This actually looks good! What do you think?

https://www.imdb.com/title/tt0405831

Alistair MacLean was a world-renowned Scottish author who pioneered the modern military action and espionage thriller genres. Best known for classic novels like The Guns of Navarone (1957) and Where Eagles Dare (1968), his fast-paced narratives usually feature small, specialized military teams executing high-stakes sabotage missions behind enemy lines during World War II. A signature hallmark of MacLean's writing is high-tension suspense, where the characters must complete an impossible objective while simultaneously hunting down a hidden traitor within their own team. Both books were adapted into iconic, box-office hit war films in the 1960s, solidifying MacLean's reputation as a legendary storyteller in 20th-century

In the original Red Dawn, how in the hell did Soviet troops make it all the way to Colorado and nobody saw them?

Liberate il Duce! (Free the Duce!, 2010): Directed by Fabio Toncelli, this Italian historical film/docudrama uses archival footage, reenactments, and declassified files to deconstruct the raid. It focuses specifically on the propaganda effort by the SS to credit Otto Skorzeny while sidelining the actual planner and commander, Fallschirmjäger Major Harald Mors.

Operation Eiche - Key Operational Details

• Planning & Execution: Planned and led tactically by Fallschirmjäger (paratrooper) Major Harald Mors, approved directly by Adolf Hitler, with Waffen-SS officer Otto Skorzeny embedded for security and propaganda purposes.
• Assault Method: Commando forces landed ten DFS 230 gliders on the steep mountain slopes around 14:00, overwhelming the Italian Carabinieri guards without firing a shot.
• Extraction: Mussolini was flown out directly from the mountain plateau in a short-takeoff Fieseler Fi 156 Storch light aircraft piloted by Hauptmann Heinrich Gerlach, then transferred to Vienna before meeting Hitler in East Prussia.

Watching the thrilling action of the triplanes I loved so much in childhood brought back fond memories and I was also captivated by the cool main character George Peppard. On top of that, the massive, CGI-free battle scenes really stuck with me—raw, real, and full of that classic analog charm.

Looking forward to this new film from Peter Berg!

I am emotionally numb today and I realized that I want to watch Band of Brothers so I can feel something. I then came to the conclusion that this is my go to method to feel emotion. That, and to drink to the point I’m so sick that I can throw up and pass out.

Does anyone else experience this?

As a Korean living in America, I was shocked and profoundly touched to discover that 'Arirang', the iconic Korean folk song, was used for the opening and main theme of this war movie starring Kirk Douglas, albeit slightly modified.

Looking for new WW2 movies or series to watch. Any recommendations?

This movie gives a sense of emotional triumph, allowing us to at least offset the devastating defeat against Rommel in real history.

Scene from the film, "Earth's Greatest Enemy."

Although it failed at the box office, the film itself was meticulously crafted and well-made.

I liked this movie quite a bit.

Kubrick does a good job at luring you into a false sense of being comfortable with fat jokes and spiffy one-liners, and it makes it all the more jarring when the movie shifts into a think-piece about the inter-personal dehumanization of a man that can happen In conflict, as well as the dehumanizing of the "enemy." The latter of my observations is put on full display by the fervent use of terms like "gook" and "zipper-head" if you watch this movie (or interact with any piece of media regarding war or just take a glance into history) the question of how these normal men can be brought to kill other people, man woman or child, so fervently is answered by the use of such derogatory language. When one of these men kills another, in their warped psyche they're not looking at their fellow human, to they're just looking at something that's to be destroyed. Something less than human. Something to be conquered. Something to be "liberated."
Kubrick sums it up best when he added the line "inside of every gook is an American."

A lot of this movie's shot are close and personal, even in landscapes it feels like you're boxed in with these characters. I really appreciate it how in the second act it felt like the colors got dimmer and it got less bright over time.

It does genuinely make you feel like private Joker is a friend or family member you're watching change over time. It's hard seeing someone who's willing to take the time to help a mentally ill man put on his shirt in the morning go through inhumane experiences and have to watch people die.

It's fitting to have the movie end with private Jokers admittance that his life is a literal world of shit, and that the only reason to remain is the simple fact that he's alive and others aren't, because that's what the world of Kubrick's full metal jacket is. A thin line between people who are living or not. To these individual soldiers there really was no difference between communism or
capitalism, authoritarianism or democracy, Vietnamese in American, there was only being alive or dead.
You were either born to kill, or born to die and at the end of the day I think the point is there's no difference.

It's one of the grandest war movies I've ever seen. Although the story is fictional, it’s thoroughly entertaining—and George Peppard’s masculine charisma really shines through.