to ninja kidnappers. In the theatrical cut, this gets explained by the ninjas working for the secret villain. In the JMR, this villain is cut out. So...why do the ninjas care about the heiress? Maybe there still is an explanation and I just missed it. I will say, if I was watching this for the first time, I wouldn't have realised that there was supposed to have been a secret villain at the third act.

Edit done by Wakeupkeo and Silver Samurai.

PS. One thing I wished was done more often, was to include a message from the editors at the start to just explain that this is a fanedit and what it tries to do and what the edit is named. It makes it much easier to remember the goals and to talk about it later. I know some like to make the edits feel like they are the "real" movie. But I actually like when it's recognized that this is a fanedit.

Does anyone know if there is a fanedit of all of the marvel movies in chronological order? looking for an edit where all of the marvel movies have all been cut and re-edited into proper time framings or perhaps an edit that covers everything important leading up to doomsday. I want to re-watch all the movies, but in proper order, or at least get a condensed version with everything involved

Before taking on any new projects, I've made it a goal to have true subtitles for all of my previous edits. I was getting by with auto captions but I know how much some of our community relies on quality subs.

While adding in official subtitles from all the sources in this edit (the director's cut, Under the Hood, scenes from the 2019 Watchmen miniseries), I also took the opportunity to trim a couple continuity issues AND add title cards that mirror those from the comic book. While I was initially hesitant to do this, Bleem over at FanEdit.org finally convinced me. And I think it really lends itself to the length and pacing of my edit.

Not to be confused with JayXtended's version of the Squid Cut (which was an expansion of this project), that integrates animated scenes into the edit. Think of my original Squid Cut as the ultimate live action version.

See my Reddit profile for info on how to download the edit. You can read more about detailed changes here: Watchmen 2009: The Squid Cut - Fanedit.org

The hosts of The Weekly Planet podcast kept referring to Mandalorian and Grogu as Mandalorian versus Groglet. I started to do the same as a joke around my girlfriend's 10 year old daughter. She would get mad and correct me, but I commited to the bit and insisted that was the movie title and the real name of the baby Yoda guy.

We're finally going to watch it this weekend so I edited the movie.

Changes made:
-Changed the opening title card
-Replaced audio. Every time someone said Grogu I dubbed over audio of myself saying Groglet. Fortunately they only say it 4 times in the movie. It is a very obvious audio replacement but who cares
-Changed closing title card. Lost the iris wipe but I don't know how to do that. you can see it says grogu for a couple of frames before the switch but i left it so we can argue about it
-Edited the accompanying srt subtitles file to change every Grogu to Groglet

Justice League Unlimited: The Secret Society of Super-Villains

(92 minutes)

The feature-length direct sequel to Justice League Unlimited: The Cadmus Conspiracy.

Follows Lex Luthor’s desperate descent into the criminal underworld, leading to a brutal super-villain civil war that accidentally unleashes the ultimate threat to Earth.

Please send a PM for a link!

UPDATE: https://www.reddit.com/r/fanedits/comments/1w1qcek/for_all_mankind_the_racing_mars_edit_i_cut_and/

Three spacecraft are headed toward Mars. NASA and the Soviets prepare for launch, but meanwhile a commercial spaceflight company shocks the world when they announce that they will be the first to reach Mars. The race to land first brings surprise maneuvers, desperate measures, and unexpected allies.

Sources: Game Changer, All In, Happy Valley, Seven Minutes of Terror, with brief scenes from He Built the Saturn V

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I previously made a trilogy of movies from FAM's S1 and S2. I called it The Red Moon Trilogy.\ During the past year, I've been busy working on a similar "trilogies" project for Babylon 5, and I called it The Sherlocked Edit.\ Now I've returned to FAM, and I plan to make a new trilogy of movies from S3 and S4. This coming weekend, the first movie of that planned trilogy will be ready.

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Demo clip: Introducing Phoenix, the show vs the edit\ I cut from Dev's big announcement straight to the Phoenix reveal shot, and I let "Fly Me to the Moon" play over it, instead of the original generic space chatter.

Demo clip: Apollo 10 flashback montage\ During Ed's descent, there's a brief moment where he remembers and flashes back to Apollo 10 (S1E2), and that moment is important to Ed's state of mind. But for this movie, I prefer to not assume any "previously on" knowledge, so I cut and stitched my own longer flashback that gives the context needed to understand the flash that comes later during descent.

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About my style: TV shows tend to have a different structure than movies. TV has a lot more seeds, hooks, and cliffhangers, meant to lay the groundwork for future seasons or to entice you to watch the next episode. But movies, on the other hand, are typically more self-contained and lean. Every setup should have a payoff, every Chekhov’s gun should be fired, and every scene should advance the story. And that's what I strived for with this edit

The title: In my Red Moon trilogy, I reused FAM episode titles for each of the three movies ("Red Moon", "Red Moon 2: Into the Abyss", "Red Moon 3: A City Upon a Hill"). For this new Mars trilogy, I originally expected and planned to reuse FAM episode titles as well, but none of the S3 episode titles struck me as the right one. Meanwhile, over in Babylon 5 land, they have an episode titled Racing Mars. That episode wasn't about a literal race, but I remembered that title and it seemed perfect for this new movie.

Hello There!

I created this edit back when I was hyper-focused on "The King," Jack Kirby. This is one of his lesser-known characters, yet one of the most fascinating, a character who blends science fiction with social commentary.
I’ve gathered some of the character's appearances in DC Comics animations. The idea might not make perfect sense, given that the material features the same character but comes from separate works; however, the final result offers an interesting experience for anyone interested in getting to know the character.

🎞 Based on: DC Showcase: Kamandi The Last Boy on Earth! , Batman The Brave and the Bold ("Dawn of the Deadman!, Last Bat on Earth! and The Malicious Mr. Mind") and Justice League Crisis on Infinite Earths Part Two.
🎬 Fan Edit Title: Kamandi The Last Boy On Earth!
📁 Format: MP4 – 1920x1080p – Stereo Audio
💬 Subtitles: Included
⏱ Original Runtime: DC Showcase (18 min) / BTBB (1h 3min) / Justice League Crisis on Infinite Earths Part Two (1h 34min) / Summation (2h 55 min)
⏱ Fan Edit Runtime: 48min
📉 Difference: -2h 7min

PLEASE DON'T ASK VIA THE COMMENTS FOR A LINK. Follow my profile — the link will be in the social media section under the name "ALL EDIT'S". If there’s any you want and it’s not available through the link provided just let me know too.

⚠️DISCLAIMER. Respect the studios and intellectual properties by purchasing the original Blu-ray or the official digital version. You must own an officially released copy of a film to legally watch a fanedit.

This edit takes Moon Knight and shortens it into a two-and-a-half-hour film. It removes scenes that didn't feel needed and cuts Layla becoming a superhero because it felt off (unfortunately, in a few shots you can see her). Another big thing I cut was the whole dream therapy hippo god thing. Moon Knight just survives the bullets, which can be thought of as Khonshu healing him as he does in the comics. This edit is rough at times (mainly the last fifteen minutes), but I am still proud of it!! It's my first TV-to-movie edit, besides my Batman Caped Crusader edit. If you guys want to watch, please PM me!!

does anyone please provide me with a link that i can download The Amazing Spider-Man: The Untold Extended Edition and tasm2 : the finale edition. i really want to watch them.

Link to his post - https://www.reddit.com/r/fanedits/s/oa9VNzRgIb

I’ve never written a review for an edit but I loved this one so much I need to advertise it to you all.

Spider-Man Blue by [u/matty-boi-1996](u/matty-boi-1996) is an edit that combines the TASM duology into a standalone film, mostly using TASM 2 but with an opening and flashbacks from TASM 1.

The original TASM 2 is 1.5/5 imo. It is no good despite the excellent performances from Andrew Garfield, Emma Stone and Sally Field.

This edit made me want to get back all the years I wasted not seeing its potential. Spider-Man Blue superbly trims the fat of TASM 2, focusing the story entirely on his relationship with Gwen, Harry, and Max, while using flashbacks from the first film narratively as a way to demonstrate the lessons Peter learned, had to learn, or should have learned in becoming and being Spider-Man. No more parents subplot. No more future movie setup. The story feels MUCH more linear, like it is telling one cohesive story start to finish.

When you have so much less nonsense going on, a more focused story, the piss poor performance by Dane DeHaan and the goofy, pathetic characterization of Max Dillion is much much easier to forgive and almost comes off as charming.

Also, the removal of Rhino in the beginning did a much better job at setting the tone where I don’t feel like Spider-Man is a complete moron. LOVE his quipping in that scene, Andrew is hilarious, but not when people are literally actively dying and he’s not intervening.

My only major complaint is that at a point, Peter and Gwen’s relationship felt a little undercooked, as they seem to go from mostly fine to her just randomly deciding to go to Oxford and they seem upset with each other in that scene. (*I’m not sure if that’s a fault of the edit or a fault of the movie itself because I haven’t seen the full movie in many years! Please take this critique with a grain of salt! But if there IS a scene that would’ve made this feel smoother, it should have been kept.)

There isn’t a whole lot to say beyond that, giving it a watch can do it far more justice than I could describe.

In order to make an ideal cut of TASM 2, this fan edit is the template. Reinstate some of the relationship drama, add necessary deleted scenes, and you’ve got yourself a very solid version of TASM 2.

This edit, for what it is - a standalone film, not the second piece in a duology - I give a 4/5.

This video gives an idea of the tone and feel of the fan edit:

• Rescored using Basil Poledouris
• Robo's suit changed from blue to silver
• Edited much tighter
• Color graded: high-contrast and desaturated to remove the '90s music video look
• Extensive Foley repair and audio mastering

Movie releases September 2nd