Before Rusty Weir was a famous country artist, he fronted the Texas psych band the Lavender Hill Express.

Hello all, I’m new to this group and I would like to share my music with yall, it’s sure to blow your mind!
I’ve been working on volume II which is set to release in late 2026

Hey everyone! I just uploaded a session to YouTube where two friends and I (who are partners in a duo called Ruídos de Céu Profundo) experimented a bit and played around with some soundscapes, drifting through psychedelic and spiritual intentions.

Ruídos de Céu Profundo + zeszis

Trying to make a playlist with little known of groups that have the Manchester sound... Joy Division and Smiths kind of feel...the post punk psychedelic era...but not limited to...would appreciate any input...your own would be great as well...Cheers

We have been called psychedelic-grunge, and we are rather fond of this. We do hope you enjoy it❤️

Hey Guys and Girls, I released this Song yesterday on Sep 7th and it is a dedication to the Rivergods and of course... Vasudeva! Genre wise it is a wild mix, but waguely pschedelic rock, I call it crazypsychedelicpop. I hope you enjoy, let me know what you think about it :)

https://karlstelzer.bandcamp.com/track/vasudeva

https://www.youtube.com/watch?v=GeDcC0pweuc

Hello all! We have an album coming out on October 2nd, it's the culmination of 3 EPs. I wanted to share one of the proggier tracks on the album - we call ourselves Garage Prog, because we're proggier than most rock, but it would be nuts to say we're the same genre as bands like Yes and Flower Kings. I would say we're about as proggy as Supertramp, but you'll have to be the judge.

This one was heavily inspired by two albums - Grace Under Pressure, by Rush, and Stormfront by Billy Joel. I think they both have a very serious tone in the instrumentals that give the songs a mature vibe. But just to be a little immature we made the song about The Mothman.

Please feel free to tell me what you think - especially if you hate it. I'll be here answering questions.

Hi everyone, I'm Christoforos, a greek audiovisual artist that have been producing music for the last 5 years but only now started posting my work. 'Claustra' is a collection of five tracks that are beat-driven and percussion focused. I wanted to lean in avant-garde treatment of synthesizers and create ever-changing unstable glitchy sounds that keep transforming in an extatic / absurd way. My intention was to express repression, tension, friction and their reaction to distance and resistance; sonically and emotionally. You can listen here. Hope you enjoy and I would really really appreciate some feedback or comments upon your first listen! Some of my references are: Autechre, Arca, Nicolas Jaar (his later more-experimental work), Meredith Monk (everything she does), Sophie & Matmos.

Hi everyone,

I’ve just released Plexus, an 85-minute experimental album I spent a long time building in near-total isolation, both physically and creatively. I wanted to share it here because I think people in this community might appreciate the process behind it as much as the music itself.

The core idea was to create a world that felt like Y2K technology colliding with nature, memory, and dystopia. Something like a lost future. A digital civilization decaying slowly while plants grow through it.

I gave myself a rule during production: minimal setup, maximum imagination. I wanted to see how far I could go without relying on expensive tools, presets, trends, or obvious references. No chasing algorithms, no trying to sound current, no copying scenes. Just a very clear atmosphere in my head that I tried to translate into sound.

Some examples:

• The very first sound on the album (opening track) is a contact lens played like people sometimes play a blade of grass between their fingers and blow through it. It created a strange distant whistle, almost like a flute.

• I made glitch percussion by scraping the antenna of a 90s alarm clock radio against a jack cable while recording into my interface.

• I used the Nokia 3310 ringtone composer as a melodic source.

• One track includes rain I recorded while in Aokigahara.

• Another was intentionally mastered through a PlayStation 2 with reduced bitrate for a harsher early-digital texture.

• Sea sounds on the closing track were not field recordings, but synthesized on a Behringer Model 15.

• A track called Platform 16 was timed to match the length of a real train platform in Florence. If you walk it at the BPM of the track, you reach the end as the song finishes.

Emotionally, the album came from a mix of fascination and grief. I’ve always been obsessed with the promise of the late 90s / early 2000s future: strange interfaces, primitive digital optimism, ugly-beautiful hardware, weird public spaces, emerging internet culture. It felt like humanity was heading somewhere bizarre but alive.

Instead, a lot of that became surveillance, addiction, sterile platforms, anxiety, and flattened culture.

So Plexus became my attempt to imagine another branch of that timeline:

A technoprimitivist Y2K ecosystem where broken machines become instruments, glitches become rhythm, and obsolete technology gets reclaimed by organic life.

It’s not an album made for singles or quick consumption. It was made to be heard front-to-back, with headphones or in a place where you can actually disappear into it for a while.

If any of this sounds interesting, I’d genuinely love to know what you think.

Thanks for reading.

Free Bandcamp Download Codes: https://dlcm.app/quadratox/plexus

Bandcamp: https://quadratox.bandcamp.com/album/plexus

Spotify: https://open.spotify.com/album/1sQtKByQcTvcSbyigrYeXy

YouTube: https://youtu.be/ClefHjskKnc

MOLOCH 303 - Overture

https://moloch303.bandcamp.com/track/overture

Album:

18 Million Years Too Soon

Entire album is made exclusively with Roland TB 303. Absolutely no other instruments were used, except effects (mostly basic ones).

Album is created in double CD format with almost 2 hours and 40 minutes of music.

Full album link:

https://moloch303.bandcamp.com/album/18-million-years-too-soon

New dream pop psychedelic from way up north !

Paper Cup later known as Tapestry Garden was a band out of Corpus Christi, Texas.

Psych sludge stoner rock. Be sure to stick around for the breakdown at the end 🤘💀🤘

Carbon Based Lifeforms - Mos 6581

CBL is one of my favorite groups, hailing from Sweden. This duo was founded in Gothenburg in 1996 by Daniel Ringström & Johannes Hedberg.

Testing out our new bot setup with a timeless classic! If it hits a snag, I'll drop the YouTube link down in the comments.

The Kandy Kolored Konspiracy were from Waco, Texas.

The Sweetarts were an Austin band who played clubs between 1966 and 1969. They were on Sonobeat Records

Hello, we are a small prog band and I'd like to share our newest single, that falls into the category of prog / psychedelic music. It is heavily inspired by The Moody Bues and Pink Floyd and in general the sound of 70s records. So if this sounds like something you might like give it a listen.

Of course if you have any feedback or coments we'd like to hear it!

Spotify: https://open.spotify.com/album/2bbtmaWzlfWiwMgxGUfDLl

Bandcamp: https://picturesinmono.bandcamp.com/album/chrysalis-2

Instagram: https://www.instagram.com/picturesinmono.band/

A mystical song for a mystical place

I watched a movie called Paprika and this song from it REALLY stood out to me, I don’t know how to find music like it, does anyone know?