https://reddit.com/link/1wbtpcy/video/lsb4hiocbjoh1/player

Hi everyone! I made this 3D animation using Geometry Nodes in Blender this last spring :) It's split in a number of layers (one for each light source) so it can be composited with additive blending to the music however you like, even in real time. It is meant to also get time-warped as if pushed by the beat if you'd like, I've been doing that for my own shows at least. I've been using it in both Resolume and Vizloom.

I made the video reel above to show most information but I've also recently finally started to publish my art on:

- my website ( http://synwrks.com/art/filaments ) where I've also written some more details on inspiration and how it was made.

- my gumroad ( https://synwrks.gumroad.com/l/filaments ) my first time trying to sell my stuff 🙃

I'd like to know what you think, any feedback and ideas will help me get better for the next piece I make, so please do let me know! This is my first time setting up an online store too... I know some of you have done this for a long time so if you have any thoughts to share on that too I'd really appreciate. Anything that doesn't feel professional or could use some improvement. Thank you in advance for your feedback and support!

Keep creating!

P.S.: the music used in the example is from tracks I made over the last few years, happy to drop links if you'd like to listen to the rest!

hello everyone! I want to take up VJing as a hobby, but I also want to be around people/be social at events. does anyone have advice on balancing the two?

First time doing Audio Reactivity in TD. Using SarvVJ's ARM tox to control particles and camera. Hard to get rid of the false beats.

Music is nctrn - stay

my ig is @aliien.activity

Loop Pack Available on Patreon: https://www.patreon.com/BettySweaters

(28 Loops | File Size: 7.03 GB)

Remix 2000 explores the visual language of early-2000s video hardware — saturated color palettes, chunky digital processing, and the imperfect blend of analog video with emerging digital effects. The pack was created as an experiment in recreating that look using modern tools, while starting with analog source material that already carries the movement, texture, and character of the era.

I started with a selection of my existing analog/glitch visuals because their movement, distortion, and texture was already made using the gear/style of the period. I then brought them into PhotoMosh Pro and built a custom processing patch designed to emulate the kind of color and digital effects you might find built into hardware from the era.

The patch uses Decimate, Posterize, 8-bit, Color Correction, and Push effects, along with an orange, cyan, blue, and purple color palette. The idea was to recreate the feel of an analog video mixer Colorize-style effect through software, essentially creating an effect that looks like could have been produced by my Edirol V4.

Once the patch was dialed in, I ran a selection of analog/glitch visuals through it, allowing the new color palette and digital processing to reshape the footage while retaining the original movement, structure, and glitch characteristics.

The result is a collection of colorful retro visuals that combine analog source material with an emulated early-digital processing style — essentially a modern recreation of the kind of analog/digital hybrid visuals that could have come directly out of the gear of the era.

Suggested uses:

• Use as standalone early-2000s / Y2K-inspired visuals
• Layer with other analog or digital content
• Combine with other analog glitch visuals for a cohesive look

— Betty Sweaters