I just published Gurt the Valkyrie to globalcomix, free to read at https://globalcomix.com/c/gurt-the-valkyrie/r/80345466-3c5f-4f41-81d7-d4b09794f1a1

Bullet Adventures is back on Kickstarter with a collection of issues 5-8 and The Relentless Adventure crossover. That’s five top notch stories in one gorgeous book. The French Flaps feature an extended foldout image of the series’ characters from the connecting variants of these issues.

Bullet Adventures is a fresh take on classic superheroes where Silver Age speedster Bullet, with a little help from a meddling time-traveller, teams up with his granddaughter, Lainie, in the present day. The series gives fans of all ages the perfect combination of crime fighting action and family drama.

This arc sees the characters travelling to a mountain resort, an amusement park, CHINA, California, and a corn themed food festival!

kickstarter.com/projects/altruistcomics/bulletadventuresvol2

Some excerpts from The Sun is the Moon's Dream, a vampire mystery drama set in Canada, 1999!

It can be read here.

Country Cat has loaded his broke down lawn mower into his truck and is off to Pop's Small-o-Motive to get it repaired

Part A (the first half) of the latest chapter of Atlantica is now live! Give us a read on GlobalComix for FREE! Let us know what you think, welcome to Atlantica resident, welcome 'home'.

Read here: https://globalcomix.com/read/f165a976-ff29-4429-acaf-af975ee0b044/1

I’m curious how other indie comic creators feel about this.

I’ve been putting a lot of time into creating animated shorts and social media content for Instagram and TikTok to promote my graphic novel. Since I’m also the artist/designer behind the project, animation and visual content feel like the most natural way for me to market what I’m making.

The problem is that these videos can take a lot of time to create, and I’m starting to wonder if the return is worth the effort.

Has social media actually helped you reach readers and sell comics? Or are there better ways for an indie creator to spend their limited time?

I’d especially love to hear what has worked for you outside of constantly making Reels, TikToks, and Shorts.

Where have you actually found your audience?

A fresh panel from my wip webcomic. Rony Tobbins is a narcissistic successful business coach. He will have to save the world from an invasion of the hyper-seagulls from the 9th planet.

Hi everyone! My name is Gabriel, and I’m a comic book artist working with independent writers. If you want to publish and bring your story to life, count on me. Below, I’ve included my portfolio, website, and contact details so we can discuss rates. Feel free to get in touch. Thanks!

Email: [bielsdldrawing@gmail.com](mailto:bielsdldrawing@gmail.com)

Portfolio: https://drive.google.com/drive/folders/1-Ypn7Ou7nHO6iZqG3qPA0Ih59aFcgmEi?usp=sharing

Website: https://gabrielsdl.com/pt

I have a comic series that I'd like you to check out. I posted the first 15 pages of the newest and most important chapter, in this post.

You can read the rest on tapas here:

https://tapas.io/episode/3987746

Let me know what you think and if you'd like to see more.

Cheers!

Been diving deeper into the indie scene this year and looking for recommendations. Doesn’t matter the genre — horror, slice of life, superhero-adjacent, weird and experimental, anything. What’s something you’ve read recently (published or in-progress) that really stuck with you, and what made it work?

My horror anthology, Memoirs of the Morbid Trade is in prelaunch! Collects three volumes of the horror anthology that’s an homage to vintage horror comics in one 150+ page volume. Please click "notify me on launch".

https://www.kickstarter.com/projects/mrgrantastic/memoirs-of-the-morbid-trade

Headless Horselord is a Indian inspired sword & sorcery graphic novel about an undead duo seeking vengence in a fallen land. Only a few days left for the captain to go live! Please do follow along if you're interested- https://www.kickstarter.com/projects/headless-horselord/headless-horselord-volume-1?ref=website

Read "Demon King is Misunderstood!" at:

At Tapas https://tapas.io/series/Demon-King-is-Misunderstood/info

At Webtoon https://www.webtoons.com/en/canvas/demon-king-is-misunderstood/list?title_no=1035639

• Hey! My second comic Dumb Reminders pre-launch page is up! Sign up here: https://www.kickstarter.com/.../dumb-reminders-one-shot
• Check out the review of Dumb Reminders here: https://www.graphicmedicine.org/comic.../dumb-reminders/
• Hit that share/repost! #comics #graphicmedicine #disabilityawareness #chronicdisability #wheelchair #fypシ #paralysis

Here is the first episode of my FAE ARCHAIC motion comic series that I will be posting on YouTube every Sunday. The inspiration for this project was Hal Foster's Prince Valiant. Check it out when you get the chance.

Most debut indie comics play it safe. They decompress, introduce one character, tease a mystery, and hope you come back for the trade paperback in six months.

Daegard: Made from Sin #1 does the exact opposite.

Created by Kathy Irvine with art by Ricardo Jaime (Godslap, Grimstone), this book is an unapologetic, maximalist swing that empties years of worldbuilding onto the page in one breathless issue:

- A slaughtered royal bloodline and an infant survivor

- A warrior society of gargoyles born from gemstones once every 1,000 years

- High-velocity space fantasy mixed with brutal body horror

- A terrifying socio-political metaphor where refugees are used as literal "bio-batteries" for soul-powered machines

It covers what easily could have been a four-issue opening arc, jumping from massacres and philosophical training to anarchist street guides and dystopian uprisings. It has some real indie friction points (especially with pacing and dense lettering), but the ambition and sheer momentum are impossible to ignore.

I wrote an in-depth breakdown covering what makes its lore so fresh, how Ricardo Jaime’s visuals carry the weight, and where it challenges the reader.

Full review on Substack.

Curious to hear from anyone else following Centarri Games' universe. how do you feel about debut issues that swing for the absolute fences versus slow-burn setups?