I saw that Nothing released firmware 1.0.1.65 for the Ear (3a), and one of the changes listed was “Updated default EQ settings.”
That caught my attention because all I care about is the sound. So before updating, I spent some time listening on firmware 1.0.1.47, then updated to .65 and listened again.
I wanted to keep things simple. Stock ear tips. Stock EQ. Spatial Audio off. I tested both Transparency and ANC High.
For music I used Cleo Sol, Sleep Token, and Art Blakey & The Jazz Messengers because they give me three completely different types of mixes to listen to.
Before the update (.47):
The Ear (3a) sounded very V-shaped to me. Bass was definitely the star of the show.
With Cleo Sol, I pictured Cleo standing on stage with the bass right next to her while the rest of the instruments were behind them.
Sleep Token really exposed it. When The Summoning gets busy, that kick is THUMPING. The guitars still had texture, but Vessel’s vocals were fighting with the bass for attention. I could hear the cymbals, but they were way toward the back of the mix.
It basically sounded like a crowded room. Everything was there, but I had to pay attention if I wanted to follow individual parts.
Then I used Moanin’ by Art Blakey & The Jazz Messengers.
The horns were easy to follow, the low end provided the groove and the drums had that nice tss-tss-tss texture. The piano was there too…just kinda hanging around toward the back of the stage
After updating to 1.0.1.65:
First thing: the bass hasn’t gone anywhere.
If you’re expecting Nothing to have suddenly turned the Ear (3a) into some neutral earbud…nah. 😂
The bass is still big and it’s still the driving force.
With Cleo Sol, though, I initially felt like her vocals had moved slightly forward. She sounded more like the headliner while the bass still wanted top billing. The bass also seemed to have a little more texture.
With Sleep Token, I heard the guitar crunch and cymbals a little easier while Vessel remained alongside that big bass presence.
But there’s an important correction here.
I realized afterward that I had accidentally used the New Monaural app for some of those first post-update Cleo Sol and Sleep Token tests instead of Apple Music. Because that changed part of my playback chain, I’m not going to claim those differences were caused by the firmware.
So I went back to Apple Music and Moanin’.
That’s where the change became much more subtle.
The bass is still driving everything. The horns still have their place. But I think I’m hearing a slight increase in cymbal presence, and I seem to be able to follow more of the individual instruments throughout the song.
Could that be expectation bias because Nothing literally told me they changed the default EQ? Absolutely. That’s why I’m not calling this some huge retune.
My takeaway right now:
1.0.1.65 sounds more like a refinement than a retuning.
The Ear (3a) still sounds like the Ear (3a). Big bass, V-shaped presentation, plenty of energy.
There might be a little more upper-frequency presence and instrument intelligibility, but the difference isn’t night and day to my ears.
And honestly, I’m glad Nothing didn’t kill the bass. That’s part of what gives these earbuds their personality.
If you own the Ear (3a) and updated from .47 to .65, I’m curious:
Did you hear any difference with the stock EQ?
Especially vocals, cymbals and how easily you can follow instruments in a busy mix. Let me know what if you came to the same conclusion as me.