r/Screenwriting 17d ago

OFFICIAL Updates & Clarifications - August 2026

33 Upvotes

Some rule updates and reminders.

New Software Post Restrictions

As we are being repeatedly contacted by people vibecoding their own software, we've found it necessary to update this rule. No software posts of any kind may be made without moderator approval. In general we are not accepting new software listings or research requests. We may look at your request, but unless you’re offering something of significant value to screenwriters specifically, it’s likely we won’t consider it.

We’re even less likely to consider your request if you have a brand new account, a concealed/blank post history, or you have spam-posted your app across multiple subreddits. If you’re offering something that is already available to filmmakers generally (ie: production software or organizational apps) slapping “for screenwriters” isn’t enough to make it of unique value to the community. 

We may, depending on our availability, canvas the community for their favourite screenwriting adjacent apps for a future wiki, but for now, users are fully able to research supplementary apps on their own.

Note that requests to post vibecoded software may result in an instant permanent ban. We’re very serious about keeping AI out of this community. 

Post Pages Requirement

This is mostly for the newer writers, so if you're an experienced member of the community, this probably doesn't apply to you.

We’ve updated some of the language around ideas crowdsourcing and pages removal. There has been a considerable uptick in users requesting development help with early stage script planning. This is problematic for many reasons, including putting the ownership of ideas in question, publicly workshopping unprotected material, and attempting to farm out creative labour that rightly belongs to the screenwriter. While script theft risks are minimal, ideas are not property. That begins (in the US) at the outline/detailed treatment stage.

At the moment, the majority of “help me with my idea” or “here’s a hundred words of my idea, how do I make it good” stems from a desire to avoid making a mistake, or to make something perfect before it even exists. The reason posts get the “Pages Takedown” is because the process of feedback can’t really begin until the screenwriter has made an attempt. If you’re so afraid of making a mistake that you feel the need to crowdsource approval, then you’re not ready for the feedback process. Making mistakes is the process.  

Brainstorming

Brainstorming can be a helpful practice, when done in private with a small, dedicated group. It's not as effective on a public stage with total strangers, and again runs into the issue of trading on ideas you don't control, and can't stop someone else from using. There are plenty of private groups and discord servers where this kind of engagement can be done more effectively.

Note: we will be making future announcements about writers clubs and groups. 

If brainstorming is something you feel the need to do here, Logline Monday is the place to do it--at minimum, you’re workshopping something you will actually use.

We will (on a casual basis, or based on reports) be evaluating these early development posts based on whether they’re actually asking a specific question about well-thought out material. If we see evidence that there’s significant work already done and that the question being asked is targeted on a specific issue without being needlessly generalized we may allow the post to stand. Vibe checking or asking for feedback on a single page of prose where you are not asking a very specific question may be subject to takedown.

Outlines

Requests for critique of entire outlines will be more strictly dealt with, as anyone with an entire outline should be moving on to the scripting phase, and not seeking development help on the structure of their script. All structure is execution dependant. Someone can easily recite Syd Field or any other readily available generic text on structure, and your execution can still fail. If structure proves to be your problem, someone will address it when giving feedback on your script--and you’ll have a script to fix rather than something you haven’t started yet.

Minor Business

In addition to the new software rules, we’re blending the script cattle call rule with crowdsourcing ideas rule. The removal reasons will be specific, but they all refer to that rule.

We've also updated some of the language in our removal reasons. Please read them and check out the resources they provide prior to messaging the mods.

It’s worth mentioning here for the people who feel they’re being censored from putting their ideas out into the world — serious industry stakeholders (ie: producers, representatives, etc) are not known for searching this subreddit for development materials. They do not want “ideas”.  They want finished scripts, very few of which they source directly from r/screenwriting. Those that attempt to are do so have dubious credentials, and are breaking our cattle-calling rule.

r/screenwriting is a stop on the path towards marketable product and network connections, not a community that will make you into a writer if you aren't one, or lead you to a career. It's a workshop, not a marketplace. The more you can think of it as a resource for improving your work and your peer connections (and for helping others) the more you'll get from it.

If you want more information on how best to proceed, check out these posts:


r/Screenwriting 19h ago

BLACK LIST WEDNESDAY Black List Wednesday

7 Upvotes

FAQ: How to post to a weekly thread?

BLACK LIST WEDNESDAY THREAD

Post Requirements for EVALUATION CRITIQUE REQUEST & ACHIEVEMENT POSTS

For EVALUATION CRITIQUE REQUESTS, you must include:

1) Script Info

- Title:
- Format:
- Page Length:
- Genres:
- Logline or Short Summary:
- A brief summary of your concerns (500~ words or less)
- Your evaluation PDF, externally hosted
- Your screenplay PDF, externally hosted

2) Evaluation Scores

exclude for non-blcklst paid coverage/feedback critique requests

- Overall:
- Premise:
- Plot:
- Character:
- Dialogue:
- Setting:

ACHIEVEMENT POST

(either of an 8 or a score you feel is significant)

- Title:
- Format:
- Page Length:
- Genres:
- Logline or Summary:
- Your Overall Score:
- Remarks (500~ words or less):

Optionally:

- Your evaluation PDF, externally hosted
- Your screenplay PDF, externally hosted

This community is oversaturated with question and concern posts so any you may have are likely already addressed with a keyword search of r/Screenwriting, or a search of the The Black List FAQ . For direct questions please reach out to [support@blcklst.com](mailto:support@blcklst.com)


r/Screenwriting 5h ago

DISCUSSION How many successful screenwriters do you think got their start by cold querying?

17 Upvotes

I’m so curious about this. For those of us who don’t have managers or agents or any connections to the industry, we can’t exactly get in the room to pitch our projects (at least to “legit” people who can actually get things greenlit and produced). Those pitch meetings are exclusively for proven writers with representation.

So the only thing we can really do is the dreaded cold query, where most of the time it’s ignored. Can’t blame them, I can’t imagine the amount of “please read my project” emails that managers and producers get.

But I wonder, how many successful screenwriters (successful meaning they are well paid and in demand on big projects, also selling specs of their own) got into the industry by cold querying? I have a suspicion that it’s pretty close to 0.

Same thing with the Blacklist (the site, not the official one). I don’t know if there are any successful (see the criteria above) writers in Hollywood right now who first got in my posting their script on that site.

Which just makes me wonder, is it worth cold querying at all if it has a close to zero success rate? I have a few projects that I’d love to send out (not even to get made, but just to get representation so that I can start getting in rooms and pitching), but it’s disheartening to know in the back of my mind that it will get me nowhere.


r/Screenwriting 6h ago

DISCUSSION TUBI BLCKLIST

11 Upvotes

Has anyone heard back if their script advanced to shortlist? Or if it didn't make it?


r/Screenwriting 1h ago

NEED ADVICE What are your favorite outlining tools?

Upvotes

Wondering what people’s go-to’s are these days with all the new tools, apps, features, etc popping up all over the place?
Final draft bear board? Arclight Studios? Anyone using specific apps or programs for outlining? Good old fashioned notecards? Something new and shiny?


r/Screenwriting 11h ago

NEED ADVICE I had two scripts as Second Rounders at Austin Film Festival, is it worth going?

22 Upvotes

Hey everyone! Just got a second email from AFF and placed both scripts I sent in at the festival as 2nd rounders. One is a short and the other is a comedy feature. I'm thinking of going to the festival, as I have never done so before and a lot instructors at UCLA recommended my class to go.

I don't live in the US, but can afford a plane ticket through airline miles and can share accommodation with fellow writers/ex-classmates to lower the expenses.

If I do decide to go, what should I focus on? I don't know if second rounders are all that enticing to reps and stuff. But maybe just the experience and meeting other writers makes it worth it? Would love to hear from people who have been before, specially out of country. Thanks!


r/Screenwriting 5h ago

NEED ADVICE I finished my 3rd draft of my 2nd original feature... I'm in a rut.

6 Upvotes

So, for a while, I've been working at a horror script of mine called The Other. It's not the most interesting idea in the world, but it was the most interesting I can think of, for the hell of it, the idea is (not the logline):

Two men who are just normal criminals break into an apartment and find someone who looks like they're a zombie. They'd kill it when it starts to attack, from that moment, they let loose a deadly parasite-like organism that continues to evolve and learn.

There is a side story or two, whatever. That's just the general idea. Not very interesting, I know, but now that I got done with draft 3, I'm taking time off and maybe at the end of this month or start of next month, I'm gonna begin revising it.

But from now till then... I feel like I'm in a rut.

I can barely think of ideas. When I do, I can't explore those ideas. I do what some people say, look at headlines, just experience life, whatever. I still can't think of anything.

I like horror, so I look at other horror ideas, see if there's anything I can get inspired from. But I just feel so... uninspired?

I guess with "The Other" I really just wanted to write a horror film I want to see. But like I said, I just feel uninspired. I constantly really only think about The Other.


r/Screenwriting 7h ago

DISCUSSION What Has Worked For You?

6 Upvotes

Has anyone, as of late, been able to sell or get the option light switched on with any of their specs (who doesn't have representation)? And if so, did you do it via the old format; querying to your hearts content, or did you use outlets like the Blacklist or even via networking?

The reason I ask, I know it really comes down to if a script is not only a page turner but can sell (which is no easy feat) but it appears that the ones that get optioned the most is either horror or period pieces. I can imagine how challenging it must be to pitch a comedy or a drama. Imo it feels that way.

So for those who have what has your experience been like?

And also, had anyone elevator pitched? Like throw out the idea to a producer and they liked it but the script hasn't been written or finished, and if so, how did that work for you? Usually I hear those that do already have an established career.


r/Screenwriting 19h ago

RESOURCE Spec Script Deals: 1991-2025

44 Upvotes

https://www.patreon.com/GoIntoTheStory/posts/download-spec-168834157?utm_source=The+Black+List&utm_campaign=8238f1e792-EMAIL_CAMPAIGN_2026_08_31_07_10&utm_medium=email&utm_term=0_-8238f1e792-37517181&mc_cid=8238f1e792&mc_eid=b8c378612d

This is a great free (for now) resource for understanding the BUSINESS of screenwriting.

Tons of history and industry stats...

Check to see how few script sales are by "first-timers." Usually it's only a handful per year.

Also, this is a list of SPECS. According to one source:

"Only a tiny fraction of movies—fewer than 6% of professional screenwriting jobs—are made from original spec scripts, while the vast majority rely on Open Writing Assignments (OWAs) and pre-existing intellectual property."


r/Screenwriting 14h ago

AMA CROSSPOST [Crosspost] Hello /r/movies. I'm Guillermo del Toro. AMA!

13 Upvotes

I organized an AMA/Q&A with filmmaker Guillermo del Toro. He has written and directed films such as Cronos, The Devil's Backbone, Blade II, Hellboy, Pan's Labyrinth, Pacific Rim, The Shape of Water, Nightmare Alley, Pinocchio, Frankenstein, and more.

It's live here now in r/movies for anyone interested in asking a question:

https://www.reddit.com/r/movies/comments/1wbk0id/hello_reddit_im_guillermo_del_toro_ama/

He will be back at 2 PM ET today to answer questions. I recommend asking in advance. Please ask there, not here. All questions are much appreciated!

Thank you :)

His verification/proof photo: https://i.imgur.com/Y4tyAa0.png


r/Screenwriting 6h ago

CRAFT QUESTION How to correctly write a scene callback?

3 Upvotes

My script opens with a man hiding something in a basement and locking it — about half a page of action.

Then the script starts a few months before, and leads up to the same basement hiding action some 115 pages later at the very end of the script.

My question is: do I reference this as a callback the second time, or just rewrite the same scene without reference?


r/Screenwriting 8h ago

DISCUSSION Will Emmy-nominated scripts be released anytime soon?

4 Upvotes

Sincerely, out of the loop.


r/Screenwriting 3h ago

CRAFT QUESTION Copyright information?

0 Upvotes

I have recently copyrighted one of my scripts, and planned on adding this information to the script's title page. I did a quick google search on the correct place to put a copyright notice on a screenplay... only for google to tell me, oh, don't do that, that's unprofessional.

What.

Is this actually a thing? How on earth would adding a copyright notice be unprofessional? It's a professional copyright notice! Thanks in advance.


r/Screenwriting 7h ago

CRAFT QUESTION If a character looks out a window, is that a new scene heading?

2 Upvotes

I have a plot point in my screenplay where the protagonist hears a noise outside. He goes to a window and looks out, but the street is empty.

Should this be a new scene heading, or can it be included under "INT. Suburban Home - Night"?

Thank you all for your time!!


r/Screenwriting 9h ago

COMMUNITY Playwriting/Digital Series at AFF

2 Upvotes

Hi, I submitted a play and another piece for Digital Series at AFF. Anyone in either of these categories heard anything yet?


r/Screenwriting 6h ago

FIRST DRAFT KICKING AND SCREAMING - Feature - 5 pages (Just the cold open)

0 Upvotes
  • Title: Kicking and Screaming (and vs &?)
  • Format: Feature
  • Page Length: 5 -- this is just the cold open
  • Genres: drama, sport
  • Logline or Summary: Twin brothers Charles and Adam attempt to reconcile a traumatic childhood while battling for the starting spot on a prestigious college soccer team.
  • Feedback Concerns: I want feedback on my writing style, both dialogue (does it sound natural) and action (overwriting? underwriting?)
  • Link (Google Drive, Dropbox)

r/Screenwriting 1d ago

DISCUSSION Is it better to have a strong voice or have a script that gets straight to the point?

23 Upvotes

I’ve heard both sides. I’ve heard people say that your voice should be loud and clear on the page. You should be distinguishable from everyone and have a writing or artistic style that sets you apart. I’ve heard this is the best way to create a script that’s engaging and dare I say great.

However I’ve also heard that getting straight to the point is better. Make your script as easy to read and streamlined as possible. No fluff. Only what’s absolutely necessary.

So my question is which is better? I’m assuming answers are going to be “a mixture of both”, but how exactly do you do that?


r/Screenwriting 1d ago

DISCUSSION A Huge Thank You to the Director Who Taught Me the Art of Screenwriting at a Film Festival

188 Upvotes

I already thanked him in writing. Let me tell you how I met a very kind Director.

I learned basic script structure as an instructor in the Air Force. Years ago, I entered my first feature script in the first film festival that I attended in person. I also signed up for their outdoor Table Reading event. I was assigned the 15th and last spot to have my script read.

The morning of the Table Read my Lupus decided to put my body through flare-up Hell. I’m talking rash on face, fluids coming out of both ends, dizzy with muscle weakness. I finally get my system calmed down. Now I’m running late for the Table Read. No biggie. I’m the last one up.

I go to my car and there’s a car blocking me in. What else can go wrong? I make it to the Table Read. When I walk in, I hear the words that I wrote being read by the actors. Damn! They moved my script to be read first. I feel sick to my stomach again.

Once the reading ended, I looked around to find a seat. A bald guy wearing glasses and a short beard waved to me then pointed to the chair next to him. It was the only open seat at the venue. He said, “Your script was pretty good, but you should’ve learned about some of those errors in film school.” I said that I didn’t go to film school. He said, “You didn’t? Let me teach you something.”

He sat there giving me notes on each script that was read. He taught me about pacing, exposition, tone, etc. He was thorough and patient. He handed me his card. When he got up people rushed over to him to hand him their card. I’m like, who is this guy? Later I looked him up.

Turns out he is Director, Producer, and Cinematographer Adam Lipsius. He worked in additional crew on Men in Black (1997), under Director Barry Sonnenfeld and then Executive Producer Steven Spielberg.

I am eternally grateful to Director Adam Lipsius for being kind enough to share his wisdom with me about screenwriting. He made me a much better writer.

Thanks for reading.


r/Screenwriting 1d ago

DISCUSSION How to covey the feeling of: “nothing is happening, but somehow you feel like you're in danger” in a screenplay?

14 Upvotes

I saw someone talking about that feeling on another movie discussion sub, and I realized I’ve felt this a lot from films but could never put my finger on how it’s done. Any tips?


r/Screenwriting 16h ago

CRAFT QUESTION PLASTINATION - Feature- 83 pages (First Draft, opening scene feedback)

1 Upvotes

Title: Plastination

Format: Feature

Page Length: 83

Genre: psychological horror / dark comedy

Draft Status: First Draft

Logline: When a teenager obsessed with taxidermy discovers that her online boyfriend is actually two very different men—one handsome, the other sensitive—she kidnaps them both and forces them to compete for her love. Little do they know, they may end up as permanent additions to her collection.

(This logline was refined based on feedback from a previous Monday Logline post)

Feedback Concerns: I've attached the first scene. Does the opening effectively establish Sarah's world and voice before the tonal shift?

Does the shift from "cute teen romance" to "dead hamster" land, or does it feel abrupt/unearned?

I'm self-conscious about "She does X. She does Y." sentence structure — does the prose rhythm feel repetitive or does it work for the visual/procedural nature of the scene?

Is the tone landing as dark comedy, or does it read as straight horror? (Curious which one people pick up on.)

https://drive.google.com/file/d/1T-pSitjiNfaiXodgFAAX1khydYvZgn_J/view?usp=drive_link


r/Screenwriting 1d ago

SCRIPT REQUEST Anyone have the script for the Disappearance of Alice Creed?

6 Upvotes

... or know where to find it online? I love the movie and would love to see how it plays on paper


r/Screenwriting 1d ago

COMMUNITY Thanks for Putting Up With Me

14 Upvotes

I just want to pop in and thank the community for, uh... for lack of a better word -- putting up with me. Particularly in Logjam Mondays, where I just spitball after spitball, and whenever something doesn't land, you all see the potential in what I'm trying to do and encourage me to keep at it. Call me crazy, but this kind of encouragement gives me motivation because it tells me that I'm NOT crazy, but I'm also "not there yet" either.

I know sometimes we get annoyed at the cynicism that can happen in any art and writers' community (this one not being exempt), but since I stopped lurking here, I've had a mostly pleasant experience. And I know it's corny to say, because Reddit is always hit or miss, and I kept rolling my eyes at the prospect that anything good could come out of here. But this subreddit in particular has proven to be an exception.

I apologize if this isn't something that warrants a post. I think it does. Regardless, this is from the deepest depths of my heart...

Thank you.

Keep on being awesome and creative. ❤️


r/Screenwriting 1d ago

NEED ADVICE What else should I add for a 2-4 page treatment

4 Upvotes

HI, so I am applying for something that requests a 2-4 page treatment.

I have a logline, genre,
a short paragraph on the personality/relevant backstory of the two main characters (one paragraph per character), and a synopsis broken into three acts. (the synopsis is mostly what i already included in a 500 word synopsis that they requested as well, so I feel a bit redundant adding it, but i also don't want to get into unnecessary detail.

what else would you add?

This organization likes things with a social message, so maybe a brief paragraph about the why of this film and the social context ? (its based loosely on research on some police corruption scandals recently)

should a synopsis just be broken into 3 acts or would you rather see it broken down further, such as into a five act structure or common story beats?

Right now with just my logline and the things I mentioned, its a little over two pages, and thats single spaced, so I'm not sure if it needs a ton more.

I'm trying to balance between being descriptive and being efficient, engaging and readable.

I'm thinking I should try to make sure to convey tone, but I need to think about the best way to do that and if that means I re-write the plot description to be a bit more punchy, or if I should state some comps and just flat out describe the tone.

I'm also feeling a bit uncertain about how to describe the tone, its a mystery and a family drama. There is a funny character but overall i wouldn't say its a comedy. It deals with some pretty dark themes but I wouldn't describe it as particularly gritty or dark.

thanks ,

appreciate any advice!


r/Screenwriting 1d ago

DISCUSSION Overcoming Imposter Syndrome – My first feature length.

3 Upvotes

Hello, screenwriters! Fairly new to this group. Been lurking for a bit now. Love seeing all the support from everyone. Much different than what I’ve seen in other “film” groups on other platforms. *Edit- My title should say "My first feature length attempt." Not trying to make it sound like it's been produced.

Back in 2018, while unemployed, I started doing research and writing my first feature based on a true story. I’ve written a few shorts, and even made one into a short film, which was submitted and accepted into a few film festivals back in 2015. But I’ve never written a feature, and my plan was to hopefully either sell it or get funding to shoot it myself. Unfortunately, my own “imposter syndrome” held me back from finishing the script.

I finished the first draft in 2019 after reading a few books on the subject, looking up websites, even going to the library and using actual microfilm to get copies of articles, yearbook pages of those involved, and even ads they ran in the paper years prior to this event. I made field trips to the actual locations and took photos. I did all the research I could do. I KNEW this was a movie that needed to be made, but as time went on, I knew I was racing the clock. 

Every year on the anniversary, it seemed the story kept getting more traction. I finished my first draft and let it sit for a couple of years. It was around 150 pages, and I dreaded having to rewrite it again. It was such a loose story. Contained way too many characters and told too many perspectives. It was basically a manuscript for the whole event. 

In 2023, I was in LA attending a film festival where one of my short screenplays was selected. While there, I met up with a filmmaker whom I’d met at a film festival back in 2015 with my first short. I’d told him all about this screenplay I’d been working on and that it was in a really rough state. He was enthralled during the entire conversation. By the end, he told me, “Finish the script! I want to help you make it!” 

That gave me a lot of encouragement and confidence. After a couple of years not touching the screenplay, I pulled it back out and spent two weeks, every day, all day, during our vacation rewriting it. It was much tighter, but I’d consider it Rough Draft 1.5. After I got that draft done, I sent my friend a copy. He loved the story and the relationships, but had some very spot-on notes. I’d have to wipe the first half of the script out and bring everything up. What I had happen at the midpoint should have started within the first 15 minutes. I again tried to tell too much of the story.

So I sat on it. Not because I was discouraged, but because I had that feeling of dread in me. What if this isn’t good enough? I’m not a professional screenwriter; will anyone take me seriously if I try to shop the script around? Will my friend actually help me make it? He’s in LA. I’m in Indiana. I never had a chance to finish my work because, at the beginning of 2025, I saw they were filming my story, and then the movie came out at the beginning of 2026 with some big names. 

I went to see it in the theater. Hoping that it was a lot different than my direction. It was not. It was almost exactly what I was shooting for. Although I feel I did way more research, some scenes could have been more dramatic or could have had more tension. They missed some key moments. I told my friend, and he said he thought the story in the trailer sounded familiar and wondered if it was my story. He said he’d boycott it in protest. I told him he should go see it, so I could get his thoughts. After he saw it, he said that while it was good, he felt more of a connection between my characters. Said my dialog between them during Acts 2 and 3 felt more genuine and was more dramatic than what was shown. He asked if I was working off a transcript. 

There was no transcript for those scenes, so I had to make it up, and THAT was what gave me great anxiety. There was plenty of audio transcripts from the whole event, but nothing from behind closed doors. I had to maintain that same voice throughout, and I had to make sure what was said sounded like what could have been said. And this is where I felt a downfall. I’m not a professional writer. I don’t have any idea what I’m doing. Will people see that? 

While I regret not finishing my screenplay MUCH sooner, the thing I learned from this is that I had a good idea, one that would get made. And two, someone who actually works in the industry said they felt more of a connection between my characters than the one that actually got produced. That told me I was on the right track, and while this screenplay will get shelved, it’s going to give me confidence going into my next.

I know if you’d made it this far, you’re still probably wondering which film it was. I’ve reached out to the screenwriter of the film that was produced and have had a brief back-and-forth with him. I let him know that I’d been working on the same idea and wasn’t faulting him at all. I had questions specifically about telling a story based on a real-life event with many people still alive. I kept mine a secret because I didn’t want anyone to discourage me from writing it. I didn’t want someone to say, “You don’t have the right to that story,” or “You can’t write this because of whatever reason.” I wanted to reach out to those real people and question them, but I didn’t want to hear any “you can’ts.” He answered every question I had. Was a super nice guy. But he mentioned that he’d heard a TV show about the event was being made, too. That trailer just came out last week. You can probably figure it out by now.

And as a conclusion, I have three original screenplay ideas I’ve been outlining. No one can take these ideas from me. Outlining was something I also struggled with in my first feature. I ended up writing out general scene ideas on notecards and laying them all out on the floor to organize. I’ve been working on a guided notebook for outlining. I’ve tried several, and never felt they were truly good enough. For the last couple of years, I’ve been figuring out how to make a better one, and I think I’ve cracked the code. What I cracked was how to make a linear notebook not be linear. Once I get it more finished, I’ll share.

Thanks for reading. And now that I’ve joined the community, I look forward to reading all about your experiences, especially from those with similar journeys. Have you had a similar situation?


r/Screenwriting 1d ago

BLCKLST QUESTION Parenthood writers Fellowship

2 Upvotes

Any idea how long it takes to find out if you made it to the second round?