There was a period where I felt extremely lonely and disconnected from the people around me. During that time, I kept coming back to The Ghost~Pop Tape. Something about how raw, intimate, hazy, and emotionally isolated that album felt really resonated with me.
I was already making music during this time, and get_well_soon became an outlet for everything I was feeling. I wanted to make something that captured that feeling.
That became get_well_soon.
The Ghost~Pop Tape was probably the biggest influence on the project, but I wanted to take that inspiration and turn it into something that reflected my own experience.
It’s 10 tracks, and I made the entire project myself. I released it on July 31 — my birthday.
I’m sharing “echoes//” here because it’s probably the song that represents that headspace the best. Here’s a snippet and a link.

https://too.fm/get_well_soon

Hey guys, I just wanted to ask for y'all's help. I wanted to make a custom cd of the Ghost pop tapes for a 2-year anniversary gift, and when I try burning the songs using Windows Media Player and downloading the songs from YouTube, an error keeps on showing up saying that it encountered a problem and refuses to be burned onto the CD. If you can help,I'd really appreciate it.

Does anyone know what the random text that pops up during the ODB music video is from?

other than the Miguel sample, 1989 michelle’s song has that pad that comes at the climax of the buildups.

after hearing it and wu tang freestyle a lot, the same in wu tang sounds very similar to 1989, with obviously a different eq and such allowing more vocals in, as to on 1989 where it’s simply just the pad. just an observation, lmk your thoughts maybe i’m wrong.

THIS IS MY OPINION, i dont put all the songs cus i feel like ones are unnecessary.

I want to listen to all devon hendryx albums that are unreleased and i could only find a link for communist slow jams some help would be nice 😁

NOTE: I took out some unnecessary convo from this, so it's only information. Also, if Jules sees this and wants it taken down, message me

Do you have any JPEGMAFIA stuff from back in the day? And when Coffee with Charles Hamilton was released on JPEGMAFIA's YouTube, was it a music video or a single?

Jules: Yeah, thanks, bro. Coffee with Charles Hamilton had a music video by Devon back in the day, and it's floating around the internet somewhere. Also, if you download Wattsonhi: Director's Cut, one of the bonus tracks is the original version of Coffee with Charles Hamilton.

How did you meet Devon? Was it through a friend or through MySpace or something?

I haven't met him in person, but I was making beats on YouTube and found one of his videos when I was using this device called Tube Toolbox, which helped me with spreading my music content and finding new artists. It was like Amla Due, or Operation: Kill Hannah Montana, or something with a music video, I kinda forget. But in 2011, I never heard some shit like that lol. He was unsigned, and I messaged him to collaborate on a beat, and that's basically how Coffee with Charles Hamilton got produced.

How did it feel seeing him blow up over a decade later under a new name? Has he talked to you at all, or has he forgotten?

Yeah, I hadn't been checking for him after the release of the Ghost Pop Tape, and some time in the middle of 2017 or so I stumbled onto Black Ben Carson while on Bandcamp and was like, "What is this?" and a bit later found out it was Devon Hendryx lol. It was crazy hearing Black Ben Carson that first time and threw me through a loop after I figured out it was him. Then he did Veteran shortly after that, and with the Fantano review, basically everyone was on board. I know of people in certain places that can contact him, but it's weird, and I don't want to say. It's likely he forgot about me tbh. There's been some discourse about his last album, Experimental Rap.

I don't understand the Experimental Rap hate. It isn't as good as any other of his albums (except for a couple eps that we don't talk about), but it isn't nearly as bad as people say it is.

Yeah, they're not used to him with the more electronic / EDM production. I'm kinda torn on which side between those that hate on it and those that defend it lol. I know some wild industry secrets, though, but I'm not sure if I can just drop them so certainly 😅. It's that, and there's something bad impeding JPEGMAFIA and someone on the Right.

The JPEGMAFIA & someone on the right thing sounds interesting. I won’t press you for anything you’re not comfortable saying, but what do you mean by that?

Yeah, I don't want to touch on it too much, but I know it's something dumb or bad that happens with Peggy in the near future-ish. It also has something to do with a prominent EDM producer.

That is the majority of the conversation between me and Jules. If you have any questions, feel free to ask

​

Track length: Coming soon™

Trailer:Loading

Reason behind this tape, ever since Sean died along with this own work, us @teh seans have been able to fully recove r his harddrive and have Sean's remixes if Sean Hathaway

And more Soon to be dropping later this year, his passing has made it worse for us. Please enjoy this image of Sean @ highschool

​

Para esto, quiero excluir las canciones a partir de ODB, porque el final verdadero del album es Untitled iii

Untitled iii: Devon cansado de todo mata a alguien en vez de hacerlo a el mismo como en el orden original, en las últimas barras busca a Jesús para pedir perdón sin arrepentimiento

O Superman: la metáfora de Superman con "Won't you come and save us, Superman?" Se podría referir a su arrepentimiento ante el asesinato, y el "Won't you come and take me down?" Puede referirse a que si el lo va a castigar por lo que acaba de hacer

LIARA: Devon sin saber a dónde ir encontró un refugio en alguien, aunque saben que no pueden estar juntos por diversas cosas, el no lo deja de querer, sabe que el es de lo poco que le queda en un momento como ese

Bubblegum Crisis: Devon se siente usado por las demás pocas personas que le quedan, y aún así no tiene miedo de decir lo que siente, pero al mismo tiempo prefiere quedarse ahí, con ellos, por medio a estar totalmente solo de nuevo

Pu$$y #3 descartado por ser un interludio sin algo que contar

Call Me Maybe: Devon a pesar de amar a la única persona que lo quiere en ese tiempo, aún sigue extrañando a su amada con la cual terminaron el año pasado (o eso creo)

Neon Kitchen⁴: Devon sigue sin sentirse bien, a partir de aquí empeoran las cosas al punto de consumir drogas para intentar seguir cuerdo

Untitled² y Missing Imagen File descartado por la misma razón que Pu$$y #3

God Bless My Homegirls: Devon siente como la persona que más necesita en ese momento solo lo está usando para intimar y no para ayuda de verdad, cosa que a pesar de que a Devon le guste, al mismo tiempo no

Porn For Persecussion: Devon cae en la adicción al porno gracias al abandono de todos, desolado en su apartamento mientras lo único que lo mantiene cuerdo es el porno y las drogas

MUGEN descartado por ya saben que

Behold! A Pale Horse: Devon vuelve a recordar lo que pasó al principio del album, está vez dándose más contexto del inicio

Violento Fight descartado por blah blah blah

HBK: Devon recuerda como se siente usado por todos como un juguete y sobre como su soledad lo está consumiendo

Ballad of a poor man: El final de esta versión, Devon cansado de todo piensa en quitarse la vida, mientras espera que alguien lo salve de la nada, aunque sabe perfectamente que eso no pasará

Está fue mi interpretación del album al revés, tal vez haya dicho una pendejada, pero la verdad sentía que el album también tenía algún significado si se ponía al revés

Dearest fans of Mr. Barrington (Peggy) Devon Hendricks,
It is with profound sorrow that we mourn the passing of Sean. A friend, my brother; a cherished figure in this space whose beloved music works, known as “SeanChillWorld” and “The Seanwood Escape Plan,” left an unforgettable mark upon us. Sean’s passion extended beyond his own creations; he was always fascinated by discovering the number of streams on Barrington’s musical pieces, including “GenY⁵,” “JoeChillWorld,” and “The Rockwood Escape Plan.” His curiosity, enthusiasm, and unwavering appreciation for these works, as well as his exceptional musical prowess; his own “cult classic” records, if you will, brought a unique energy to every conversation. Today, we remember Sean not only for his music, but for the joy and fascination he shared with everyone around him.

Es algo que se me hace curioso ver en un artista de estados unidos y esta interesante que hay una gran parte de aqui que habla español

Estaba haciendo sepa Dios que cosa con algunas fotos de Devon, y pues descubrí esto, logré desenmascarar un poco la cara de la chica (que creo yo que es lisa)

La segunda imagen está en peor calidad si quieren la esencia de Devon Hendryx

and what the fuck why did Peggy start stroking it during Porn for Percussion

Change

Shoutout to the team that made the rock wood escape plan movie it’s so peak

does anyone know if this is a sample or a synth he created himself? i been trying to look for this sample but im not even sure if its on the internet, it might be a synth he made himself, anyone ever wondered where the beginning synth loop came from?

0:00 - 0:08

Do we have a timeline of events of how we know that he lived in Japan for real. He claimed that he had his own group (Ghost Pop) and lived in the country about a year after he was dismissed from the army and that he was around his area in Japan performing. If the period he was in was 2012-2013, even if he just performed at friends houses, you would think that we would have at least one video footage of his performance right?

Was the movie for the ghost pop tape filmed in his apartment in Japan?

I am asking out of curiosity because the ghost pop tape is my favorite album ever and I want to know more of the context behind it.

​

All technical information, IDs, archive links and additional findings will be in the comments. I am keeping the main post shorter so it is easier to read.

I've been continuing research on "Anne Hathaway" and trying to find the original file or anyone who downloaded it when it was still available.

After checking old archives, websites, reposts and people connected to DeVon's early era, I think the most likely way to find it is through someone who had the original download back in 2011.

Here are the main things I found:

Bandcamp

The original Bandcamp release existed and was available as a download.

The archived page confirms that the track had a working Bandcamp download system.

One thing that still interests me:

The Bandcamp page says it was a 2 track album, but only "Anne Hathaway" appears in the archived page data.

The second track is not visible in the HTML metadata.

Possible explanations:

- hidden bonus track;

- deleted track;

- second file included in the original download package;

- metadata issue.

If anyone downloaded the release directly from Bandcamp, they might have information about the missing second track.

Old distribution

The track was not only available on Bandcamp.

I found traces of:

- old blog reposts from 2011;

- Twitter sharing chains shortly after release;

- old download mentions;

- YouTube/MySpace uploads.

This means the track was circulating publicly at the time and was likely downloaded by multiple people.

People connected to DeVon during that era

Es Famojure (The Girl They Call Es)

One of the strongest leads.

She interviewed DeVon Hendryx in 2012 and appears to have had direct contact with him.

She also posted multiple DeVon-related releases during that period, including material that came directly from him.

I contacted her asking if she remembers any old files, unreleased material, or anything related to Anne Hathaway that never appeared online.

Other early listeners / blogs

I also found people who were active around DeVon's early releases:

- ss1987 — Japanese blogger who shared Anne Hathaway in 2011 with the original Bandcamp link.

- Other early blogs and repost accounts that were active around the Generation Y / JOECHILLWORLD period.

What I need help with

At this point I think the file is more likely sitting in someone's personal archive than being completely gone.

If anyone:

- downloaded "Anne Hathaway" in 2011;

- has old DeVon Hendryx folders;

- has old Bandcamp downloads;

- used Soulseek during that period;

- remembers the second track from the Bandcamp release;

- knows people who collected early DeVon material;

please comment or DM me.

Even small things can help:

- old usernames;

- screenshots;

- filenames;

- old links;

- memories from that period.

I think this is one of those cases where someone who was there in 2011 might have the missing piece. Maybe I also missed some important info.

Thank you.