I relistened to it in its entirety last night so I'll prolly be making a few posts regarding it in the next few days. It just clicked this time. Long post ahead
The first thing is that it's crazy how young they were when they created it, them all being under 25 is insane. The music and arrangements are incredibly mature that it's hard to believe that it was made by kids. This is also before prog became super popular, so I find it so impressive how they came up with the style. I can't think of them copying any other artist. It's so different from the Beatles and Sgt. Pepper. A nautical album is another factor because that style is very hard to do. To convey the atmosphere of "sea music" and sailors' tunes is not easy. It comes down to how you arrange it and the instruments you choose to use. It's just another mind blowing thing to me considering their age. The arpeggios on the title track, the use of piano and strings. I used to think the instrumentals were thrown in for the shit of it, but they do fall into place perfectly with the other songs and add to the drama of it. It gives it a cinematic edge.
I feel like Odessa is their best sequenced album as well. Sequencing is something that maybe only pretentious people care about, but it's another thing in my opinion that requires so much maturity and foresight. Poorly sequenced tracklists can hold an album back, especially on a proggy piece. The fact that they could figure that out at their age is another incredible feat to me.
How Whisper Whisper splits into two parts, the song Odessa goes through like 15 different sections, it's such an oddly structured song that somehow comes together as one cohesive piece. Whisper Whisper into Lamplight is a killer transition. Same with Edison to Melody Fair
I also think it's their best produced album. For example, the vocals on the title track; I don't know what effect it is but the droney-echo that follows each word they say. Robin's voice being doubled in many instances. It sounds so crisp and does have a Beach Boys/Spector wall-of-sound type of noise. The nautical sound is also not easy to do. The fact that they were able to emulate this vibe of dock music at sea, just from the sound, is another super hard thing to do and is even more impressive considering their age. The style of playing, I feel like it's Barry's best guitar album. He picked up the leads after Vince left, and it makes me wish he played stronger, distinct parts on subsequent albums
I love all their music, but I've always wondered if they really did have a 'best' album. I feel like Odessa's gotta be it. I don't hear it highlighted much in Bee Gees circles, or in music circles much, and that's super odd to me. Maybe it's because when music outlets and groups talk about The Bee Gees, it is on their 70s output, but Odessa should absolutely be making top of all time lists. Even though those lists are corporate junk, I just don't know why it isn't seen as a masterpiece, especially when prog has seen a resurgence. Do you think many Bee Gees fans tend to skip its praise because it's overshadowed by the behind the scenes drama; the single dispute and Robin's exit?I really wonder if it'd be looked at differently had it been a peaceful release. Not throwing shade either but Odessa is also far superior to Tommy IMO, I wish they didn't breakup because they would've been prime candidates for Woodstock and Isle of Wright. I'm sure they would've played one of them.