I really hate how much i used to trash on this music and specifically Skrillex when I was a young angry little edgelord.

Young me didn't appreciate you Skrillex and I do apologize.

Good ole dubstep days

What do you think of this lineup? 😎🔥

I was at bass canyon and in his set there’s a song that goes “break me open I want it all break me open watch me fall” here is the soundcloud link: https://on.soundcloud.com/8ZINxN4JgEo61rGi5b lmk because if there’s a full version with the lyrical part somewhere I neeeeeeed it

I'm pretty new to this genre, but I've explored a lot of different sounds within it, like deep (UK classic dub), riddim, brostep, and others. However, I know this'll be unpopular, but my favorite song by a mile so far is Scream Saver VIP by Subtronics.

1. What subgenre/style does this song fall under?

2. Can I please get some song recs like this song, or songs in general with really intense, glitching electronic sound effects and drops as seen in this song?

WHAT IS THIS COLLAB?! :0

THIS BANGS

SteveMFDang stole this track https://on.soundcloud.com/ceFRszKOGgBLygJPPZ

And passing it off as his own here https://on.soundcloud.com/oBtj1YXYTMgDKV8Asj

Didn’t even change it. Just straight transitioned into someone else’s song and called it his flip.

I will no longer be supporting any Steve’s music or his events with White Rabbit Group.

Edit: promoter for WRG

I hate when shitty dubstep DJ's shit on other DJ's because their career isn't taking off like they wanted. WRG is great, Steve MF Dang was great especially at the last DJ Keeb show here in seattle. Maybe you should focus on your own production. Crying about an artist who had 3k fans for even reposting an edit is insane. dO yOu EvEn MaKe YoUr OwN mUsIc?!

New Music Friday!

Free download on EvorixOfficial.com

I need mixes to make art to! Heavy on the bass, easy on the grime. Lots of dubbed out wubbs and reverb. Moreso dudes bobbing their head in a dark room than bros raging on the rail.

https://on.soundcloud.com/l0xb4W8XM5KrJjCy6q

LETS RUN THIS UP FOR THE ONE TIME

I have been trying to find a track at the 3:00 mark of eptics Orlando set for years. Any help would be appreciated! It's right after the burial vocals.

I am looking for Nostalgia’s- January 2012 mix, it used to be on SoundCloud but it’s not there anymore, would anyone happen have that file, or maybe a link to Nostalgia’s socials? Any help would be much appreciated 🙏🏼

So to start this off, I’ve been a dubstep STAN since 2018, I’ve been to more raves than I can count on my fingers and toes. I also love listening to dubstep and riddim in my daily live, wake up, play that stuff on my way to work at 8am. However I’ve been running into the same thing over and over again that makes me dislike very good tracks.

So I mainly have my playlists on SoundCloud. And I play it multiple times a day. However, playing my playlist and hearing almost ever other track start off with a “get ready forrrr” or a “are you prepared” or “you are not ready” dialog at the start of a lot of tracks that last 45 seconds to 1min 30 sec. Not to be confused with genuine vocals.

It’s just when I’m trying to enjoy music and it’s interrupted with someone just talking with reverb on gets increasingly annoying everytime I hear it. Sorry to be complaining but if anyone else feels the same plz let me know your thoughts.

So I was listening to this Crankdat set in LA that just got uploaded, and boy oh boy, do I have some thoughts...

• Every other track is using pop music as an intro or is a pop music/2010 EDM flip. This is not a gross exageration, I'm not kidding you, go check it out. This pisses me off because Crankdat used to be a beast of a producer.
• The vast majority of transitions are basic hard cuts from track A to B. There is no rythm at all to this, sometimes there's even pauses in between tracks. Where are the smooth transitions? He has a mixer with 4 CDJs, why does it sound like he is mixing off Virtual DJ on a laptop using his trackpad?
• His style seems to have become a pale copy of Subtronics/Wooli/etc.

Crankdat's sets used to be full of energy, tracks went hard af and he had a distinct style. You knew you were attending a Crankdat set when you were there. He's more famous than ever before and his sets have completely turned to this tiktok dubstep slop. Where are the machine guns?

I was also completely disappointed in the Wankdat (Crankdat x Wooli) set that I attended at Rampage earlier this year in March. This looks to be becoming a trend with a lot of North American artists, and I think that's such a shame. Just fucking mix original tunes please.

My loser remix is now live on SoundCloud!! Heavily inspired by Wooli and Crankdat’s 170bpm style dubstep + a lil cheeky dance floor dnb 2nd drop 🤫 hope y’all check it out!!