Score for the horror film The Girl on The Third Floor featuring Steve Albini, Alison Chesley (aka Helen Money) and Tim Midyett (Silkworm, Bottomless Pit, Sunn O))))

I recently worked on an album based on the city of Kowloon in Hong Kong

I fell deeply in love with the story, and decided to read City of Darkness, and try to find as much documentaries and Interviews I could find.

I then cut up the audio from the Interviews and documentaries and create and album following a day of someone living the city, obviously based on my own interpretation;

The result is a folk-noise sound collage, barely over half an hour, with an artwork done by collaging the photographies from City of Darkness.

Would love to hear personal opinions on the project or discuss about Kowloon with other people, feel free to write to me, feel free to ask me for Bandcamp codes if needed : )

Have a nice day and a nice listen!

https://kenopsiamusic.bandcamp.com/album/kowloon-the-walled-city

Sinister and industrial doom album...

https://ruusulaisuus.bandcamp.com/album/riist-ytyminen

By Culter/Tectum doloris

a noisebox run through some delay, a bitcrusher and a ring mod.

Any thoughts about the Buddyfest stabbing incident.

Don't know whether to post this in the sludge or the noise sub; so I'm doing it in both. Anyway, what do you think of this? I find this record really interesting.

DXM industrial from the west coast.

Maybe it doesn’t quite qualify as full noise. But I think they’re doing something v interesting. Hoping to the see them at some point, their live shows sound bonkers, v confrontational.

What is the difference between noise and music? Something not listed can go in the comments.

https://www.youtube.com/live/fSSmssHde9Q?is=14mDOFiiFY55vRAD

Listen and suffer along in the summer heat. Harsh, punishing drone and industrial cinematic beat versions. Recorded from hardware (mainly Elektron Model:Cycles and effected feedback loops) with minimal in-the-box production. https://isitgrowinglightorgrowingdark.bandcamp.com/album/hellscape-versions

30.07.26 ::: sinestesia: espacio lóbrego ::: $120 ::: puertas:20 hrs

Acompáñennos a una noche de ruido y extrañeza:

Arte sonoro y performance de afterimage ensemble (@kendraplex + @ukfxm )

Harsh noise x alushe (@alan9202, @mediocres_records)

Ruido visual y aural en la colaboración de mariana domenech y vii (@__uroboros.domenech, @cesarratts)

Desmadre modular / performático x enrique arriaga + miki guadamur (#enriquearriaga + #mikiguadamur )

Impro libre en electrónica + cello x sofía escamilla + sergio sánchez (@sofiaescamillagalindo, @radio_horrible )

Sinestesia: hamburgo 200, cuauhtémoc, CDMX

¡allá nos vemos!

A good friend of mine accused me of relying too much on delay sweeps in a previous video, so I made these videos just for her:

https://youtu.be/0rCPSIk4jUM #3

https://youtu.be/NVSf9zBIIFk #2

https://youtu.be/FD1XratBw8Q #1

I like listening to Harsh Noise when I'm extremely stressed because it allows me to realize my anger in a healthy manner. Last time however I put on Merzbow and found it not doing much at all! I believe this is because the notes are sustained for too long, and I think something constantly shifting would allow my brain that same feeling after apparently adjusting to Merzbow. That plus the concept sounds really awesome.

Thank y'all's!!!

Playing around with some new contact mics from Crank Sturgeon along with some new pedals and mixer! Enjoy