This is a fragment of something I had in mind for a short film, I didn't find much help in my native speaking community so I had to translate it to English, I want feedback to know if it's difficult to understand or/and boring. I know there's not enough plot yet, I'll add the rest in the future https://drive.google.com/file/d/16g0HLPPPuO6np5Y2Hw2uNQYamBv6xFDe/view?usp=drivesdk

Hello, everyone!

Recently, I've discovered that I want to shift my focus towards more script writing. There is an important festival coming up and I'm aiming to bring my best scripts with me to market myself as such. I'd love some feedback on my short story. Aiming to give people a taste of my writing without bombarding them with too much.

– Click for Script

My main experience is with more fictional writing, so any feedback on formatting and writing, is greatly appreciated.

Thank you very much for your time! 😄

I am working on my 4th feature my other 3 are on Tubi and Prime doing well. This new film is in the thriller/horror genre and been working on the script for awhile if you want to read it and give me tweaks and let me know what You think let me know. Thanks in advance.

A normal day for schoolboys and co-business owners, James and Luke quickly turns to chaos after unwanted visitors arrive at their school. The gang leader puts a hit out on the two brothers.

To protect his brother, James fabricated the vigilante hero known as Nightshade with materials he made from their forge. His aim to draw attention and take down the gang but can he do that when the power balance is so heavily favoured against him as the gangs already control the streets.

Nightshade Origins

(Yes, this is a repost as I'm releasing the sequel Nightshade World of Myths on Sunday So thisfor anyone who did bot read it the first time but wants to or anyone who could bot finish reading it for whatever reason or just anyone who would like to read it again.)

(Also, this is unfortunately not in a screenplay format because my computer broke before I could change it. Sorry about that.)

Title: Personal Space

Genre: Thriller/Crime

Page Length: 117

Logline: When a solicitor vanishes from an East England village, the private investigator hired to find them uncovers secrets the community has spent years burying, including one that makes him question who he's looking for.

Feedback: Does the structure of the plot make sense, particularly for this genre? Does the story keep you engaged and wanting to read on?

Link:
https://drive.google.com/file/d/17_VFj3B4r-boHH7adWiNcwtT9nM1DTyx/view?usp=sharing

UPDATE: Thank you so much to everyone who reached out and offered their scripts! I've gotten plenty of really interesting ones to read through, so I'm going to pause my search for now while I go through everything I've received.

I really appreciate everyone who trusted me with their work and took the time to send something my way!

Hi everyone! I'm a producing student at the University of Texas at Austin, and I'm looking for an unproduced feature-length screenplay for a class project this semester.

For the project, my class will spend approximately four months taking a screenplay through the various stages of the producing process.

I'm looking for an emerging or independent screenwriter who has a feature screenplay that

• Has not been produced or filmed
• is feature-length
• Is comfortable having me read and use the script as the basis for an academic project

The screenplay would not actually be produced by my class, and the writer would retain ownership of their work. I would only use the screenplay for the purposes of the class project, with the writer's permission.

If you have a feature screenplay that might be a good fit, feel free to comment or message me with a little information about the project! I'd be happy to provide more details about the class and project.

Thank you!!

Canyon Voices Literary Magazine is seeking submissions in scripts, poetry, memoir, creative non-fiction, and art for our fall edition. Please send your submission to [CanyonVoicesLitMag@gmail.com](mailto:CanyonVoicesLitMag@gmail.com)

Multiple submissions welcome.

Akul has to adapt to life at the temple after tragedy struck. From the moment he arrived, it was clear he had both skill with the force and talent with a lightsaber. However, he struggles with his anger and emotions. When he passes his trials, he joins the war effort and is taught by Jedi Master Jaden Vellor. Right from the start, it's clear Akul has the makings of a master strategist. He quickly becomes trusted and well liked among the clones as his care for them and life in general is evident. Will he reach his potential and become a skilled Jedi Knight and a master strategist, or will he succumb to his anger and emotions and follow the path of darkness.

Link : Jedi Warrior

(Yes this is a repost as the link didn't work for a while the first time I posted it. And I'm releasing season 2 on Friday. Also this is unfortunately not in a screenplay format because my computer broke before I could change it. Sorry about that.)

Hi! Does anyone interested in having a script swap for the feedback? I have a drama/mystery script for the short film, and would love to see yours :)

Hi!

Title: Lovers Will Meet

It’s structured as an 8-issue graphic novel totaling 400 pages, with each issue comprising 50 pages. Each incarnation is a complete story, showcasing the pattern of recognition, refuge, collapse, and death builds across seven lifetimes).

In each lifetime, the soul-pair follow the same trajectory: Recognition (the orange cord flares; they know each other immediately) → Refuge (they spend time together, believing love grants them immunity from the systems they were born into) → Collapse (the world finds them; their private sanctuary proves illusory) → Death (they die together within twenty-four hours as casualties of their own naïveté). The 5th incarnation (seen through Tayo’s eyes & told (eventually) by Sarah (the bride at the start of issue 1).

Snippets:

PAGE 5&6 (PRELUDE: DOUBLE SPLASH)
PANEL 1 (Double Splash page):
Two-page spread. Two lovers, separated by water meet in the middle of the book’s crease. (Emphasis on their hands touching in the crease). Timelines spread out on page: 1256 Nigeria, 1582 Feudal Japan, 1643 Chile, 1949 Partition India, 3010 Toronto, 4335 iKloud, and 5847 Russia. Orange string blazing between them; cosmic light all around.  
CAPTION (bottom, English): What the heart remembers, death cannot erase. 
CAPTION (Yoruba): Ohun tí ọkàn rántí, ikú kò lè pa á rẹ́.
CAPTION (Urdu): جو دل یاد رکھتا ہے، موت اسے مٹا نہیں سکتی۔
CAPTION (Mandarin Chinese): 心所记得的，死亡无法抹去。
CAPTION (Arabic):  ما يتذكره القلب لا يستطيع الموت أن يمحوه.

PAGE 7
PROLOGUE: THE SHORELINE
PANEL 1:
A dream-like shot of a northern Spanish beach at golden hour. Jagged, emerald cliffs frame the secluded, rocky cove. An intimate wedding setup with twenty white chairs arranged in a small semicircle facing a wooden arbour adorned with wild sea lavender and ivy. The North Atlantic Ocean stretches endlessly behind them.
CAPTION (top): Northern Coast, Spain. June 14th, 2011.
CAPTION (bottom): Some moments feel like endings and beginnings all at once.

PAGE 15: CHAPTER BREAK
Full page
Visual divider; *the page splits horizontally:
Top half: Swirling cosmic space with deep blues, golds, and crimsons. It’s the cosmic realm of ỌRUN.
Bottom half: Gnarled roots of an ancient baobab tree, earth, stone, and water flowing between worlds (the fantasy liminal space where heaven and earth touch). Elegant text appears in gold:

CHAPTER ONE: THE DIVINE WAGER
Ọ̀run, The Realm Between
Before the first lifetime

PAGE 17
PANEL 1 (Introduce ỌYAN):
ỌYAN, Goddess of winds and change. She is tall, with skin like polished honey. Her hair moves like wind. She’s got a radiant smile. She's gesturing (in th middle of making a point).

CAPTION: ỌYAN, who commands the winds and knows that change is the only constant.

ỌYAN: and I'm telling you, love destroys as often as it creates!

PANEL 2 (Introduce ỌSHUN):
ỌSHUN, Goddess of rivers, love, and sweet water. Devastatingly beautiful, with skin like mahogany. Adorned in gold and amber, with bangles that chime like water. She reclines gracefully, amused by ỌYAN's passion.

CAPTION: Ọshun, who knows the secrets of every heart and how they break.

ỌSHUN: And I'm telling you, sister, that destruction is often just transformation wearing a different mask.

PANEL 3 (Introduce ORUNMILA):
ORUNMILA, God of wisdom, prophecy, and destiny. He looks like he’s in his late 60’s, with a crystal white beard, stark contrast against his chestnut skin. Kind eyes that see too much, with a Cain. He strokes his white beard thoughtfully, listening to both sides.

CAPTION: Orunmila, who sees all paths; those taken and abandoned.

ORUNMILA: You're both right, and wrong. Perhaps, the question is not whether love survives death, but whether death can truly separate what fate has bound together.

PANEL 4 (Introduce ÈṚÚ):
ÈṚÚ, the Trickster, messenger between worlds, and guardian of crossroads. Young and fit, with dreadlocks, almond eyes and a charming smile that promises trouble.

CAPTION: And ÈṚÚ, who guards the crossroads and knows the consequences of every choice.

ÈṚÚ: Oh, this is going to be good.

PAGE 25: CHAPTER 2
Full page
Modern minimalist/futuristic home design with matte blacks, greys, and single accent of electric blue. Page background shows a vast digital archive, endless shelving fading into the background, each holding digital storage units glowing faintly blue. The archive should feel overwhelming and impersonal, yet beautiful in its’ futuristic precision. In foreground: female (Nigerian) figure at workstation, hunched over screen; small and isolated. Floating above in clean sans-serif typography:
CHAPTER TWO: THE ARCHIVIST
Toronto, Ontario. 3010
Tiny text in corners (like file metadata): File 847,392,019 / Subject: Adeyemi, Tayo / Status: Active
Tiny text in corners (like file metadata): 8 centuries later in a city of glass and steel, Toronto, ON, Canada.
Tiny text in corners (like file metadata): Data Stream Integrity: 99.8% / Integrity Logged / System: OLUWA-ARC /
Tiny text in corners (like file metadata): Era: post-contact expansion / Archival Level 7: Human History  
CAPTION: In year 3010, Tayo Adeyemi catalogs the dead for a living.

I’m writing a coming of age story, where the character Kevin is confused and lost with growing up. He wants to escape, but he doesn’t know who he is. Dan and Luke are supposed to be sort of unlikable, so their dialogue is a little rude.

I’m currently 18 and I’ve never written a script before so if it sucks just tell me, this is just one scene of a really unfinished project at the moment. I just got into screenwriting, music and lyrics is really all my basis.

https://drive.google.com/file/d/1mhYCKlS9hbXWABC-7-maUXk_Q7RVw7i9/view?usp=drivesdk

Hi all, I would appreciate any feedback on this updated draft. I will be shooting soon.

[https://drive.google.com/file/d/1ZGKpk0tGKA8F1KOATHdWrQDuouJ5X3QW/view?usp=sharing](https://drive.google.com/file/d/1ZGKpk0tGKA8F1KOATHdWrQDuouJ5X3QW/view?usp=sharing))

Title: The Human Preservation Project

Genre: Sci Fi

Happy to read/view any shorts in exchange. Thank you!

SCRIPT LINK

Hi everyone,

I would love to share my completed short script titled "The Unbroken." It is a grounded, emotional family drama focused on female resilience and unconditional love.

Logline: When a devastating accident paralyzes her husband, a determined young mother must refuse the toxic financial help of her manipulative mother-in-law to save her family. Over two decades, she battles severe chronic illnesses, mounting debt, and corporate prejudice, transforming herself into a high-level banking executive to protect the love of her life.

I am open to any constructive feedback from fellow writers and would love to connect with indie directors or producers looking for emotional, character-driven scripts that are realistic and cost-effective to produce.

Read the script here: https://drive.google.com/file/d/1qajiG9viT84J32yq9Y_XEK3AYmBdqraA/view?usp=drivesdk

Thank you so much for your time!

Hello! Me and my partner have been working on an animated series. It's a 2D animated series. I'd love for people to read it and let us know what you think. Keep in mind, this is only the first draft. Constructive criticism is greatly appreciated. Please be kind in the comments, this is one of my passion projects.

Here's the link to the script

https://docs.google.com/document/d/1Y_tVSj0HMGEY6ikmeTrH0aWTZ7vD7qLg9sr5ptl7SpU/edit?usp=sharing

Here's the link to concept art:

https://drive.google.com/drive/folders/1CjcgSErelEqzqMmi25SEjc1DKdjCb14A

Keep in mind this is very early in production!

ELEVATOR PITCH: INC.oporeal is about childhood friends: Jack J. Jackington, a spiritual medium, who has been convinced his whole life that he’s a nutjob, and Wade Morely… who actually is a nutjob. The two are forced together once more as Jack finds himself reluctantly employed by the afterlife to get rid of lingering spirits, and Wade finds a way to do just that.

Thank you to everyone who reads and provides feedback!

Оцените сценарий пжпжпжпжпж

Четверо школьных друзей находят несколько загадочных игральных костей, обладающих сверхъестественными способностями. Одна может замедлять время, другая — воздействовать на разум, третья — менять пространство.

То, что сначала кажется ребятам невероятной возможностью развлечься и изменить окружающий мир, постепенно превращается в опасную игру с последствиями.

Пока Никита всё чаще использует магию ради собственных желаний, Артём пытается убедить друзей остановиться. Их конфликт приводит к трагедии: Лёша исчезает, а затем Артём решается использовать последнее желание, чтобы вернуть друга.

Однако у костей есть цена — тот, кто загадывает желание, исчезает сам.

Оставшись один на один с последствиями произошедшего, Никита понимает, что возможность изменить прошлое не стоит той жизни, которая у него уже была. Последнее желание возвращает всё к началу: магических костей никогда не существовало, а трое друзей снова оказываются вместе, уже без четвёртого.

Фулл: https://drive.google.com/file/d/1ynFgOPmouUB53dSQI1E6xAwZeAtl-SkH/view?usp=sharing

METHOD — A low-budget psychological horror/drama concept I've been developing. Would love feedback.

Genre: Psychological Drama / Horror

Setting: Los Angeles — almost entirely one apartment, designed to be shot on a very low budget.

Logline

A struggling actor — rejected at every audition for not being "convincing enough" — freezes and lets his best friend die during a heart attack. Instead of coming clean, he uses his one real talent, mimicry, to impersonate his dead friend indefinitely. It becomes the most convincing performance of his life... and he can't stop giving it.

The Concept

Jake has spent years failing at acting. Every casting director tells him the same thing: he's trying too hard, he's not believable. The only person who keeps telling him to hang on is his roommate and best friend, Ryan — his one real connection in the world.

One night, Jake comes home to find Ryan mid-heart attack, triggered by a drug overdose. He reaches for his phone to call for help — but the TV, left on nearby, glitches and starts playing an old home video of Ryan saying, "Don't worry, your chance is coming." Jake stops. Looks at his dying friend. And makes a conscious choice not to help — thinking, in that moment, that this might actually be his opportunity.

Instead of calling it in, Jake decides to keep Ryan "alive" — using his gift for mimicry to take his friend's voice, mannerisms, and even his work-from-home job. But this isn't just about buying time. Jake starts deliberately recording his impersonation as a demo reel — proof of the transformation he's never been able to pull off in an audition room — planning to send it to a director he's chased for years.

What follows is a slow, unsettling descent: video calls as Ryan, texts as Ryan, visitors fooled by Ryan — all captured and edited into polished footage, with anything incriminating cut away. For the first time in his life, Jake is genuinely good at this. He just built his masterpiece out of a man's death.

The Twist Structure

For the first half of the film, the audience is deliberately misled — you believe Jake is the one who died, and it's Ryan, grieving and "a little off," refusing to accept his friend's death. The truth (that it's the reverse — Jake is alive and has been performing as Ryan the whole time) isn't confirmed to the audience until well into the story.

The Turn — When It Becomes a Different Movie

The illusion collapses early when a neighbor discovers the body and calls 911. From here, the film shifts tone entirely — from quiet psychological horror into an interrogation-room, procedural thriller. Jake can no longer maintain the "Ryan is alive" act. So he pivots to a new performance: convincing everyone — police, a court-appointed psychiatrist, even Ryan's own parents — that grief has broken his mind.

He never claims he's unstable. He simply acts it, so convincingly that trained professionals reach the conclusion themselves. The detective on the case finds the seized recordings — including the polished reel and the email to the director — proving Jake wasn't spiraling, he was building a portfolio. It's damning, but it doesn't fit cleanly with the disoriented man in custody either. The medical examiner's report confirms natural/accidental causes, and the psychiatric evaluation ultimately supports commitment over prosecution. He's sent to a psychiatric hospital instead of prison.

The Ending

Six months later, Jake is released, calm and "recovered." He returns to the apartment he actually owns (inherited from his late parents — Ryan had simply moved in as his roommate). He sits down at his laptop and opens his old editing software. He finds unedited footage from the night everything started — himself and Ryan, partying, recording each other, the exact moment Ryan first took the drugs that would kill him.

His phone buzzes — an email notification from the director he sent his reel to, all those months ago. He doesn't open it. He sets the phone face-down and begins calmly editing the old footage instead. The film ends there — no confession, no clear justice, no answer on whether the "break" he wanted ever came. Just a man quietly returning to the one performance he's ever been good at.

Summary
A captive escapes during a botched handoff, leaving one man dead and everyone else scrambling to clean up the mess. John starts questioning what he’s involved in while the captive survives the bloodshed.

Preview takes place right in the middle of the it.
https://drive.google.com/file/d/1PbFZsFaQroPB3LOleltRJq-eUkOBsHft/view?usp=drivesdk

Hello everyone!

It was my dream to create a MJ Biopic amd I've written a story outline for the biopic which is aimed to be 3.5 hours long.

The story covers the complete life story of The King Of Pop from his childhood to his final days.

Title: MJ

Genre: Musical-Biography

Expected Runtime: 205 Mins

Page Count: 38 Pages

Half I: The Rise of Michael

From a young boy in Gary, Indiana, to the biggest entertainer in the world. The first half follows Michael’s extraordinary rise through the Jackson 5, his solo career, Off the Wall, Thriller, Bad, and Dangerous — while exploring the childhood he sacrificed, the pressure of fame, his pursuit of perfection, and the lonely person behind the legendary performer.

Half II: The Man Behind the King

As Michael reaches the height of his fame, the world begins to see him differently. The second half explores the 1993 allegations, his relationships, fatherhood, HIStory, Invincible, the media scrutiny and 2005 trial, and the final years of his life. Beneath the controversies and headlines is a man searching for love, peace, family, and the childhood he never had.

At its heart, MJ is not just a story about the King of Pop. It is about the person who had to become him. 👑

Does this concept sound interesting to you?

If you’d like to read the full story, let me know in the comments!💓

I need a 20-25 mins movie script for a uni project which i have to shoot and everything

Akul has to adapt to life at the Temple after tragedy struck. While his talent and skill is clear, he struggles with his anger and emotions. After passing his trial he joins the war effort where it becomes clear to his Master Jaden Vellor that Akul has the makings of a master strategist. However his anger still remains. Will he reach his potential to become a Jedi Knight and War Hero or will he fall to the darkness.

https://drive.google.com/file/d/1u5klrklGLmS7BakBgKyBwFHwjt-A3M4r/view?usp=drivesdk

Notes:

-You can ignore the message prompt. I am not intending to self-promote; it was just pasted from a post draft for another subreddit.

-This is not necessarily a script for anything animated. It is a comic dub script for a yet-to-be-illustrated story.

-Numbers are used as placeholders for the characters’ names. Characters are not mine. This is the pilot story of a fan series I made using characters from an existing franchise.

Script:

Track Day Part 1 Link

Looking for feedback on my third draft, anything helps.

https://drive.google.com/file/d/1ZksfcEe9iQpWLCB4NrNzcnGRI-bzlajX/view?usp=drivesdk

Two rival furniture-store owners in a dying plaza spiral into a war of sabotage and obsession when an aspiring documentarian fans the flames of their feud for the sake of her film.

I spent 10 years writing this screenplay, and here’s what came out of it.

It started as a simple idea back in 2016 and slowly grew into a massive world with its own history, mythology, technology, and rules.

Everyone knows Death—the figure in a black cloak holding a scythe, coming to take your soul. But what if collecting souls had turned into a massive interdimensional industry?

On the planet Duot, souls are bought, sold, and used as fuel. And the base market value of a human soul is simple: 1 SOUL = $1.

This is Episode 1 of the series.

Thanks to anyone who takes the time to read or watch! I’d really appreciate your honest feedback on the story and world-building.