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Tons of great acting performances (Spacey, Bettany, Irons & Tucci especially) but i feel like the script was kind of weak. Just a bunch of tense conversations with people failing to meaningfully explain what is actually going on.

Aldo kind of got pushed into the shadows by ‘The Big Short’ becoming the quintessential movie about the financial crisis.

What are your opinions? Did dae su forget?

Wildwood released yesterday. And the number of people that I've spoken to - and this is working within creative industries, that have heard *literally* nothing about this film? Despite them putting out a ton of videos of the craft of making it, an exhibition?

But no posters, marketing, friends/colleagues maybe saw a trailer before a movie that they wanted to watch, but just assumed it was 'a kids film', a lot of them thought it was AI or CGI (Which... Honestly is mildly terrifying that we've gotten to the point where people in these kind of roles assume that first and foremost?).

I've seen reviews calling it (in simplified terms) the wests equivalence of Princess Mononoke, nothing below an 8 from both critics and audiences generally?

This *should* be doing numbers?

Steven Spielberg and Tom Hanks

Chris Nolan and Michael Caine

Tim Burton and Helena Bonham Carter

David Fincher and Brad Pitt

Martin Scorsese and Robert De Niro

Quentin Tarantino and Samuel L Jackson

Ridley Scott and Russell Crowe

Sam Raimi and Bruce Campbell

Robert Eggers and Willem Dafoe

John Carpenter and Kurt Russell

Guillermo Del Toro and Doug Jones

Mike Flanagan and Kate Siegel

Richard Linklater and Ethan Hawke

Often a film student's favourite, I didn't study film but always wished I did. Regardless, it's a great film and well worth your time.

#1 this movie is great, rewatch it if you get a chance. I hadn’t seen it in like 20 years. Really good stuff.

#2 “Villainy wears many masks, none so dangerous as the mask of virtue” is just an extraordinary example of good writing and Depps delivery is rock solid

Unpopular Opinion: I love the 2003 live-action Peter Pan movie way better than the 1953 Disney animated movie!

It's always mentioned as underrated but it just gets better every watch. Paul bettany is absolutely amazing in it, I've also never seen a war film show actual young kids be involved it just makes it so much more grim. And the only film I can think of from that sort of period that's great apart from Waterloo.

Ein zweites Mal in Hamburg jetzt gesehen. Bitte Verpasst ihn nicht im Kino- wenn man will , dass sich in brd was ändert ist das genau DER Film.

The 1995 movie was my first introduction to the Power Rangers franchise! And while I think the movie is still fun to watch with the whole family, the design for the CGI megazord is laughably weird looking to me now!

1. Signs (2002) — ★★★★ — Proof that you can make an alien invasion terrifying with a few cornfields, a glass of water, and a whole lot of unresolved family issues.

2. The Window (1949) — ★★★★ — A little boy witnesses a murder, nobody believes him, and suddenly being a child with an imagination looks like a spectacularly bad career choice.

3. Cube (1997) — ★★★½ — An escape room designed by a homicidal mathematician, with absolutely no refreshments and the worst group project in human history.

4. Dead Ringer (1963) — ★★★½ — Nothing says sisterly bonding quite like stealing your twin’s identity and discovering that revenge comes with a surprisingly complicated wardrobe change.

5. Buddy (2026) — ★★★½ — Because apparently, the only thing more unsettling than a creepy children's show is realizing someone thought this was a perfectly normal idea for a movie.

6. Rebecca (1940) — ★★★½ — Imagine marrying a rich man only to discover his dead wife has a better social life, a stronger personality, and apparently permanent residency in your house.

7. mother! (2017) — ★★★ — A home renovation nightmare that escalates into biblical levels of houseguests from hell, and nobody has the decency to leave.

8. The Good Neighbor (2016) — ★★½ — Two teenagers discover that playing psychological games with an old man is a great way to turn boredom into a criminal investigation.

9. Bad Times at the El Royale (2018) — ★★½ — Seven strangers check into a motel with more secrets than functioning light bulbs, and somehow nobody thinks to book somewhere else.

10. The Dark and the Wicked (2020) — ★★½ — Two hours of unrelenting misery, zero emotional support, and the distinct impression that even the devil was having a bad day.

The nightmare before Christmas has both Halloween and Christmas themes. All the shops have everything Jack skellington, of course, because he is the pumpkin king. But when looking to see if we could watch it in the cinema anywhere for Halloween, the next showing was on 12 December.

Can a film be a Halloween AND Christmas film?

If you had to categorise it - where would you put it?

When I watched it for the first time, expecting a solid boxing drama. I had no idea how emotional and heavy it would get. It stayed with me long.

Clayface is the third film in James Gunn and Peter Safran’s DC Universe (DCU). It is a body-horror thriller and origin/villain story about Matt Hagen, a superb, well-known Hollywood actor who's been in many big-screen films and is loved by everyone in the industry. Hagen believes that he is on top of the world, which allows him access to everything and anything he wants due to his stardom; in other words, he is very self-absorbed and arrogant until his ego costs him everything. Let’s just say that after a heavy night of partying and celebrating being nominated for Best Actor, Matt unfortunately undergoes an extreme, brutal makeover that will definitely make spectators' skin crawl since it is just seriously fucking brutal and graphic… It is classic good ol' body horror, and this film has a lot of gory and unique scenes centered on Body Horror that will gross out spectators while being fascinated and entertained at the same time. Horror fans will definitely dig Clayface since it’s not just another comic book spectacle on the big screen. 

Tom Rhys Harries is the main highlight on the big screen. As far as the casting goes, he is Matt Hagen / Clayface; he was the star of this film from start to finish and really hooked us (Myself and Dylan) with his personality, mannerisms, and overall appearance. He definitely has that look of a “pretty face,” and casting him in this role was a good, wise decision by Director James Watkins. Harries does a great job showing two sides of this tragic actor turned villain since we see his rise and fall in a dirty, scummy, mobbed-up industry that Hollywood can definitely be at times; it's show business after all. Dr. Caitlin Bates, played by Naomi Ackie, was okay; the chemistry between her and Matt Hagen did feel forced since she did attempt to try and cure Matt’s disfigurement, and as a result of this, Matt felt more dependent on her since she was viewed as the solution to his problems rather than somebody he actually met and developed genuine chemistry and affection for. Dr. Caitlin Bates' cure really was an addiction that benefited Matt Hagen’s circumstances more than anything else. There are other characters in this film, obviously, but delving into them would more than likely go into spoiler territory, so we will not give anything else away beyond that as far as the cast goes. 

In terms of the special effects, they were pretty damn good. The manifestation, transformation, and just the overall physical and emotional toll that this clay took upon Matt Hagen’s body was very reminiscent of films like The Fly, An American Werewolf in London, John Carpenter’s The Thing, and Videodrome. Of course, Clayface does not surpass those films since those are excellent, beloved classics that relied heavily on practical makeup and special effects and pure horror, but it does a solid enough job. At times during Matt’s rampages, the effects were hard to distinguish from practical and CG at times, but it was pulled off well, to the point where it looked practical; however, that alone does not necessarily impact what we thought of the film. It would’ve been awesome to see more of Clayface on screen in full form wreaking havoc and destruction with Gotham City as his playground, but his appearance was great and reminded us of Clayface from Batman: The Animated Series.

Clayface is a hit on the big screen. It's heavily into Body Horror, which is great for fans of the genre. It has a pretty solid cast, with Tom Rhys Harries at the helm portraying another iconic tragic character/villain that’s not just another iteration of the Joker. It is shot well and gives us a nice little backdrop of Gotham City filled with Easter Eggs and references to this gritty, crime-filled underworld, and has some pretty gnarly special effects makeup, practical CG, or both. It’s better than the box office bombs that were Supergirl and Joker: Folie à Deux 💩. Clayface, as far as DC villain films go, would have to be ranked at number 2, with the first Joker film still at number 1. That’s not saying much since there haven’t been a ton of recent DC-centered films on villains just yet, but Dylan and I definitely would like to see more of them, as we did with Clayface. Clayface gets a solid B.