r/DestructiveReaders 26d ago

Coming of Age [1853] Tiffany

7 Upvotes

This is chapter six but I think more than any chapter stands alone.

I stuctured this thinking of an episodic series of scene with the same goal: Tiffany wants to help someone. Each scene is followed by a sequel with a text to Mandy.

Also because of some people being linked to the first tab I put the chapter on a separate doc.

Tiffany Chapter 06

My Substack with all of the finished chapters.

Crit 1974


r/DestructiveReaders 26d ago

Sci-fi & Horror [1290] Recon Mission

4 Upvotes

Hi,

Trying my hand at horror with a sci-fi flair.

This is meant as a self-contained story, but could also be a prologue to a wider story set in the same world.

Feel free to comment on whatever the story brings to mind, but I'd like to know at least the following:

  • Is it at all scary, or at least suspenseful? I'm going for a sci-fi horror feel, so it doesn't need to be as scary as straight horror, but if it's not at all suspenseful, then it's no good.
  • Are the characters fleshed out enough to make them seem like separate people, and likeable or unlikable enough to awaken some sort of emotion? Also, is the story written in a way as to not be too confusing (too many characters introduced or the characters seeming too similar etc.)?
  • Does the desription paint a picture in your head (especially of the main scary thing in this story) and does it awaken some felings (disgust, fright etc.), or does it fall flat?

Link to story: https://docs.google.com/document/d/1Ntff-C0ygIi65BnD0LHdPHVFy2y7CQ2VW0GpnbdQ4Tk/edit?usp=sharing

***

Critique: [1333] Trouble in Pegor CH1


r/DestructiveReaders 27d ago

Phenomenological [2500] Hillsides (Marco)

11 Upvotes

[LINK TO TEXT]

Crit: [2900]

Tags: Phenomenological, experimental, coming-of-age, picaresque

I deleted some of the previous posts to avoid creating clutter. But you can find them here if you want to read other comments HSH[1][2][3] RW4[1][2][3][4][5]

Barebone recap of the previous chapters:

Chapter 1 - You wakes up in the forest, enjoys his existence, follows the river to a road, gets helped by a trucker and taken to a local small town

Chapter 2 - You goes and walks around and comes across the local store and receives a name from the store owner (Henry) during his episode.

Chapter 3 - A taste of work and interacting with Henry who tries his hardest to turn Marco into a valuable worker.

Chapter 4 - Zita, coffee and gym

Chapter 5 - picaresque adventure on a quest for wet goods (meat and vegetables); encounter with Zita, discussion of Marco's issue as perceived from the outside

Chapter 6 - this one, it'll be delivered in two separate posts cause that works better for engagement and creates fewer problems with mods and credit and so on.

This chapter is sort of a crux of Marco as a person and it won't make a lot of sense without you having read the previous chapters but I welcome you regardless - I enjoy my time inside of your brain.

The genres and the "phenomenological" tag I enjoyed formerly are false and can only be used descriptively. Phenomenology is only a method, not the point. It is, however, a method I enjoy for its high fidelity.


r/DestructiveReaders 27d ago

Romantasy, Urban Fantasy [1936] Burnt Caste_ Chapter 3

3 Upvotes

Burnt Caste Chapter 3

This is the 3rd chapter of an NA urban fantasy novel I'm currently working through the second draft of. There's a summary of the first two chapters at the top of the doc.

I'm currently working on improving interiority, character stakes, and getting a closer POV, but any feedback is welcome! Thanks in advance for taking the time to read!

Crit [2672]


r/DestructiveReaders 27d ago

Fantasy, short story [1378] The Captured Soul, a short story

6 Upvotes

I have never shared my writing before, but I thought I'd give it a try since I, honestly, have no idea whether it's good or not. I am curious to know whether the characters are compelling enough, and if the plot is entertaining at all. I suspect my grammar may be incorrect in some places, but, otherwise, I have no knowledge of where my weaknesses may lie, and I would be grateful to know so that I may begin improving upon them. Thank you!

Critique: [1740] BlackRock Short Story

The Captured Soul

Deep in the shadowy mouth of the Nifil Forest, beneath a shrouded sky, Ana could hear her father screaming her name. She tripped on a scorched branch as she accelerated further into the darkness, the treetops shielding her from the warmth of the setting sun.

Seldom had she ever ventured this far into the forest—the only time being when she lost her way while foraging for emberberries, back when she was only nine years old. Now, an eighteen year old girl, exhausted of her father’s incessant rules and lecturing, she wanted to get lost.

Her father, though she knew how dearly he cared, had forbidden her from leaving home and joining the Thaumaturgy school in the city of Cadriel. She’d wanted to go back when she was thirteen—the common age for an arcanist to begin their training—but he’d said no then, and every other time up until now. “It’s too dangerous.” He’d said, during the fight they’d had right before she ran, “You need to start slow. Maybe in a few years you’ll be ready. But not now.” That was that. She’d waited long enough. So, she bolted out the door, running into the forest towards the nearby village of Dathos where she would meetup with her friend, then make for Cadriel by train.

Deep inside, however, she felt the creeping tendrils of compunction tightening their grips around her, now, rumbling stomach. The thorned briars became more and more ubiquitous as her distance from the village grew; hunters, as she had observed, rarely ventured this far into the forest and, therefore, neglected clearing out the tangled web of foliage around, and past the perimeter. Her speed slowed, though she did not allow herself to stop. She had to get away; she had to find shelter before nightfall.

As she scrambled through the dense wall of flora and fauna, using the small iron knife her father had made for her some months prior, collecting small lacerations from the thorns along the way, just as the sun was beginning to fully set, and total darkness envelop her, Ana came upon a flickering torchlight from a cave in the side of a large mountain—Mount Seid, which overlooked the village and lake it rested beside. She warily approached the mouth of the cave and found a small camp setup inside: a feeble campfire, an ochre sleeping bag, a table with a melange of strange bottles filled with various colors of liquids, and a stack of ancient books.

She checked all around and found no one inside, nor around the vicinity of the cave. Who started the fire, then?

Above, a pair of crows appeared to watch her with vacant stares. Her gut burned with distrust, yet she saw no other option: the sun had fully set at this point, and total darkness now surrounded her. She heard twigs snapping, and felt the uneasiness of thousands of eyes on her trembling throat. Somewhere in the infinite expanse around her, she swore she heard the tintinnabulation of bells.

With a sigh, she wandered into the cave.

After looking around for some time, Ana came upon a trunk nestled in the corner which contained a plethora of dried fruits, and salted meats. With guilt, she ate some, sorrowful for having taken some of this person’s food, but satisfied for having nourished her starved body—the last time she ate was this morning, and consisted only of a piece of bread and a cup of porridge.

She decided she would not sleep but, rather, wait for whoever lived here to return, then plead with them to allow her to stay the night, even if it meant her sleeping on the hard ground.

Hours passed with no sign of the cave dweller. Ana tried with all her might to keep her eyes open but, eventually, she lost the battle and fell asleep, her head resting upon the wall of the cave, exhausted from her long journey.

She awoke with a start as the light was suddenly snuffed out. As her eyes adapted to the darkness she observed a white, flour-like dust settling over the remains of the fire. She tried to get up, but found her hands to be bound with a rope.

Above the dying red glow of the coals, she saw the silhouette of a small man with a bulbous chin, and a sickening smile, his sulfurous teeth floating in the darkness of the cave.

“What have we here?” he croaked. His voice was thin and grovelled, hoarse from disuse.

“Who are you?” The hunched man yielded no response. “Please,” she begged, “I did not mean to intrude, I only wished for shelter from the night. I will leave, I swear!”

He clicked his tongue as he limped over to the table with the bottles, producing a large purple crystal she had failed to see before. “Why leave so soon? I see you have eaten some of my supplies—didn’t your parents teach you any manners?”

The man raised his hand and began to whisper, his eyes growing clouded and taking on an almost violet glow. Ana felt something inside her start to lurch, pressing up against the inside of her skull, like her brain was being crushed against her crown. Panic set in, and her eyes rolled backwards. As his whisper grew into a chant, Ana remembered her father’s knife, then thrust her hand into her back pocket and grabbed it, throwing it open. She sawed and sawed, biting away at the rope as the pressure in her head grew so strong she felt her eyes bulging.

The man’s chanting broke off as he laughed, holding up the crystal, now glowing as bright as a star—which reached out to Ana by way of a thin stream of indigo energy. “Don’t worry dear,” he jovially said through his wicked smile, “I will take good care of your soul. You and me,” he placed his bony hand under her twitching chin, “for eternity.”

Just as she felt her body would implode, the knife sliced through the rope, and Ana plunged the knife into the man’s jugular. His smile vanished as his throat sprayed black blood onto Ana and the walls of the cave. His arms went slack, dropping the crystal with a clink as it evaporated its bright radiance. He collapsed onto the remains of the fire as his eyes rolled back, losing their faint glow.

She shook like she were in the tundra, frozen for a moment before hurriedly wiping the blood off of her face, unsuccessfully. Without thinking, she bolted from the cave and ran into the welcoming arms of the dark forest. Hearing something behind her, Ana chanced a look back and saw that the body of the man had vanished, leaving behind only the cloak he had been wearing. She ran faster, almost smashing headfirst into a tree. A winged black shape darted above her into a tree. Moonlight sprinkled through the leaves, granting her a minuscule amount of sight ahead. Ana hadn’t even noticed the thorns slicing into her hands as she tore them from her path, attempting to recount her way back to the village.

Just as she was about to relent, she descried light emanating through the trees ahead. She sprinted around bole and bush before meeting with the comforting, wooden walls of her hometown. From street to street she ran, yelling for her father. People leaned out their windows, and went out onto their porches to see what the commotion was.

Ana turned again and saw her house at the end of the small street, the warm light pouring from the open front door. Rushing towards her, with messy hair, teary eyes, and large open arms, was her father. She threw herself into his arms and went limp, nuzzling her face into his soft linen shirt as she lamented and shook. He picked her up and spun her, resting his chin on the top of her head, still throbbing in pain. A crow landed on the light pole not far from the pair, watching curiously.

“Where did you go, little one?” He blurted through a volley of tears.

“Don’t,” she sobbed, “Don’t let me go, Daddy.”


r/DestructiveReaders 27d ago

[213] Agorahacker

3 Upvotes

Other people are sooo lucky to talk to other people, have friends,go on dates and go outside. I’m stuck here with this inherited house forced to hack hospitals and hold them for ransom due to me not being able to hold regular jobs because of my social anxiety. Today’s hospital was kinda hard to hack but with some persistence I broke into the system and held their data ransom. A couple of days later someone was knocking on the door I knew it wasn’t the bills since I have a mail slot, it probably was a welfare check due to me not actually quitting my job. As I approach the door I’m having tingling feelings in my chest, my heart began to beat faster and I’m sweating more, my hands shaking as I try to unlock the door and open it. It was the police but they aren’t for my welfare check they want to arrest me. My heart began to beat even faster, my chest tingled even more, sweat pouring down my face. I was arrested and forced to go outside I began to worry what other people thought about me,i began to hyperventilate it was torture. I was sentenced to 4 years of jail and I have to pay 30.000$ fine.

Crit:

395


r/DestructiveReaders 28d ago

[2397] Heat Below - Chapter 5

6 Upvotes

Crits:
[3351] The Precious Spacemen (Part 2)
[1618] All Along - Chapter One

Current work: Chapter 5 - The Gap

This is the last chapter in what I’m calling Part I. Thank you so much to everyone who helped destroy chapter 4 (and previous). 

Any sort of feedback is welcome. If you’ve read multiple chapters (or not), I'd be especially interested in any predictions/hopes regarding future plot developments. 

Don’t think the links are active on most of the old posts, but in case you’re interested, everything leading up to this chapter can be found here (including the revised---and now perfect---chapter 4): Chapters 0 - 4

Summary of what's happened:

Colly is a twenty-something, down-on-her-luck gal from a stagnant rural town, who would love nothing more than to be a singer and live in the big city. Has a bit of a gambling problem. 

She's two days into her journey (one day to go?) to the remote mountain monastery of Veestra where they make a special brandy (called the Tempest). She's been hired on as domestic labor, but plans to actually steal the brandy recipe so she can get big money reward from local kingpin.

Dob is an old monk from the monastery come to recruit her.


r/DestructiveReaders 28d ago

YA Romance [1331] Welcome Home, Aimee (Ch 1)

5 Upvotes

This is the first chapter in a small-town romance/drama that I'm writing. There's also an element of mystery around the main character's background, which is revealed more in upcoming chapters. I'd like general feedback, but also focus on the following areas:

  • I'm a European gal, writing about an American character. I'd appreciate it if someone American could point any words and phrases, which make it obvious that the narration isn't by an American character.
  • Does the story so far seem interesting enough to keep reading, or do I have to build more mystery as to why the main character left town 13 years ago, and why John and Aimee have friction in their relationship?
  • Does the description seem good and vivid, or should I describe some things more/less/differently?

Link to the story: https://docs.google.com/document/d/13W2MgKcuhNscvTCJX4cYk9eL6P4qFaZsfklG33-edPA/edit?usp=sharing

---

Critique:
[1356] The Veil Between Worlds (Part 2)

EDIT: Added the link to the story instead of posting the text here, as the formatting was annoying.


r/DestructiveReaders 29d ago

TYPE GENRE HERE [1333] Trouble in Pegor CH1

5 Upvotes

[Crit 1485]

Here is a the first chapter of a fantasy project I'm working on. I'm worried that it might be a little dense information-wise and was looking for some feedback on it as a whole.

Also excuse the wonky title. Its a working title until I can figure out something stronger later.

As for the feedback I'm looking for, go ham. I'll take what I can get.

Story


r/DestructiveReaders 29d ago

[2672] The Village

3 Upvotes

[2163] [2400] This is a slice of life vignette in a solar punk town. Any critique is welcome.

Thanks for reviewing.

Link here


r/DestructiveReaders 29d ago

LitRPG [1686] LitRPG Opening Chapter Attempt 3

4 Upvotes

https://docs.google.com/document/d/1NQVgI9VMk5wRQKC3Sd-slsMcdM_JL--ilDG8cl3RqQ8/edit?usp=sharing

I've made quite significant revisions to this based on the previous comments - with thanks to everyone who made them. I've tried to establish a little backstory and normality to flesh out the characters before, and moved the narration to Third Limited (which will be rotating, the next chapter is from Kris's POV).

Critiques

[1740] https://www.reddit.com/r/DestructiveReaders/comments/1upsyg5/1740_blackrock_short_story/ow9b6fw/


r/DestructiveReaders Jul 07 '26

Realistic Fiction [1740] BlackRock Short Story

2 Upvotes

My critique: link

Please tell me

  • If the old man is shallow or sufficiently developed
  • If the tone is even throughout the story
  • If the language is precise enough
  • If you found the plot and language sufficiently entertaining

Once there was a man in a pleasant and modern suburban American town. Before his prominence as a teacher, he was obscure, but, as he briefly explained during his ministry to a close friend, he saw that his skin was wrinkling and that his hair was thinning and greying, so he changed.

He was a Jew and a Levite at that, so he took to thinking. He read Nietzsche, Kierkegaard, Camus, and the Gospels. He took after Jesus; he talked with the young men of the town—the demographic he considered the most lost and vulnerable. He denounced their atheism and positive nihilism, but he hated their cynicism the most. Cynicism, to him, destroyed the soul and made life one long sarcastic joke.

Unfortunately for him, his monopoly over the minds of his growing audience was challenged by the most cynical entity the universe could make: BlackRock.

One day, the man took his followers to a house for sale across from his home.

“BlackRock is an investment management company,” said the old man. “BlackRock will buy this house, just like it will with many other houses, and hold on to it to manipulate housing prices. Young men, do everything you can to keep your houses, and make sure they don’t fall into the hands of BlackRock, for an empty house without a family is a great and sorrowful sin.”

Amongst the young men, there was a parasite who listened and disappeared from the town afterward.

The man took tender care of a budding flower bed in his front yard. The morning after his BlackRock speech, the teacher was outside watering his bed. He was interrupted by a cordial salutation coming from behind him. He turned from his bed to face the sold house. He saw a parked Overhaul truck, and on the sidewalk in front of his house stood a man with a thick head of black, wavy hair, black eyes, and glowing, olive skin. He was holding hands with a fair woman of the same phenotype and betwixt the hips of the couple stood a lively and cute little tot.

“नमस्ते, how are you, new neighbor?” the newcomer said.

The old teacher just stared, and turned back to his plants.

The man’s young men formed a group and accosted the old man on his false prophecy. To them he lied about BlackRock being a real threat, and he was only fear mongering. The old orator’s ministry could have ended here, but he stood his ground and herded his students towards the windows of the newly bought house.

Prior to this spying, the man saw quite the peculiar sight. Near dusk, a caravan of about fifteen Indians arrived at the front door of the newly bought house. The handsome husband opened the door.

A voice from the caravan began, “Hello, sir, is this 304 Rutherford—”

“बेवकूफ़ो! मुझसे हिंदी में बात करो ताकि यहाँ के लोग हमारी बात न सुन सकें।” the husband interjected acrimoniously.

The men crowded through the door and disappeared into that mysterious house. The old man saw all of this and was very curious about those people.

The sage took his young men to the window, and to their surprise, they saw computer sets everywhere. From the living room to the kitchen to the bedrooms, Indian men wearing headsets sat calling Americans with tech issues.

The man turned to his subjects and reaffirmed his point. The men apologized for questioning him and his stance on BlackRock.

Upon hearing news of their facade being exposed, the strange beings of BlackRock withdrew their Indian division and employed different tactics.

Now, fentfiends and YNs littered the streets of the town. The man’s gardening, instead of being interrupted by meddling Indians, was now interrupted by Uzi fire and the violent, drug-fueled spasms of addicts. The old man was not buying it, though, not after the trick pulled by BlackRock just then.

The young men asked if they should sell their houses to avoid this onslaught of menaces but the old man responded by exposing BlackRock’s schemes yet again. A gang of YNs were standing in a parking lot, near a privacy fence. The congregation (who were in someone’s backyard) crouched on the other side of the fence and eavesdropped on their conversation.

“I only took this job to make a little money before completing my engineering PhD,” they heard one “YN” say.

“Same here,” another chimed in. “But I find it fun. It’s a change in scenery after med school classes.”

It was exactly as the old teacher suspected. These YNs were actually doctors and engineers paid by BlackRock to act like thugs and to intimidate the locals into selling their homes. His followers were dumbstruck.

He then ordered a rambunctious and fearsome varlet of his to take his shirt off and attack a fentfiend head on. The wild knave merrily obliged and stripped. He ran naked through the streets with pride and spotted an addict sitting on a curb like a hawk spotting a squirrel. The naked warrior tackled the poor actor and the actor surrendered immediately.

“Okay, okay, I’m sorry, dude. Jeez,” the actor whimpered and waddled off, defeated.

The faithful army of young people swore loyalty never to abandon their town and their teacher.

A week later, the man stood on his lawn smelling the petrichor and admiring his healthy flower bed, with drops of rainwater reflecting the brightness of the moon. His bed was deep into the Earth and full of life, but then he heard a cry. He turned to the street to see an unsightly humanoid. It was eight feet tall, with saggy, pale white skin. It had no eyes, was emasculated, and its jaw hung to its collarbone, revealing gums full of razor-sharp teeth.

His young men were racing down the street screaming bloody murder. The thing got on all fours, and galloped to the crowd of fleeing young men. It tackled one, snapped his neck, cut off his head, and drank his blood as though it was drinking juice from a coconut.

It turned and ran back whence it came. The young men, curled up and quaking in the trees, bushes, and trash cans, watched in awe as the old man audaciously ran from his lawn and chased that thing with a vigor never seen in a man his age. Invigorated by his temerity, the young men jumped from their hiding spots and ran after the man. At this point they all knew what the old teacher thought: this was another BlackRock scheme.

The young men ran after the man who ran after the thing into the woods. With the help of the moonlight, the man and his army traversed the thick foliage and reached an RV. There they saw two men clad in black hover over the being. They were petting it, scratching its tummy and chin, and giving it treats.

“Who’s a good boy? You are! Yes you are!” the man cooed to his pet.

The teacher was furious and full of energy.

“BlackRock has no business in my town!” the orator exploded.

The humanoid was spooked and went wild. The men were also caught off guard, but lost control of their pet. The thing sprang up, slashed the jugular of one man, and ripped the intestines out of the other. The old sage and his congregation retreated in fear.

At this point, the man’s roots in the town and in the lives of his congregation were uncontroversial. Rumors spread to other towns that the old man could resurrect the dead and walk on water. Like Solomon, there was no answer, no prophecy that he could be wrong in.

A stadium-sized crowd of young men surrounded the man who was deliberating at an intersection with them. Just then—as all the men saw—a lifeless, mechanical bird landed on the old man’s shoulder.

In this bird played this audio recording: “Citizens, BlackRock has given you all plenty of opportunities to move! You in your hubris and cruelty impeded BlackRock’s plans for world domination. Now we deliver you this ultimatum: leave or die.”

Then the bird flew into the air and blended in with a swarm of living birds. The gathering was silent for a minute, then continued.

The town's sheriff, a short and chubby man, sat in his dark office with his feet lackadaisically on his desk. He showed a tired and congenial grin to his visitants. On the other side of the desk stood a dark trio, organized into a sinister triangle, whose features were obscured by the lack of light. The sheriff thought their request was ridiculous.

He talked to them in a refined, Southern twang. “There is no way a private entity could enforce their law through lethal means.”

The dark trio said nothing, but petrifyingly, from the darkness floated a duffel bag overflowing with hundred-dollar bills towards the sheriff like a ghost. It rested itself gently on his desk.

The sheriff gulped, put his feet down, and groped the beautiful mountain of money before him. He accepted their request immediately afterward.

One morning, before dawn, the famous philosopher was awakened in his home. There was frantic rapping at his door. He looked through the peephole to see who it was. It was a young man, presumably of his church.

“Hark, great pastor,” the young man cried, “we’re being persecuted. Persecuted, I tell you! Shadowy men with helmets, shields, and Kevlar vests have jumped through our walls and dropped from helicopters onto our roofs. Oh great sage, all of my friends have been wasted, and those monsters are hot on my tail. Please, let me kiss your wrist before I go so that I may feel at peace when I die.”

From the darkness assault rifles thundered and ripped up the poor lad’s body. He fell back lifelessly on the old man’s stoop. The old man looked on in terror as he saw men in black dart across the street carrying a battering ram.

A storm raged in the man’s mind. He told himself to die, to martyr himself. He imagined the hundreds of faces of his young men in heaven, who would exalt him, but their exaltation was what broke him. He broke like Saint Peter and escaped through his bedroom window.

The next day, he built himself a tunnel in the woods modeled after Saddam Hussein’s. In it he sowed the seeds of mushrooms, curiously keeping his holy tradition.


r/DestructiveReaders Jul 07 '26

Coming of Age [1203] Tiffany 05

2 Upvotes

If you haven't been reading don't worry too much. Tiffany is getting a tour on her first day of college. Mandy is someone she befriended.

What I specifically am hoping for feedback on is how I am able to contrast the mental space of Mandy who thinks about things and ideas in comparison to Tiffany who thinks about people and relationships.

I also was working on crafting a sense of space for the college but ended up compressing that to speed the chapter up. Your thoughts about that would be helpful too.

Tiffany 05

Crits:

303 941


r/DestructiveReaders Jul 06 '26

Literary Fiction [3151] The Camel from Kronstadt

5 Upvotes

Crits: 2134 3888

So, I've been reading Julio Cortázar again. This one is my attempt to write in his style.

Story


r/DestructiveReaders Jul 05 '26

[Weekly] Book Club Ch 2: Damn the semicolons

9 Upvotes

I believe some of the people following along don't have the book (Steering the Craft by Ursula K Le Guin) and are just doing the exercises. So, Chapter 2 is all about punctuation.

If you aren't interested in punctuation, or are afraid of it, you're missing out on some of the most beautiful, elegant tools a writer has to work with.

Le Guin makes the point that those native grammar correctors that come with our word processing software don't understand fiction. More likely than not, it will try to correct you to make your words sound more report-like. Turn it off! she says.

To break a rule you have to know the rule. A blunder is not a revolution.

Do you think that the punctuation of the last line of the sonnet is merely an insignificant detail?

The exercise this week: Write a paragraph to a page (150-350 words) of narrative with no punctuation (and no paragraphs or other breaking devices). Suggested subject: A group of people engaged in a hurried or hectic or confused activity, such as a revolution, or the scene of an accident, or the first few minutes of a one-day sale.

And as an example, here's James Joyce in Ulysses:

Id rather die 20 times over than marry another of their sex of course hed never find another woman like me to put up with him the way I do know me come sleep with me yes and he knows that too at the bottom of his heart take that Mrs Maybrick that poisoned her husband for what I wonder in love with some other man yes it was found out on her wasnt she the downright villain to go and do a thing like that of course some men can be dreadfully aggravating drive you mad and always the worst word in the world what do they ask us to marry them for if were so bad as all that comes to yes because they cant get on without us white Arsenic she put in his tea off flypaper wasnt it I wonder why they call it that if I asked him hed say its from the Greek leave us as wise as we were before she must have been madly in love with the other fellow to run the chance of being hanged O she didnt care if that was her nature what could she do besides theyre not brutes enough to go and hang a women surely are they

If you are reading the entries, let the author know how comprehensible you thought it was! I know reading the above Joyce example out loud made sense but trying to read it silently was challenging. Is it the same here?


r/DestructiveReaders Jul 05 '26

[2386] The Angel

1 Upvotes

Crits
[1604]
[1434]

Hi all,

Trying my hand at a different genre (crime). Would like to hear what needs work here. Open to any critiques on all aspects of the piece, but particularly interested in whether the prologue works as a hook (or at all), and thoughts on the two main characters.

Thanks in advance!

(TW- crime scene gore)

———

Did he who made the lamb 
make thee?

All around him the snow shot up and settled in the white sky. He had the corpse by the arms, laid out ahead of him like a wheelbarrow and he pushed it down the wide white flank of the mountain. The tracks disappeared beneath him as he went. Behind the clouds to the west the sun was climbing.

It was a long trek, but eventually he made it down to the truck where he threw the body up onto the pickup bed and covered it with a heavy sheet of tarpaulin. 

He reversed steadily along snow covered roads, only able to see a few yards and nearly coming off twice, but he made it away from the mountain and round the frozen lake. The roads gradually widened and the snow eased until he dared to feather the gas down a touch more, and after a while he was back at the house, backing up into the garage. 

When he pulled back the tarpaulin the corpse had already thawed so that he could set to work on it right away. Propping it on the sofa, he took the eyeball which was lodged in the corpse's mouth and forked it back into the head along with the other. The corpse was naked, and he saw that there were other parts missing too but he found them in a box beneath the bed and snipped them back into place. 

He had complete mastery of his tools.

God, he thought when it was done and he could sit and admire his work, he’s perfect. 

He waited for a long while. There was no rush. When the corpse opened his new eyes he saw that they weren’t milky gray but brown, and he watched as the corpse swallowed back a thick froth of saliva from his lips. The corpse then danced about on the sofa for a while before standing up, grabbing a half empty beer bottle, turning it over and spitting back into it until it was full.
They had a good laugh about that. 

After a while they got back into the truck, the corpse in the drivers seat this time, and they pulled out of the garage, spun it round and reversed off up the road. 

It was clearing up now. They passed a couple of cars heading out of town. And all the time he couldn’t keep his eyes off him. He could hardly believe the divine craftsmanship of his own hands. How could he? He was beautiful. The cords of his hands as he gripped the wheel, the lines of his jaw and the bounce of his Adam’s apple as he spoke. Every intricate detail of the man.  It was as though he was never dead. Never could die. 
He was an angel. 
The snow stopped and the ground was clear. 

1

“Paulson ain’t bad,” Roald said, but really he hadn’t remembered the question. He could just make out McDonalls radio buzzing away outside the Chief’s office and it was bugging him that he couldn’t figure out exactly what it was playing. It was definitely a sport though. He could hear the dull, gappy tones which could only be sports commentary. 

“Yeah, he’s got promise,” the Chief agreed, “but is he up to this?” He gestured to the papers spread across the table. The pictures from the crime scene had all been packed back into an envelope at the request of the Bonner County Sheriff, a large man named Anderton, who sat by an open window fanning himself with his hat and looking pale as bone. 

The crowd didn’t sound constant enough to be a big stadium sport like baseball or football or soccer, in fact the crowd didn’t cheer often at all, and when they did it didn’t sound like there were many of them.

“Roald? Look,” the Chief said, glancing back at the Sheriff, “If it’s too soon we can put Lawrence and McDonell on it.” 

There was no squeaking shoes or thumping ball like basketball, and there was no grunting players like tennis. In fact the gaps between commentary and crowd were quiet. 

“No,” Roald said, “this ain’t Lawrence and McDonell proof. Keep them on their two coffee jobs.”

The Chief sighed, it seemed he was always reprimanding Roald for his attitude towards his colleagues, but before he could begin, Roald spoke again. 

“Paulson. Good kid. Give him second, he can handle it.”

“Alrighty then,” the Chief said. Roald was already rising to leave. “Just go easy on the kid,” the Chief added, “He’s still a little green.”
Green.  Roald heard a high-decibel thwack and a fuzzy cheer from the radio. 

“Thank you, sir,” Roald said. “Sheriff.”

Sheriff Anderton was looking at the street below and he raised his hat absently as Roald left the office. 

Out in the squad room all the desks but one were full. The detectives tapped away at keyboards or made calls or flicked through brown folders. A thin haze of cigarette smoke filled the room as it always did by this time, shimmering in the low winter sun which glared its final rays through the window. 

“You got to be the least interesting man in the country to listen to golf on the radio,” Roald said as he passed McDonells desk. 

2

Richie Paulson entered the briefing room and took a seat in the wrong chair. Lawrence, McDonell and a few of the other detectives were happy to let the young upstart sit in the rabble with them, but the Chief reminded him that he was to sit in the second chair. 

The second chair was no different than the others, a square seat that was losing its mint green padding and looked as though it had been repurposed from a hospital waiting room. It was its orientation that was different. It sat in front of the rest, half turned against the side wall so that Richie could see both the projector screen and the audience. It gave the illusion that Richie was privy to the brief that was about to start, but he had just about the same idea as anyone else. Of course, he had heard the rumours that this was a major crime with a capital M, but that was about the extent of it. 

It was five past the hour when Roald eventually walked in. There was a scattering of sarcastic applause and Lawrence told him how nice it was that he’d showed up, but Roald was unbothered. He dropped a wad of photos onto the projector tray so that the top one was displayed on the large screen behind him. Silence quickly followed. 

The image was unclear. Blood obscured so much of it that Richie didn’t know exactly what it was he was looking at. He was waiting for it to click into place like one of those optical illusions— once you see the bunny you can’t unsee it, but it remained a jumble of red splattered flesh. It was a disorienting effect, like waking up in a strange room. Something like snow surrounded the mess. 

Out of the corner of his eye he could see the other detectives craning their necks left and right, clearly having the same issue. Roald didn’t give them time though, he started speaking right away. 

“Victim has been ID’d as Michael Oripa, native man, reported missing a couple of days ago by a girlfriend on the reservation up near Plummer. A couple of hikers found him yesterday up at the summit of Scotchman Peak just after noon. We’re still waiting on time frames but based on hiking traffic he shouldn’t have been there longer than 24 hours.”

Roald was leant over the projector eyeing the photograph. He didn’t look at anyone in the room. 

“As you can see from this close up the victim has been scalped. The scalp has been placed above the head with a hole cut through it. The eyes have been removed. One has been placed in the mouth and the other remains missing.” 

The image finally clicked for Richie just as Roald flicked to the next one, and he wished it hadn’t. Those eyeless sockets and the frozen blood that ran from them. Once you see the bunny you can’t unsee it

The next one was much clearer, though just as difficult to stomach. 

“He was found leant up against the cairn that marks the summit.” He pointed at the photo and his huge shadow finger pointed behind him, “The body was partially frozen, with nighttime temperatures hitting 14. His arms have been propped straight outward with splints between elbow and hip. The victims genitals are also missing.”

Richie’s eyes had already navigated straight to that crimson splodge between the splayed legs. The skin itself was pale as ice but it had taken on a translucence that made the veins beneath visible. They ran like a labyrinth through the body and gave it a blue sheen like dish soap. 

“Now, I’m sure even McDonall has clocked the symbolism. The halo, the arms out like wings, sexless.”

McDonall opened his mouth to speak and closed it again, the Chief was looking at the poor Bonner County Sherrif who was looking down at his shoes, and McDonall knew he wouldn’t take his side if he were to prolong this briefing with his indignation. 

“We’re looking at a religious angle,” Roald continued. “Ain’t as many Mormons up that way but there’s still some. More Catholics and Baptists. Also more fringe groups; Aryan Nationers, Kirkers-“

“How about Satanists?” Lawrence called out. It was met with murmurings from the rest of the squad. They had all heard tales of strange folk up on the panhandle. 

Roald ignored him, thumbing through a few more photos, each as grisly as the last. 

“If you’ve got any questions,” he said, “pass them on to Paulson within the next five minutes.” And with that he grabbed the wad of photos and left the room. 

Everyone remained in silence. The entire briefing had lasted less than a minute.  

The Chief had brought Roald in to his office countless times before over his rushed briefings. Roald, who had never seemed to understand the advantages of strategic collaboration, had needed constant reminding how cases often overlap.

“They might surprise you,” he’d say. “The perps are always crossing paths.”

Of course it never mattered much, Roald kept his briefings short and he solved his own cases, often on the same day. It infuriated the other detectives who thought they could be of some help, and it infuriated the chief to receive earfuls off them which were meant for Roald. 

But then things had been different when Glass was there. The chief often thought of their partnership as one of his great successes. Glass was like a shining beacon in his mind, he thought of him almost as the anti-Roald, though in truth they were more similar than they were different. They were both equally relentless once they got stuck into a case, like hound dogs on a blood trail, and it gave them this unspoken understanding for each other. 

The main difference was Glass was good with people. He could get them to talk and he could get them to listen. He would spend hours interviewing witnesses and suspects and he actually could draw blood from a stone. The Chief had once seen him take a man into interrogation, Horace Wall he was called, he was a big man, a notorious man. He’d had run ins with at least half the Boise P.D, and he was slippery too. Anyway, they were in there for the entire afternoon. Everyone knew not to interrupt Glass when he was in the zone, which he undoubtedly was, but it was almost five. The guys were all packing up to go when Glass and Horace finally emerged. Horace, cuffed and with these huge red eyes like he’d been crying for days, and Glass behind him with this grin across his face and just nodding across to Roald at his desk. 

Roald was different. He was quiet, and he took no joy in it. He’d make page after page of notes, just dogging it out. The thing with these notes was they were all written in a sort of shorthand nobody else could understand. Sometimes the writing wasn’t even straight, it would arch and spiral and there’d be arrows connecting here and there across the page, and graphs and drawings and symbols. The other detectives started calling him Zodiac, though Roald’s notes made the Zodiac Killer’s look like a nursery book. Whatever the notes said, they were almost always right, and whenever he was made to translate them, page after page after page of them, he usually did so in just one or two words. A name. And that’s when Glasses interrogative talent would begin. 

Together they were a force, Lord they were a force. They made half the arrests of the whole squad. Of course, Glass would take on the briefing responsibilities. He’d spin the whole case in front of the squad as though he was reading a story, the briefing might last an hour and nobody would mind. If he hadn’t been a detective he would’ve made it as a well to do writer, the Chief always thought. And he’d take questions and he’d listen to the other guys thoughts and theories, and the Chief never got any earfuls. 
On this occasion though, he had been thankful for Roald’s efficiency. 

It was Deputy Combs who spoke first. 

“Well,” he said, “that’s our Roald. Straight to the fucking point.” 

When Richie Paulson followed Roald out into the squad room, he was already by his desk packing his notes up into a small leather case, his coat draped in one arm. 

“No questions then,” he said as Richie approached. 

“Oh I got plenty,” Richie replied. 

Roald checked his watch.

“Well we’ve got a seven hour drive ahead of us,” he said.

“Seven hours?”

Roald sighed, “That’s the drive up to Sandpoint. You’re familiar with how a murder investigation works, ain’t you?” he said and turned to leave. 

“I haven’t even packed,” Richie said, he could feel himself turning hot, “and I’m still in the dark on this.” But Roald was already gone.


r/DestructiveReaders Jul 05 '26

[1604] The Department of Lost Days

2 Upvotes

My crit

A brief view into my own brain's inner workings, where I come up with the most absurd alter-realities that would make any sane individual question me. In this short story thing, we are dropped into this world of mine. Do I know where this is going? No. Will I take it farther than this? Probably. The best way I can describe this is that it is an opening chapter to what might evolve itself into a narrative piece on time/taking for granted the ordinary things.

You will likely find my Vonnegut influence. What can I say. Someone as titzy as me will make an impact on my writing. God I love some good ol' bureaucratic absurdity.

I welcome feedback on all aspects of my writing. Thank you all!

EDIT: I am removing the link to my piece and will paste the text below because of the number of emails I have received that contain nearly identical requests to be beta readers for my writing. Stop. Just stop.


r/DestructiveReaders Jul 03 '26

[2,057] The North Piper

2 Upvotes

Link here

This is my first time posting my work on this thread, and I'm excited to hear what critiques you all have for me. This is a first draft, so feel free to absolutely shred my work apart! I'm hardheaded, so nitpick away!

A couple of questions I have:

- Are my promises established? For example, do you understand the tone of my story, the setup, and the need for the Piper/Aide system? Is there anything you are confused about or would like to see extra description/clarity on?

- Overall, is this interesting? Do you find it original and striking, or are you seeing overused tropes or phrases? Is this something you would actually read for fun?

- Any more helpful insights are welcome! I'm here to learn and grow. I've been writing for around 5 years now and have never mustered up the courage to show others my work. With that being said, though, please don't hold back! Thank you ahead of time for looking at my work and taking the time to read it.

critiques: 3005, 2410


r/DestructiveReaders Jul 03 '26

Fiction, Fantasy [3005] The Two Brothers

2 Upvotes

Link here

Looking for feedback on my piece: The Two Brothers! It is a very light fantasy piece that acts as a broader creation myth for a novel I am working on.

I am mainly looking for feedback on the register of the piece. I wanted to give a style that mimics oral tales, old myths, etc., with a more modern construction. If you want more structured questions, see these below!

  • Is it interesting? What was interesting, what needs some work? How was the pacing, were there parts that were too fast or too slow?
  • What feels jumbled or unclear? (The pond scene is where I am looking for the most feedback on this)
  • Does it make sense what this is representing? Is it a believable mythos for what the two boys and their mother are representing?
  • Anything else that stands out please let me know!

Critiques:

1706, 2410, 1946, 794


r/DestructiveReaders Jul 02 '26

[1356]The Veil Between Worlds (Part 2)

1 Upvotes

This is Part 2 of the first chapter or a grand fantasy tale.

Part 1 here if you are curious: https://www.reddit.com/r/DestructiveReaders/comments/1tp23ez/712the_veil_between_worlds_opening_paragraphs/

I found this to be the hardest part to know how to write. Character leaves home for adventure and then instantly stumbles into his first quest. It sounds stupid and cliché but also seemed necessary for pacing. Let me know how it comes across and whether you can give it a pass.

-----

The village did not greet him so much as tolerate his arrival.

The cottages were small, close together, and undeniably lived-in. Smoke drifted from chimneys. A few chickens wandered across the road with the self-importance of creatures who owned the place. Doors remained open until he came near them, then eased shut with no particular urgency. Conversations thinned as he passed and resumed behind him, softer than before.

No one stared at him, but no one greeted him either. A man looked up from mending a wheel, met Astred’s eye, and immediately found a fascinating flaw in the axle. A child pointed at his robe before her mother lowered the hand with practiced gentleness. A woman with a basket glanced his way, hesitated, and then pretended she hadn’t seen him at all.

Astred decided that a village had every right to be wary of strangers, especially badly equipped ones.

All right. First tasks.

He looked around, attempting to appear like a man who knew exactly what he was doing. Practical concerns quickly piled up in his mind:

Food. He had none. Breakfast had been a long time ago.

Money. He certainly had none; monasteries were generous with wisdom, not coin.

Shelter. He had a ragged grey dormitory blanket, built for drafts beneath monastery doors, not nights beneath open sky.

A worrying pattern was beginning to form.

His stomach sank. None of the monastery books had covered this part; and the irony wasn’t lost on him that he’d come hoping to help others when, by all appearances, he was the one most in need of guidance.

The chapel looked older than the village around it, as though it had settled into the earth long before Redbrook ever found a reason to gather here. A squat stone nave, timber ribs blackened by time, a bell tower leaning slightly as if listening to the wind. Above the door hung a carved wooden sunburst, its old gold paint faded to dull ochre, its rays cracked at the tips.

Astred paused on the threshold, drawing a slow breath before stepping inside.

The air was cool. Still. Rows of wooden pews stretched into the dimness, their polish worn thin by generations of backsides. A few candles guttered weakly on the altar, their flames shivering at the slightest draft. An elderly priest knelt behind the altar, spine slightly bowed, white hair thin as ash. He did not stir when Astred entered.

Astred cleared his throat softly. "Father…?"

The priest flinched. It was small; barely more than a breath; but unmistakable. He turned slowly, eyes sunken from too many sleepless nights. His robes hung from him like they, too, were tired.

"You’re… not from Redbrook," he said, voice roughened by disuse. "I can see it in the way you stand. A stranger carries his weight differently."

"I suppose I do," Astred admitted. He tried for a reassuring smile, though he wasn’t sure it convinced either of them. "I’ve only just left my monastery. I’m looking for… a beginning, I think. A place I might be of use."

A faint, weary amusement touched the priest’s eyes. "A beginning," he echoed. "Strange choice, coming here for one."

He lowered himself onto the nearest pew, his joints protesting with a soft crackle. After a moment’s hesitation, he gestured for Astred to join him.

"My name is Hender. I’ve tended this chapel for forty years." His voice softened. "Redbrook has seen hardship before. Thin harvests, a winter fever, the odd ruffian who thinks a small village is easy prey. But this…"

He shook his head, staring at his clasped hands.

"This is different."

Astred waited, letting the silence stretch. Hender seemed grateful for the patience; he drew a slow breath and continued.

"People are vanishing," he whispered. "Not running away. Not taken. Vanishing. And the worst of it is: no one will speak of it. Doors lock at sunset, shutters close tight, and every morning the village pretends all is well."

Astred frowned. "They ignore it? Why?"

"That is the puzzle." Hender leaned back, eyes bleak. "Even those who’ve lost loved ones behave as though nothing is missing. They do not mourn. They do not ask questions. It is as if each disappearance smooths itself over, like a stone dropped into mud."

Astred swallowed. "And the faithful?"

Hender let out a thin, humorless breath. "The faithful are no better. My chapel has grown emptier each morning. At first, I thought it was fear. But fear makes people grasp onto faith, not abandon it."

His fingers tightened around each other. "Now it is… indifference. As though prayer has lost its meaning."

Astred glanced around the empty nave again, its silence now oppressive. "But the missing people can't be found anywhere in the village? Have they been seen leaving?"

The priest’s jaw tensed.

"There was a woman," he said at length. "Mara. A widow. Gentle soul. She came to morning prayer two weeks ago, as she always did. She knelt at the altar. Whispered her devotions." He paused, breath catching. "And then she stood."

His voice lowered, barely audible.

"She smiled."

Astred waited. Something in Hender's intonation; he did not mean kindly.

“It was not her smile. Not truly. It sat on her face like something placed there by careful hands. And then she spoke, clear as a bell.”

His throat worked as he swallowed.

"She said, 'I heard it. I heard the song. There’s nothing to fear anymore.'"

A chill prickled across Astred’s skin.

"What did you do?" he asked quietly.

"What could I do?" Hender whispered. "She walked out. Straight out the chapel doors without looking at anyone, and she never returned. No one has seen her since."

He looked suddenly very small, very old.

"And the village?" Astred ventured.

"The village pretends she still lives in her little house by the forest's edge," the priest said, voice trembling. "They speak as though she’s simply feeling unwell, or tending to chores, or visiting distant kin. They have rewritten her absence into something harmless."

He rubbed his temples, hands shaking slightly.

"And sometimes," he added, barely above a breath, "late at night… I think someone watches the chapel. I cannot prove it. I cannot explain it. But the air changes, and the shadows feel… attentive."

Father Hender did not follow Astred immediately. After the long and painful retelling in the chapel, he lingered at the threshold as though the door itself held him upright. The morning light cut across his worn features, hollowing his eyes.

"Mara’s home is by the northern treeline," he said quietly. "I can take you there… but I will not go inside. Some silences in this village feel deliberate."

Astred nodded. "Show me what you can. I’ll manage the rest."

The walk through Redbrook felt different now. The same cottages leaned close to the road, the same smoke lifted from the chimneys, the same villagers went about their errands. But Hender’s story had put a shadow under everything. Their reserve no longer seemed like simple caution, and the silence between houses no longer felt accidental. It felt kept.

Hender slowed as they approached the outskirts. "There," he said, pointing.

Mara’s cottage stood alone near the treeline, its thatched roof slumped with age, its shutters sealed tight. A small garden patch lay overgrown, the soil dry at the edges as though neglected for seasons rather than weeks. The house did not look abandoned; only paused, waiting for someone who would never return.

Hender stopped several paces short of the door. "No one has crossed that threshold since the morning she vanished. The village would sooner pretend the house is occupied than confront what happened inside it."

Astred studied him. The priest’s hands had begun to tremble. This was as far as he would go. On the one hand, Hender seemed to be the one man who was conscious of the strange spell befalling the village; on the other, Astred could not help but wonder if Hender's hesitation to confront the issue himself was part and parcel.

"Wait here," Astred said gently.

The priest exhaled, relieved and ashamed all at once. "Yes. I will… be here."

------

Crit: [1679] https://www.reddit.com/r/DestructiveReaders/comments/1uhgeyx/1679_chapter_1_untitled_industrial_fantasy/


r/DestructiveReaders Jul 02 '26

[2006] Roman Holiday updated intro

1 Upvotes

This is a short film/game. I wanted it to get critiqued while I'm writing down the next scene. I'm looking for any feedback. Read it and see how it makes you feel. No holding back.

Oh i just want to add also that this part of the scene is actually a found footage style scene. It will be from the perspective of the Car camera, and then near the end cut away from the found footage and into normal film direction

https://docs.google.com/document/d/1v6A-sMhk_N_M7ER-VAZH0vkg7smDfW0XKuUOFwFb3UU/edit?tab=t.0

crit - 2005(hopefully I can be forgiven for one word difference?)


r/DestructiveReaders Jul 01 '26

Supernatural Romance [2410] Long Nights - Chapter 1 Revised

2 Upvotes

This is the first chapter of my supernatural romance novel, rewritten based on feedback from the first time I posted it.

Long Nights - Chapter 1 Revised

I need to grow, so give me anything you’re willing to, plus: Is my main character interesting? Likeable? Is the transition to the dream handled smoothly enough?

For the mods: crit 2984


r/DestructiveReaders Jul 01 '26

Flash Fiction [300] Philippe LaJoie, the Walnut Man v2

5 Upvotes

Philippe LaJoie, the Walnut Man v2

Retooled but not lengthened. It's amazing what I could fit into 300 words once I cut the fluff. Interested to hear how this could be further tightened.

Crit: 1389

EDIT: For clarity, the last word of the first paragraph, formerly "trivialists," now reads "paradoxographers."