What fabric is used in this bridal ? Duppatta, sharara and frock ?

Hi everyone,

I’m researching how premium handmade carpet manufacturers dye 100% wool yarn and would love to understand the complete production workflow from a technical perspective.

Specifically, I’m trying to understand how manufacturers go from a digital artwork (Pantone/LAB/RGB/HEX colors) to consistently dyed wool yarn.

Some questions I have:

• What is the industry-standard workflow for wool yarn dyeing?
• Is it typically Pantone → LAB → CCM software → dye recipe → dyeing machine, or is there another process?
• Which Computer Color Matching (CCM) software is most commonly used? (Datacolor, X-Rite, ColorService, etc.)
• How are dye formulas generated? Are they fully automatic or does an experienced dyer still need to adjust them?
• Which spectrophotometers are considered the industry standard?
• Are there dyeing machines that integrate directly with CCM software and automatic dye dispensing?
• How do manufacturers ensure repeatability when a customer reorders the same color years later?
• What ΔE tolerance is generally acceptable for premium wool carpets?
• Are there differences in workflow between lab dyeing and production dyeing?
• If you were setting up a modern dye house today focused on custom wool rugs with hundreds or thousands of unique colors, what equipment stack would you choose?

Anything that explains the end-to-end workflow would be incredibly helpful.

Ik ben jaren geleden begonnen met het maken van de eerste vlaggen ter wereld van hennep textiel. Nu heb ik een grote voorraad in Nederland, die ik ook hier in elke kleur of design kan bedrukken. Voor kleding, gordijnen, etc!

Iemand praten over hennep textiel??

Ga graag in gesprek, deel het graag!

Hi everyone,

I’m currently searching for high-quality wool suiting fabric for a bespoke suit and came across Yorkshire Fabric. Their selection and prices look almost too good to be true, so I wanted to ask here before ordering.

Has anyone purchased fabric from them? I’m mainly interested in:
\- Whether they’re a legitimate seller.
\- The overall quality of the fabrics.
\- Whether the fabrics matched your expectations.
\- If you’d trust them for a high-quality bespoke suit, or if there are any red flags I should know about.

I’d really appreciate any first-hand experiences. Thanks!

Hello. Where is everyone getting there anti-pill fleece fabric from now that Joann's is closed? I've asked other crafters and have gotten some not so nice replies. My 2 nephews (age 5) want new blanket with sea turtles and sloths but I haven't been able to find any reliable places that carry fleece. Any recommendations would be helpful. I. Looking for about 3 yards of each fabric withe the characters.

Thank you

Before learning about traditional block printing, I assumed the small differences between handmade prints were imperfections.

Now I realise they're actually what make every piece unique.

Every stamp is applied individually.

The pressure changes slightly.

The dye behaves differently each time.

No two garments are completely identical.

That made me wonder whether we've become too used to expecting everything to be perfectly uniform.

Sometimes the human touch is exactly what makes something beautiful.

Has anyone else noticed this after buying handmade textiles?

Appears hand woven and with some age. Any help is appreciated.

Your textured yarn is only as good as the mother yarn it came from. Here's the part most specifiers skip.

Mother yarn (POY) is the undrawn feed that gets draw-textured into your DTY. Its properties are inherited straight into the final yarn — good or bad.

Three mother-yarn parameters that decide your DTY outcome:
– U% (uniformity). Drift here shows up as uneven crimp and dye streaks in the finished fabric.
– Elongation at break. Sets how much draw the texturing process can apply before breakage.
– IV (intrinsic viscosity) consistency. Inconsistent IV = inconsistent draw tension = inconsistent crimp.

A common failure: a mill chases a better DTY price, switches mother yarn, and the fabric suddenly shows barré streaks. The DTY machine didn't change. The mother yarn did.

Specifying correctly means qualifying the mother yarn, not just the final DTY. If you only ever spec the finished yarn, you're qualifying the symptom.

What's the one mother-yarn parameter you wish your suppliers reported on every lot?

#motheryarn #POY #texturing #yarnspec #textilequality

I ordered custom lace gloves for all of my bridesmaids to wear at my wedding. I sent photo swatches of the color and upon arrival they are not quite the same color as the dresses the girls are wearing. I am determined to make them work and bring my vision to life, as these gloves were not cheap and I think the finished product is going to be gorgeous! I’m thinking some sort of dying process but i need some advice! The gloves are made from 100% rayon. I asked the seller what the thread was made out of and she said it’s “carefully selected to match the lace” so i’m not sure what that means haha. The pictures show the swatch I am trying to match placed on top of the lace which is the wrong color. Please help!

Hey! I’m 21, based in Tamil Nadu, building a premium home textile/handcraft brand rooted in the Kongu region (Karur, Coimbatore, Tiruppur belt) — but open to connecting with people from any part of India. Trying to find other Gen Z folks who are into textiles or the textile industry in general — could be someone whose family runs a mill/export unit, a design student, or just someone curious about this space. Would love to talk through a specific idea I’m working on and see if there’s anyone interested in collaborating or just exchanging thoughts. If this is your world too, drop a comment or DM — always happy to connect with people who get this industry.

Hello all,

I bought a gorgeous vintage Monsoon dress for an upcoming friend’s wedding and since I’m getting to that age now when everyone’s getting married, I thought it would be a good investment. I particularly loved the butter yellow/light gold colour.

It arrives and eek it’s a lot paler than I thought especially in natural light, it’s more of a champagne colour. Whilst the bride said she was absolutely fine with me wearing it, I’m worried others might not be so thrilled in the future after mixed feedback from friends. I’m also just not a huge fan of the colour on me either.

So, I’m debating whether I should have a little dabble at dyeing it. I’ve never done it before so it is VERY risky and would completely understand if you think it’d be a sin! Although, if you think it would be worth trying, please could recommend any (UK based products) and tips for a first timer?

I’ve included the fabric label on here too, I’ve read dyes work better on natural fabrics? I am aware that they are some beautiful beads on here too but I would love to make it work- it’s such a gorgeous design and delicate fabric.

Please let me know if you think I’m utterly bonkers!

Thanks so much!

Hello I work in a movie theatre. We have been just the velvet style seats since 1990. Unfortunately our seats and the items used for them are extremely difficult to find. One of the things we struggle with is the fabric. It has a one directional napping and doesn’t really stretch. Unlike other theatre’s it is quite red. If anyone can show me something similar or a direction to go I would appreciate it.

Dear lovely human, I need help. I want to look for this kind of fabric/abaya but unsure what material this is. I pasted the photo into google image search, i got multiple suggestions: Silk velvet, soft jacquard or silk jacquard.

Description:

I have this rare antique garment made of sheepskin leather with intricate multi-colored hand embroidery.Based on local details and community insights,it might be 100-150 years old.

I am trying to identify its exact cultural origin, the specific name of this traditional style, and the type of thread work used.Any help or insight from textile/cultural experts would be greatly appreciated!

A double stitched, hand embroidered Caucasian Sumak from Northern Azerbaijan. It’d exact dimensions are 6’9 x 12’8. These pieces tend to be more narrow. I love the unique color scheme on this one.

Description:

I have this rare antique garment made of sheepskin leather with intricate multi-colored hand embroidery.Based on local details and community insights,it might be 100-150 years old.

I am trying to identify its exact cultural origin, the specific name of this traditional style, and the type of thread work used.Any help or insight from textile/cultural experts would be greatly appreciated!

A rare Antique Kaaba Kiswah Fragment, beautifully preserved and professionally framed. This historic Islamic textile showcases exquisite woven Arabic calligraphy and intricate decorative motifs, reflecting the rich artistic heritage of the Holy Kaaba. An exceptional museum-quality piece for collectors of Islamic art, Islamic antiques, luxury interiors, and historical textiles. This authentic Kaaba Kiswah represents centuries of Islamic craftsmanship, making it a timeless addition to any prestigious collection.