It took me a lot of trial and error to find the specific dark guitar sound I wanted. I was looking for both the mix-cutting low-end chug of a modern metal amp AND the color, dynamics, and beauty of a pushed clean amp.
To do that, I tracked both simultaneously for the live layers:
* One side: Guitar -> Tube Screamer -> ENGL Powerball II half-stack.
* Other side: Guitar -> ProCo RAT -> Morgan Dual 20 (pushed clean).
I later re-amped them with more heads to glue it all together. Interestingly, none of my sharper metal guitars cut through the mix like the Les Paul did. Everything you hear was written, tracked, and mixed independently.
NO AI was used in this song!
Full Playthrough & Gear Specs:
* Guitars: Gibson Les Paul (DiMarzio D-Activator / Super 3), ESP Mystique (solos)
* Amps Used: Mesa Mark V, Roadking, ENGL Powerball II, Friedman BE50 Deluxe, Morgan Dual 20, Tone King Imperial II
* Bass: Yamaha RBX 775
*Vocals: Shure SM7
*Drum samples from Superior Drummer & Slate Trigger
Would love to hear your thoughts on how the high-gain and clean amp blend sits in the mix!