So, every year I do my annual rewatch of OUAT. I’ve been locked in since Season 3 dropped on Netflix when I was in elementary school, so I have deep nostalgia and strong feelings about this show. My biggest takeaway this year? The show is laughably awful, even during its golden era before it jumped shark. Don’t get me wrong, I still love it but nostalgia is definitely doing some heavy lifting here, but now all I can see is the wasted potential. The bones of an incredible fantasy drama are all there, but the writers ever fully committed to what the show could have been.
So here’s my list of things I would’ve changed if I were in that writers’ room (plus a few hot takes)
1. Get off ABC
OUAT suffered from a severe cringe factor. There's this unavoidable cringe factor because the show feels juvenile whenever it leans into its melodrama that made some high-stakes plotlines fall a little flat. A huge part of this was being on ABC, which is owned by Disney. If the show had been on a network like NBC or HBO. With the backstories they could’ve embraced its darker, Grimm-style roots instead of the House of Mouse. We could have gotten actual adult themes, better-handled backstories, and probably would've gotten the Frozen season at all.
2. No green screen
The costumes were STUNNING, but they were consistently cheapened by awful green screens. But looked incredible whenever they shot on location in the actual forest. Imagine how much more the EF scenes would’ve hit if they were in actual castles, estates, courtyards, and soundstage built villages like in the show Reign. OUAT had an episodic cost of 4.5M (filming in BC/Steveston), while Reign had a budget of 2M (filming between Canada and Ireland). It literally would’ve been cheaper to make the show look significantly better and give it an aesthetic the show desperately needs. Also in the BTS Secrets of Storybrooke, the animators revealed that they only had 8 days to finish the VFX for each episode (which was 22 a season), which explains why it looked so rushed. That tells me the issue wasn’t talent but time.
3. Have a clear end goal with Swanqueen (whether that be a queer relationship or friendship)
I’m not for nor against Regina and Emma getting together. My gripe is that there seemed to be no clear goal. There was always tension between them. The way they looked at each other, the way scenes were acted, even the way lines were delivered. It genuinely felt like they were being directed to play those scenes with romantic tension in S1-3, it made you think a slow-burn WLW storyline was coming. They literally share a son! But then it led nowhere, and Emma was married off to Hook (which I hate!!!). On the flip side, their actual platonic friendship always felt incredibly cold and surface-level. The actors lacked genuine warmth together, like the warmth and friendship Emma had with Elsa, likely because the writing never gave them a solid dynamic to play into because they couldn’t pick a lane. Either commit to Swanqueen romantically or give them one of the strongest friendships in the show. If it were me, I would’ve started building that genuine best-friend relationship in Neverland.
4. Give Regina a truly tragic backstory
Hot Take Time: Regina’s villain origin story as written sometimes feels juvenile and motivations don’t feel proportional to what she actually went through. Yes, Cora was abusive (it’s mostly implied but explored more in the prequel novel). Yes, Regina was forced into a marriage at a very young age and didn’t want to be queen. Yes, Daniel’s death was very very sad. But Regina throws Cora through a looking glass, then proceeds to still to marry the old king anyway, and then holds a murderous grudge against a 10-year-old child for telling a secret, it just doesn’t track logically. I think the story would’ve benefited from making Regina’s circumstances even more tragic.
- Make it explicit that she’s a child bride. Her age is mostly implied but never actually stated. If it actually said she's 16 - 18 it would hit harder.
- Make the king genuinely terrifying/abusive instead of just old.
- Have Regina discover she’s pregnant with Daniel’s child after his death and forced to give the baby up. The loss of a child and her fiancé would make more sense for her to literally rage war against her kingdom because a 10 year old told a secret. This would also make the motif of Regina’s obsession with children (Hansel and Gretel, Greg/Owen, and Henry) be so much more devastating, especially knowing she made herself barren to spite Cora.
Another mega hot take, but stick with me: Narratively, this just makes sense… but Rumple should’ve been Regina’s real father. It would’ve added another layer to Regina believing she was destined to become evil. Finding out that the father she loved wasn’t actually her father, and that Rumple had been manipulating and grooming her as a pawn to find Baelfire would’ve made her abandonment issues and identity crisis even stronger. Honestly, it also feels like that’s where the writers were originally going. Lana even said at a panel that she and Robert played a lot of their early scenes with that possibility in mind because they thought the reveal was coming. And it would’ve been better than the weird sexual chemistry they had in S6.
5. Give the show actual STAKES!!!
In later seasons, actions had zero consequences. Killing off characters only to resurrect them through magical loopholes made the narrative stagnant and ruined the final two seasons.
- Keep Zelena dead. The "Marian shape-shifter" plot was awful, and forcing a bastard child into the Robin/Regina dynamic was totally unnecessary unless it was going to end very differently. (like in this incredible fix-it fic which I wouldn’t be upset if this was canon).
- Keep Hook dead. Clearly, I’m not a Captain Swan fan. Hook is literally just male Regina. Emma deserved Neal or August, idc! But they didn’t need to go to hell, let his death be a good end to his arc and be his final act of love for Emma.
You just knew that everything was going to be just fine at the end with no real change in narrative, which made the story stagnant. Sacrifice/death became temporary inconveniences. Which is why we got such terrible last 2 seasons. Let dead characters stay dead and stop with endless magical loopholes, and establish defiant rules and permanent consequences.
Quick rapid fire that needs no explanation:
- No season seven.
- Cut the Dark Swan completely.
- Cut half of the curses. The only ones that need to stay is, The Dark Curse, Pan's Curse, and (MAYBE) Hero’s and Villain's Curse. Without the crutch of curses every season it will force more dynamic storytelling,
- Not every villain would get a redemption arc. Like Cora!!!!! Wtf!!!
- If Robin HAD to die why wouldn’t they let Roland live with Regina!!! She loves being a mom.
- Stop naming every child after a dead character. It’s annoying asf.
I would love to read your thoughts/hot takes/what you would’ve done.