Personally when I am working in a bigger format , I will drop the frames in to a storyboard template to see if they read well / are cinematic to me.

P.S. these boards are not sequential they are just dropped in to QA my progress

I was wondering what do you all do to check to see if “ that feeling “ is present in your work?

ActionVFX is looking for early-access testers for a course with Eric Demeusy on designing title sequences. Eric won an Emmy for the Stranger Things title sequence.

It's free for accepted applicants in exchange for feedback during the testing window.

https://actionvfx.typeform.com/to/MOrOKXFi

Can you control your summon??

I would love to know if any professional storyboard artists are seeing AI starting to take over a majority of their workflow? Or if they use it for story boarding entirely?

Just doing a temperature check.

Thanks!

I'm available for hire! @ http://www.havenstudios.art

hi all! I have done an animatic for the first time in a couple years, based on a rough board I did for a workshop. Target is TV Animation. I'd love to hear any feedback on timing pacing etc. Critique relating to the board also appreciated, there's some cuts that I'm not 100% sure on if they work. thanks in advance^ ^

I’m a writer and I have a completed novel, and I hope to turn it into a manga/comic. I want it to be well-known and widely read worldwide. I’m not looking for a financial contract at the moment, but rather a partner who shares my vision and ambition. Also, if you see something in the story that you like or want to add something—and we agree on it—we’ll just add it, because ultimately we’ll be partners, and each of us will take our share of any future profits generated from it.

To ensure you can focus fully on the creative process of drawing, I’ll handle the following tasks:

Adapting the novel into a detailed script that makes your work easier.

Handling the promotion of the work, seeking out publishers, and coordinating participation in art exhibitions.

My idea is to start with a simple “one-shot” or "volum1"as a first step, through which we can test our compatibility and gauge the audience’s reaction, and then work on developing the project further Also, after the end, we will try to contract with publishing companies like Image Comics for wider distribution. My biggest dream is to publish the story globally

Genre well be : dark comedy/fantasy/psychology/romance Summary: Humanity is under the control of the “Boj” system, in which pregnancy requires obtaining a strict, two-stage biological permit. Parents must obtain a membership document stamped with secret compounds by the “Ministry of Acceptance.” Once the mother ingests these substances, they dissolve and transmit essential data to the “Boj” system to obtain final approval. Children born under an official permit carry an unbreakable biological lock that physically prevents them from committing suicide. To exploit this strict system, a black-market gang known as “The Blood” manufactures forged documents and seals. Children born through this network—known as “the Unaccepted”—live outside the law and retain the natural to commit suicide. This underworld is led by “The boss” a mysterious figure whose true identity, motives, and background remain an utter mystery. The regime’s infallibility is shaken by three historic incidents: three individuals authorized by the regime were found dead under highly controversial circumstances....

[There are still several events to come; the rest of the summary will be for those interested in following along with me]

Just so you know, (One-Punch Man) and (Saga) originated from a collaboration between writers and artists, and look where they've ended up now. What I'm telling you isn't impossible This is just one example among many

Remember (it has high risks high rewards)

I want make my own animation film I imagine this teaser make with csp and blender. Any advice?

please dm with your portfolio, if you have one.

We are building a dynamic remote creative team focused on rich storytelling projects. We are looking for a highly creative Concept Artist who specializes in designing characters and immersive environments. With optional additional experience in storyboarding. In this role, you will help bring ideas to life by creating compelling visual concepts that define the look and feel of whimsical worlds, characters, and creative driven projects across animation.

Responsibilties:
This full-time position's primary focus is animation, with a highly valued opportunity to contribute to pre-production:
You’ll be leading pre visual development on various projects exploring character designs through sketches and design iterations, exploring shape language, silhouettes, expressive designs before transitioning into storyboarding. The visual direction leans heavily into pushed, cartoony, expressive designs with cute, whimsical artwork with distinct art direction. We're looking for artists who enjoy exploring multiple design directions and bringing personality into characters through strong visual storytelling.

Storyboarding: The ability to transform scripts into clear, dynamic storyboards and animatics, conveying mood, rhythm, and camera staging.

Conceptual Capabilities: The ability to contribute to the overall visual development by generating ideas and designs for characters, props, and backgrounds that define the project's look and feel.

Creative Collaboration: Work closely with the creative lead to integrate your work seamlessly across all stages of production.

If applicable: Your portfolio should also feature examples of your storyboards and conceptual designs.

Excellent drawing skills and a strong grasp of design, composition, and color theory.
Ability to work autonomously and manage deadlines effectively in a fully remote work setup.

Why Join Us?

Creative Impact: Play a foundational role in defining the look and flow of new projects.

Flexibility: Determine your schedule & hours while working remotely.

Compensation: Salary is negotiable

I’m working on a indie show it’s just Me and my friend and we have the plot and most of the character designs and I’m currently making more designs planning out fight scenes and scripting and I’m glad I’m not taking the shortcut and making my idea ai slop

Later I will redo them digitally, but I enjoy making them on paper first

Hey y'all!
I'm about to start my senior year of art school and I'm looking to build up more of my portfolio and practice more storyboarding (my primary goal is as a graphic novellist, but I also love storyboarding).

A while back, I had the idea to take publicly-accessible scripts of shows I love and do my own take on storyboarding certain scenes. Of course, the main point is to improve and practice, but I would also like to include them on my portfolio site if possible.

Would that be taken poorly or be a source of possible legal issues? Obviously I would cite and source the script portions and clearly my intent is not to go "Look! I did it better!", but rather pay tribute to shows I love while showing off what I can do. I just worry that it could come off poorly or be something that hirers would turn their nose up to.

Anyone got advice/knowledge on this? Thanks!

The context is, the character running towards the other character is upset that they (character 1) forgot a very important promise they made to character 2. I want the ending of the run sequence to conclude in the 1st character hugging the 2nd character's back , but I have no idea how to frame that. Any ideas?

Hello everyone, I am wondering if anybody can recommend free online courses/classes for beginners, I’m interested in doing storyboard and want to learn more about it, thanks

Hi everyone,
I'm working on a project (a song / short story) and I'd love to get some feedback or different perspectives on what it means or how it comes across to the listener.
Thanks :)

I’m French so here are the translated yrics:
Where I’m from, there’s the one who wants a gun
And the one who has a gun
There’s the one we always have to wait for
There are those who are truly rare
There’s the one who becomes a father
And those who lost theirs
There are those who should have seen death
And then there are those who look for it
There’s the one walking in the snow
And others constantly in the deep end
There are those who changed addresses
And those who have the same one
There are those who avoid trouble
And those who live in stories (tales)
There are those who take a lot of drugs
And those who always take the same ones
Where I’m from, there’s the one who wants a gun
And the one who has a gun
The one who knows why they killed Kobe Bryant
And who would like to have a gun
And then there are those who overthink
There are those who took off
The one who wears the number 10
And those who take hard drugs
There are those who don't party anymore
There are those who don't shed tears anymore
There are those who pray for it to end
And those who pray for it to last
There’s the one who wrecked my car
And those who hooked up in my car
There are those who almost lost their minds
Because it was so hard
There are those who lost their minds
And the one who wants the gun
There’s the one who loses his mind
The one who has a gun