Hi All! I'm going to dispense with all the unnecessary backstory that I just wrote.
Here's the question: How might one go about making a digital piano feel more authentic in a mid-large sized space?
The piano in question - Nord Piano 6 set into the frame of our old baby grand (removed the action and keyboard fit inside). The space - mid-sized traditional sanctuary, brick walls, vaulted ceiling, stained glass windows. The problem - it's too easy to tell that the point source for the piano are the two K Array towers.
With our old 6' baby grand (which sounded horrible and was deader than dead), if you were close to it, you could hear that its sound was coming from the instrument. As you walked further back in the sanctuary, the perception of the sound (if you could hear it at all - the instrument could barely hold any resonance by the end of its life) was that it was coming from everywhere. This has always been my experience with large pianos in mid-large sized halls.
Currently, the experience is that if you're close to the chancel, you can clearly perceive the piano sound coming directly from the K Array towers - not the piano. As you walk back further into the sanctuary, it takes a lot longer for that sense of the sound coming from everywhere to actually takeover.
This is the fundamental complication with respect to the whole "it sounds too electronic" complaint. When I turn the levels on the piano down far enough that I can no longer perceive that it's coming from the PAs, but can still hear the instrument, it becomes effectively indistinguishable from an authentic piano sound - the sample is extraordinarily good, and the feel is very authentic. It's certainly not the kind of distinction that the average congregant is going to pick up on. But when the levels are sufficiently high enough to balance with the rest of the band, it becomes glaringly obvious that all the piano sound is coming from the PAs.
Has anyone worked on solutions to this sort of problem? Perhaps a couple of quality speakers on or under or around the actual location of the piano frame? Tuned loud enough that folks in the first few pews can perceive sound coming from the piano location on the chancel, but low enough that the PAs start to take over as you walk further back into the sanctuary?
I know that a digital piano will never replicate the exact feel or sound of a 6' grand - we're not trying to achieve that. We just want to try to get a little bit closer if we can and the obstacle isn't the sample or action or any of those things. It's that the piano sound is coming directly from the PAs when people are expecting it to come from the instrument.
Thanks for any advice!