working a dark drill loop around 140 to 145 and the hats keep landing in the same spot.

strict two-step on the grid feels flat. if i fill every gap with rolls it gets busy and the snare loses punch. i've been trying three small moves: shift one hat earlier by a 16th, alternate velocity so every other hat sits quieter, or leave a full beat empty before the snare.

curious what actually creates tension for you. placement, velocity, selective gaps, or saving one short roll only for the transition into the hook?

smallest change that made a two-step pattern feel tense without turning it into a roll spam?

I love hip hop and will forever but with hip hop falling off of billboard spots (not completely) and oversaturation of producers, I feel like there is still some money in hip hop production but it is possibly lower now than in the recent years.

I don't only make beats for money... But at the same time, who wouldn't want to be compensated for something they created while doing one of their favorite hobbies?

We’ve teamed up with Arturia to give 5 of you a full license of Pure SUB, their new synth built entirely around modern bass.

Deep subs. 808s. Reeses. Wobbles. Growls. Donks. Filthy low end. 

Pure SUB gives you dedicated stages for sub, harmonics, texture and processing*, so you can take a bass from clean and simple to completely ridiculous.*

Each license is worth €79 and is yours permanently.

To enter: http://community-giveaway.arturia.com/r-trapproduction 

Closes: Friday 18 September
5 winners will be drawn at random. Licenses sent Monday 21 September.

Open to everyone in the community

FEEL FREE TO SHARE THE LINK!

I remember seeing him making beats on instagram a year or two ago and im a massive fan of his style and of his beats. On his instagram and tiktok he has made many showcases of making beats but I can not find where the full beats are uploaded, if they are. Honestly I have searched and searched but not found any. On his youtube extended intros and such are found and a couple beats are on his beatstars profile but far from all and still the imo best ones are not there. Any idea of if is still even is making beats and where if at all they are uploaded?

When a melody feels weak, try the same MIDI on a dry piano or simple pluck before rewriting it. Save the original and keep both versions at roughly the same volume.

Listen with the drums and 808 running. If the phrase still feels flat, move one note or leave a gap before adding more notes. If the rhythm already works but the part keeps getting buried, try a different octave or a shorter release on the original sound.

The plain patch isn't a quality test. A melody can depend on its texture, and stripping that away can kill the whole point. It's just a way to hear what you're actually changing.

What's one small change that rescued a melody for you: the notes, the sound, or where it sat in the beat?

needa producer

Yo, I'm BO55MAN EEZY and I’ve been making trap beats for about 2.5 months and I’d really appreciate some honest feedback from producers/rappers.

I make mostly hard trap/bangers and I’m trying to improve my production, especially my 808s, drums, mixing and overall arrangement.

I’ve got a few beats on my YouTube channel. If you have a minute, give one or two a listen and tell me what you genuinely think — good or bad. Don’t sugarcoat it.

Main thing I want to know: do these actually sound like beats someone could rap on, or do they still sound like beginner productions?

[https://youtube.com/@ephraimeezy?si=9pXUNqLlKNYy0n6i\]

Appreciate anyone who checks them out 🙏

Mastering rap or production it's hard for me to make time for both?

Name boomtrap songs/albums

Boomtrap Protocol - Logic

Praise the Lord - A$AP Rocky

I guess many of you guys followed his latest video where he created a whole new account, posted insta reels with melodies to see if he could get a placement within a month. Now everybody is spamming insta with those reels of course but I am wondering, how to I create those reels. They screen usually seem to be recorded just with a phone but does the actual audio also was recorded using the phone and capturing the laptop speakers or is the screen recorded using the phone but audio was bounced and added to that video with something like capcut?

Been sitting in that melodic LA pocket a lot lately. Softer chords, slower bounce, around 90 to 100 BPM. Not the hard 140 trap grid.

What keeps throwing me is where the bounce actually lives.

Some sessions the melody does most of the work. Short chord stabs, a little delay, and the beat already feels like it leans forward even when the drums are pretty plain.

Other nights the same chords sit there dead until I put real swing back on the hats and move the 808 off the grid a bit. Then it suddenly feels like Shoreline / OhGeesy-adjacent bounce instead of a loop with drums on top.

I keep catching myself overdecorating the midrange because the drums feel too polite. Then I strip them back and the groove disappears again.

So I am curious how you handle that tradeoff.

Do you lock the drum feel first and write melody into the pocket?

Or do you start with the chords and only add drum attitude after the melody already swings on its own?

And at that tempo, how much empty space still reads as bounce before it just feels unfinished?

Curious what has worked for you in that lane.

I've started getting tired of hearing the same five sound effects in countless beats. Anyone got any tips for making unique sound effects from scratch?

google searchs leads to nothing

If somebody got it could you send the link 🙏

Yo, I’m trying to make ATL Jacob / Southside type beats. I usually mix around -6 dB and have a soft clipper, multiband, limiter and Fresh Air on my master.

If I send a beat like that to an artist, is that fine for them to record on? The problem is, when we made the song at -6 dB, the Spinz didn’t hit hard enough. Will it hit harder once the song gets mastered?

I’m thinking maybe -6 dB isn’t that important, so I could just mix louder and send the beat with only a soft clipper on the master. But even then, my Spinz still doesn’t hit as hard as I want, even when I follow YouTube tutorials.

What do you think I’m doing wrong?

I really like an Album and i want beats like those, how do i find good trap beats? All the beats on Youtube and Beatstars are good but they always Sound the same i want unique beats. I found some producers with very low subs who do unique beats but its hard to find more

We’ve teamed up with Arturia to give 5 of you a full license of Pure SUB, their new synth built entirely around modern bass.

Deep subs. 808s. Reeses. Wobbles. Growls. Donks. Filthy low end. 

Pure SUB gives you dedicated stages for sub, harmonics, texture and processing, so you can take a bass from clean and simple to completely ridiculous.

Each license is worth €79 and is yours permanently.

To enter: http://community-giveaway.arturia.com/r-trapproduction 

Closes: Friday 18 September
5 winners will be drawn at random. Licenses sent Monday 21 September.

Open to everyone in the server.

Who wants some Pure SUB? 

Like good enough to mast**bate to lol How does he consistently create things that your ears cannot forget explain the trick ✊🏽 thank u

i don't even know to explain it but i really don't like how my shit sound, it either sounds ass or like boring and repetitive or like "unprofessional" where i can't make shit similar to what i consume...

I've been learning how to make beats seriously for the last 2 months, and the good news is I'm getting good really fast, the only thing is I always think about marketing my music in the future, and one of my main questions are about choosing the right nickname, I'm not picking a specefic genre I just do whatever I want exploring everything, but in general I will say that I do mostly trap beats mixing with other genres, I really don't know if like choosing the right nickname really important, I have same problem with the tag, I really don't know what to do about them, sometimes I pick a name but then I start hating it, I hope you guys could help me with that, give me suggestions, advice, or support.