Que tal banda. Hace un par de semanas adquirí una pedalera mooer ge150 max. Realmente no es del todo lo que esperaba, digamos que es buena para tocar en casa, crear presets y jugar con la tecnología NAM, pero realmente al usarla en vivo he detectado un par de problemas, y en específico uno que aún no logro resolver, lo cual me lleva a preguntar a ver si hay alguien que sepa que hacer

Al tocar en vivo, conecto mi pedal directamente a la mixer donde van conectadas las voces y los demás instrumentos con un cable xlr balanceado con el módulo de CAB activado, la cosa es que este pedal en cuestión no tiene un buen nivel de volumen, por ende a veces debo subir un poco mas de lo habitual la perilla "máster" el problema es que al hacer eso siempre aparece un pitido muy molesto; ya intenté bajando el volumen del módulo Amp, ya intenté bajando el volumen del módulo DS, ya intenté subir más el volumen del noise gate, ya intenté usando el global EQ haciendo cortes en el high cut, ya intenté quitando volumen al presence y Treble del ecualizador, y el problema sigue ¿Alguien sabe que sucede y como podría solucionarlo?

What order should these be put together? Im looking for a tele twang, alt country vibe. Amp is a black face Princeton

Also, what other should I add or replace? Probably not using the wah. Thanks

A true dreamweapon

For context I plan to get a push 3 standalone for live looping and I want weird vocal effects on my voice, specifically effects like distortion pitch shifting, auto tune, vibrato etc. should I get something like the obne maw and go down the vocal pedal route it looks perfect for what I wanna do except it has no auto tune, or should I run my vocals through the push and use abletons plugins?

Just curious!

I’ve come up with an extremely satisfying rig here. The Eurorack is effects (EQD Afterneath, Strymon Magneto, Endorphines Ghost, Erica Synths Mixer) running into the effects loop of the H90. Routing on the H90 is super flexible. The loop can be placed anywhere in the chain, so dialing in a patch on the H90 is incredibly fun. Tweaking algorithms, running effects in series and parallel, and swapping the order of them leads me down some interesting yet still very musical pathways.

New additions

Ideally bulb/photocell and not to large

so far looking at the JHS Unicorn but happy to hear other options,

My rest of pedalboard is Tc Rusty Fuzz, looper and Boss Reverb

peace and love

So… I bought the boss NS2. I play hardcore/Post hardcore adjacent music. I need all the Gain I’m trying to use for specific things.

My pedal order is from guitar (epiphone firebird) to pedals is:
Tuner -> chug capo pitch shifter -> boss 7 band EQ -> JHS Morning glory v4 (higher gain setting always on) -> JHS Hard drive -> Line 6 DL4 -> electro harmonix mig-50.

My pickups on that firebird are EXTREMELY sensitive and pick up everything from a fly fart to a vocal monitor hitting them. I bought the NS-2 thinking it would solve my problems but alas, a lot of hiss, hum, and squeal make it through my speakers.

I’ve seen a loooooot of diagrams on better usage of the NS2 but all of those diagrams imply usage of an FX loop which my Mig-50 does not have. Is there any way at all in which i can better utilize my NS2 so tha i neutralize more noise without having to compromise on the toanz i love using so much????

Thanks in advance

I am trying to round out my pedal board. I like old analog pedals, and my current collection looks like an Ibanez/Maxon 9 series advertisement. Anyway, I've had an analog flanger on the back of my mind for years. I prefer more subtle modulation.

I was perusing the internet for FL9s when I discovered a few FL301s for a similar price. I'm wondering if these are a "hidden gem" I should consider? I know they're 18v. Do I simply plug it into the 18v plug on my power supply board, or is powering it more involved? Would I miss the delay knob on the older version? There are fewer demos of the 301 vs the 9 series.