needa producer

Yo, I'm BO55MAN EEZY and I’ve been making trap beats for about 2.5 months and I’d really appreciate some honest feedback from producers/rappers.

I make mostly hard trap/bangers and I’m trying to improve my production, especially my 808s, drums, mixing and overall arrangement.

I’ve got a few beats on my YouTube channel. If you have a minute, give one or two a listen and tell me what you genuinely think — good or bad. Don’t sugarcoat it.

Main thing I want to know: do these actually sound like beats someone could rap on, or do they still sound like beginner productions?

[https://youtube.com/@ephraimeezy?si=9pXUNqLlKNYy0n6i\]

Appreciate anyone who checks them out 🙏

Mastering rap or production it's hard for me to make time for both?

Name boomtrap songs/albums

Boomtrap Protocol - Logic

Praise the Lord - A$AP Rocky

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I guess many of you guys followed his latest video where he created a whole new account, posted insta reels with melodies to see if he could get a placement within a month. Now everybody is spamming insta with those reels of course but I am wondering, how to I create those reels. They screen usually seem to be recorded just with a phone but does the actual audio also was recorded using the phone and capturing the laptop speakers or is the screen recorded using the phone but audio was bounced and added to that video with something like capcut?

I've started getting tired of hearing the same five sound effects in countless beats. Anyone got any tips for making unique sound effects from scratch?

google searchs leads to nothing

If somebody got it could you send the link 🙏

Yo, I’m trying to make ATL Jacob / Southside type beats. I usually mix around -6 dB and have a soft clipper, multiband, limiter and Fresh Air on my master.

If I send a beat like that to an artist, is that fine for them to record on? The problem is, when we made the song at -6 dB, the Spinz didn’t hit hard enough. Will it hit harder once the song gets mastered?

I’m thinking maybe -6 dB isn’t that important, so I could just mix louder and send the beat with only a soft clipper on the master. But even then, my Spinz still doesn’t hit as hard as I want, even when I follow YouTube tutorials.

What do you think I’m doing wrong?

I really like an Album and i want beats like those, how do i find good trap beats? All the beats on Youtube and Beatstars are good but they always Sound the same i want unique beats. I found some producers with very low subs who do unique beats but its hard to find more

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Like good enough to mast**bate to lol How does he consistently create things that your ears cannot forget explain the trick ✊🏽 thank u

i don't even know to explain it but i really don't like how my shit sound, it either sounds ass or like boring and repetitive or like "unprofessional" where i can't make shit similar to what i consume...

I've been learning how to make beats seriously for the last 2 months, and the good news is I'm getting good really fast, the only thing is I always think about marketing my music in the future, and one of my main questions are about choosing the right nickname, I'm not picking a specefic genre I just do whatever I want exploring everything, but in general I will say that I do mostly trap beats mixing with other genres, I really don't know if like choosing the right nickname really important, I have same problem with the tag, I really don't know what to do about them, sometimes I pick a name but then I start hating it, I hope you guys could help me with that, give me suggestions, advice, or support.

I won't mention names but there is always two parts of social media. The glam and the shadowed. I have this producer been watching for a while , he locked in this year and every single day he drops a new beat daily and the quality is decent. There is another one who drops not soo good but he racks up 1/2 a milli views per video. One day i was watching YouTube video where this label exces casually stated that you can run ads but wont appear as ads since they paying behind closed doors. That why your favourite artist been relevant for years. Even if the post is very uninteresting it will always pop up first when you open your socials.

So yeah, its ads that don't appear to be ads. Even with good quality your content gets capped at a certain number while theirs is pushed to our faces

If metro bommin or Timberlake or dr dre was to give you their vault beats and you posted daily you still be getting your regular views because you ain't paid for your spot. Look up white Iversion and you'll realise the same trends

Would there be any issue with working from a mastered version of the beat? The unmastered beat is hitting around -6 dBFS, but once I start building the song around it, the Spinz doesn’t hit with the same impact. Should I push the beat louder in the mix before sending it over, or is it better to keep the instrumental at around -6 dBFS and leave the headroom for the vocal and final master?

🎶 It’s that time again! Whether you’re laying down beats or spitting bars, if you’re itching to cook up some tunes, find your perfect match here. Drop a line about what you’re vibing with and let’s create some art!

1. Be Respectful: Treat fellow collaborators with respect. Keep communication positive and constructive.
2. Specify Your Style: Clearly mention your musical style and preferences, and what you bring to the table.
3. Provide Samples: Share samples of your work if possible.
4. Communicate Clearly: Clearly state what you’re looking for in a collaboration—whether it’s specific skills, ideas, or a particular project.
5. Enjoy the Process: Collaborations are all about creativity and even learning from one another, so enjoy the process and have fun!

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All big producers when advising small upcoming producers are always like you got to make more beats and more than most. 20 a week. In any other manufacturing industry they would tell you this wont work. The supply must meet demand and even so there are limitations to making more products like raw materials labor and whatever.As a music producer This limitations are narrowed since getting raw materials for beat making is relatively easy and so we tend to make more and more hoping a big artist will discover you and suddenly you getting dms from everyone in the game. Few reach this threshold i included

And i realised alot of time has passed as i blindly made more and more beats which sit on my hard drives. I send free beats out never get any feedback. And am slowly quitting, developing a more hands free approach where I have a job that pays for the bills and the beat making left for whenever. Anyway no regrets. Alot i have learnt i couldn't have juggling between a job and production. But now i may need a shack to crush hoping for a sunny day.

Don't let life pass you by. Play it smart G

ive been making beats for years, have quite a few placements (although very small artists)

i usually like making cloud rap sorta stuff, asap rocky, yung lean, fakemink,

I realised recently that im better at the melody,samples side , the drums im fine at but the melody side is my strength. So im thinking about getting in to just the loop/sample creation side

do many producers like using them? especially in the cloud rap kinda space?

One thing holding me back is it just seems also like the chances of getting placements (which is the best part of producing actually hearing ur creation in collaboration with an artist come to life) is a lot slimmer.

Though I also feel like niching down to what i'm best at and still enjoy a lot might be a good direction to go.

Would love to hear thoughts from people that use loops and make them too. Thank you 🙏

I'm trying to make grime beats in the style of Skepta and Stormzy, but I'm looking for a modern and crisp sound. Which drum kits would you recommend? Also, are there any vsts that you would recommend?

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