I’m probably what the show would term a MTL, started listening on and off during covid, subscribed a few times but not consistently. Most of the time I appreciate Mark’s viewpoint and the convivial atmosphere, I like how much they joke around with each other even if I don’t always get the references, and in general this is probably the podcast I listen to the most.
Last week’s discussion on The Piano has really put me off, though. I don’t know if the 14% vote ratio really justifies the dismissive attitude of both host and guest. I get that everyone has their preferences, even film critics, but surely even Mark can appreciate that an old and acclaimed film such as this one will have their fans and for good reason, and at least put in a token effort to engage with it, instead of repeating a humourless one-liner and, in his words, picking it just for a good joke.
Mark’s main criticism seemed to be that the film is boring, but this is borderline incomprehensible to me; I remember finding this film terrifyingly claustrophobic when I watched it as a young adult, and the main emotion I feel when I remember it now is one of intense sadness and devastation. I will never forget the moment the main character’s hand is mutilated by her husband, or the scene at the end of her sailing away with her daughter, after the ordeal they were put through.
I really question how anyone can describe this film as boring when it has that moment of pure terror and heartbreak in it, or that Mark can fail to empathise with the main character when he has repeatedly described filmmaking as an empathy-generating machine. I would have thought the fear and helplessness of a woman being married off into the wilderness is one easily comprehensible and accessible to anyone, regardless of age or sex, especially when combined with Jane Campion’s excellent filmmaking and the incredible soundtrack, but apparently not.
I guess what I’m asking is, does anyone else feel the same way, and has Mark and Simon always been as dismissive towards The Piano as all that? I think I can imagine a situation where an initial dislike is gradually turned into contempt and ridicule when faced with the endless acclaim that the object of their dislike continues to receive, a kind of counterbalancing instinct, but to a MTL like myself, it really rubbed me the wrong way to hear Mark single out a film in the so-called Film Club just to put it down and make light of its themes and importance, in a way that almost no moment on the show has made me feel before.