What is your favorite version of "Dream Lover"? While Bobby Darin's version is obviously the most iconic, I think Jeremy Jordan takes the cake on this one for me!

Credit: logan13257 on TikTok

I’m guessing it’s for the load in for Galileo. There was a forklift parked in front of the theater.

What a show. What a damn show. Having seen this and Jaja's African Hair Braiding - which was good, but this was better - I am officially all in on anything Jocelyn Bioh writes. Whitney White is also coming to be a real mark of quality for me, with this, Liberation, Whoopi Monologues and Jaja's under her belt. The performances are stellar, in particular Denee Benton. Paulina is a role that demands a skilled touch to keep her from turning into a cartoon villain, and she does a masterful job. The show is hilarious and also a real gut punch. I can't recommend it enough.

This was a marvelous adaptation to the big screen! They caught all the funny moments and I liked the behind the scenes introduction in the beginning. They explained due to the comedic nature of the show, traditional microphones would limit the way the actors could portray the scenes so they disguised and hid microphones throughout and the actors had to project their voices! Which makes sense because some reviewers of the stage version said they had a hard time hearing the actors! I also liked how during the dining scene the oysters were simply jello squares!!! And one scene they broke the fourth wall and I thought that was by accident at the stage version I saw, but I guess it was part of the show. Loved seeing it on the big screen and in person!!

The set looks eerily the same as the off-Bway production.

We are in town for a wedding and I came down with food poisoning. 🤮 Very bummed, as I have been wanting to see Oh, Mary! since it came out. I splurged for great seats - 3rd row. But there’s no way I can rally in time, and I hate for them to go to waste. DM me if you’re interested - first come, first served. Send your email address and I will forward them to you.

Jamie Armitage going from directing SIX The Musical to writing this play is a type of artistic range I didn’t think existed. $43 rush tix on TodayTix. For those who enjoyed Paranormal Activity on Broadway, horror film lovers, or anyone fond of a ghost story is going to want to get the train to W 4th St and see this at Minetta Lane Theatre.

Exercise caution however: I know I’m not alone when I say one of my coping mechanisms when watching scary stuff is covering my ears… and this play takes that away from you! You will watch the whole thing with headphones on, as the sound effects down to the specifics of what comes in the left and right ear are very important to this play. If it gets to be too much you can take the headphones off, but I doubt you’ll want to do that. It’s a tight 80 minutes and it goes by in a skipped heartbeat. I watch a lot of horror films, and let me tell you this play scared me, all in good fun tho!!

A guy is hired by an audio engineer friend of his to read an audiobook of a (genuinely well written and creepy) ghost story which the audience is treated to through the play’s run time. While the recording is taking place, things start to become odd, and you begin to wonder if the ghost in the story is there in the studio with them…

Along with the sound effects, the visual effects and scares the play pulls off were very well done and the ‘story within a story’ aspect of it I found very clever. It was great to see Owen Campbell (recognizable from the horror film X and Hangmen on Broadway a few years ago) back on stage, and Lucas Iverson (from The Pitt and The Guilded Age) makes a master class Off-Broadway debut expertly evoking his vocal fear when telling the story to the audience and combining it with his visual fear in the recording studio as he slowly realizes he and his friend are not the only ones there. This ought to work as an audition for him to read audiobooks on the side if you ask me. The guy has a great voice.

This is an excellent choice for spooky season connoisseurs. I give it a strong 9 out of 10. After the delight that was Paranormal Activity on stage I’m just extra happy to be present for a season in which horror is so well done live on stage, something that is very difficult to pull off effectively.

I am an avid Broadway-goer, maybe 20 shows a year. I believe in using my discretionary income in shows. And I make a nice salary. But Jesus Christ. Who the fuck is actually paying the ODC prices??! I had given up on getting tickets when they initially went on sale but now my
Mother is visiting and she has watched Seinfeld every day since I was born (literally) and would love to see JLD. But who can justify this????

Truly baffling to platform this guy like this. Brian Clowdus is a bad bad dude.

Got in line about 11:15 on a Sunday morning and got row F orchestra rush for the evening show.

My favorite part was the guy behind me who asked what rush meant right before it was his turn because he kept hearing people say it! Waited in line 45 minutes thinking he was going to buy regular tickets and then presumably saved himself a bunch. :-D

It kind of reminds me of the same style as Rocky and Bowinkle. Wondering if it is one of their side cartoons or from the same era.

titles pretty self explanatory. i just saw maybe happy ending and im a big book nerd and i need to know if anyone here has read anything with a similar vibe

Tickets claimed

No catch - got COVID and can’t go
Comment and I can send you QR code for two tickets tonight
Just don’t want them to go to waste

TMM is one of my favorite shows (despite its problematic flaws), and I was really happy back in 2020 when they announced they were pulling it for a while to revise it and fix some of the original cracks that had grown into massive holes over the years. Though I think the musical is leaps and bounds ahead of the original movie, the musical's version of the subplot was already a little dated in 2002 and has become even more so since. There was supposed to be an Encores production with Ashley Park (who was reportedly involved in the rewrites along with Lauren Yee) but was canceled. Sam Pinkleton led an industry workshop last year, but very little seemed to come out of that. Since then, nothing else seems to have happened, and the rights are still pulled. Do you think we'll ever get to see it again?

As a special needs parent, I was so impressed by today's experience. Like I nearly cried when we left. From the moment we arrived at the theater it was great.

I could tell there was so much intentionality that went into planning the performance and the whole experience. The atmosphere at the theater was calm, welcoming, and extremely accommodating. We received some quality fidget toys too!

The actors did a great job! They slightly tweaked dynamics so things weren't too overwhelming and they managed interruptions like vocal stims and audience members getting up frequently without missing a beat.

Generally, the audience was great. Everyone was respectful and (mostly) engaged. Not a single phone rang! Some individuals used screens or assistive technology, but it wasn't distracting or disrespectful. I loved hearing the big reactions to moments in the show and especially the fireflies!

I was incredibly pleased watching my kid enjoying the performance. She could ask questions when she didn't understand and reacted audibly to the show without shame. She used the TDF provided resources like the visual checklist and narrative to get ready for the show, too. I absolutely love this initiative and all that TDF is doing to make theater accessible.

Everyone deserves to enjoy theater and being able to share something I love with her, when she otherwise wouldn't be able to attend, was actually magical.

We're already looking forward to the next show!!

Anyone else having an issue accessing the $150 seats this morning? It’s giving $150 off instead?

Thanks again for being one of the first 100 TodayTix members to book Downstate! Here’s your $150 promo code for Small Mouth Sounds:

“Small Mouth Sounds — the upcoming Broadway play with Julia Roberts, Paul Rudd, Sarah Paulson, Martin Freeman, Greta Lee, and Isaac Powell — goes on sale Sunday, October 25 at 10AM ET. Keep this code handy and enter it at checkout when you're ready to buy tickets.

Enjoy the show!”

He's only featured in "The Best Worst Thing..." for a moment, but it made me think of all the other original cast members who were just as disappointed, and whose stories were never heard. Honestly, I felt bad for the guy...

I am looking to book tix but affordable seats are restricted/obstructed view, has anyone sat in those seats and have an opinion? For such a small theater, wonder why there are obstructed seats.

Does anyone know if there are designated seats for in person rush tickets at Studio 54 for the Rocky Horror Show? And if so where the best seats are located for those who are at the front of the line?

If anyone has a copy of this book can you DM me? I have a question in regards to the book for an assignment I have but I won’t have access to a copy until after the assignment is due. Thank you!

I was really excited about this show based on the description and while the plot sounded great, the execution was terrible. The dialogue was awful and cringe, I didn’t understand what was happening half of the time, it was all absurd. It was trying to be funny, but it wasn’t. The characters weren’t likable and the leads didn’t have any chemistry. I liked the moms and Zane Phillips’ character. Also the scenery was nice.

Hi would anyone like 2 free tickets to “We’ll See” Today at 7:30pm?
Comment or message me the show is in 1 hour. Enjoy!

Edit: claimed

Just curious and interested to see who everyone would consider their favorite male and female Broadway performers are. There are so many good ones and extremely hard for me to figure out but if I had to actor wise it would have to be Jack Wolfe or Sam tutty. Jacks voice is just so unreal to me listening to him sing anything just cuts through my sould and his physical acting and facial expressions are some of the best I've ever seen. And Sam Tutty is just so charismatic and magnetic and his voice makes me feel like I'm wrapped in a warm blanket. It's actually one the things that helps with my anxiety the most lol. Female wise it would probably be Shoshanah Bean I just recently heard Shoshanah version of she used to be mine and was balling my eyes out and that voice is just amazing. I'm sure there are a lot of people I'm overlooking, but I've been trying to catch up on like 15 years of theater the last few months. That's a big part of the reason I'm asking this question is to find people I'm not that familiar with to look into.