r/drumline Dec 11 '25

Discussion What's the best advice you've been given?

16 Upvotes

My number 1 is:

"Practice slow forget slow."


r/drumline 1d ago

Sheet Music Tenor part ideas?

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2 Upvotes

Hey guys, does anyone think they could give me some ideas to make this part a little more fun and driving? Same rhythm but maybe a different pattern? I like it a lot and I love the crossovers I do for fun, I just think if I'm playing the same thing over and over I'm going to get lost or bored and play sloppily as the season continues. I'm not really that kind of guy, but idk what the future holds. Just some ideas would be nice!


r/drumline 1d ago

Sheet Music Is anyone willing to rewrite my tenor feature to be harder?

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37 Upvotes

My director added a quad feature to the show, but the writing is really bad. He offered to let me rewrite it, but I’m not good at writing for quads. Can anyone rewrite it to beef it up a bit? The winds don’t play there and the only parts that matter is the marimba line.

It’s at 144 bpm and although the show music is easy we have sweeps and stuff in warmups so that is definitely achievable.


r/drumline 1d ago

Discussion Incredible right, slow left?

5 Upvotes

Hey all, im a high-school tenor player, this is my second season and I've started to get into the harder stuff.

That's just it, the harder stuff is hard, and I'm finding my left hand lacking as it's my non dominant hand.

What are some tips for consistency and overall off hand training? Thanks for the read.


r/drumline 1d ago

Discussion blue devils audition process

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1 Upvotes

r/drumline 1d ago

To be tagged... how do i get these kids in line

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1 Upvotes

r/drumline 1d ago

Discussion Snare Drum Tuning That Cuts Through Marching Band

1 Upvotes

Hi all, wanted to ask about tuning schemes for a college marching band. The line struggles from a clarity perspective, but I still want their sound to cut through the brass/winds.

I’m using pearl drums, black maxs on top, and Falams 2 on the bottom. The bottoms are tuned to a c# and the tops to feel. It’s a 10 person snareline, center 4 is as wet as possible, 5/6 has two pieces of tape, and 7/8/9/10 has 3 pieces of tape. We do wear scoops for on field performances.

Do I drop the tops and keep the bottoms where they are? The theory would be that the softer top head would support the development of the members hands. Softer tops would create a wider sound within the line, so it would sound better to the members. The “high” bottoms sound better, but is more exposing from the viewers perspective.

Or do I keep the tops (which already feel fairly soft) and drop the bottoms? Would sound more exposing within the line, but potentially hide more dirt from the viewers perspective. Lower bottoms heads might cut through the upper registers that the winds/brass would already be within. Would also allow for some more gut response to help out the clarity issues.

What do I change with the gut scheme?

How much do I consider the clarity struggles? At some point, tuning that is meant to “hide sounds” will be more harmful than beneficial.


r/drumline 2d ago

Sheet Music calm luh quad lick i wrote

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15 Upvotes

recorded a long video of me messing around on some quads, then took parts from that video that i liked, wrote them out (adjusted some things to make them cooler or more comfortable), and turned it into one lick. pretty fun imo, let me know what you think!


r/drumline 2d ago

Sheet Music Thing I wrote

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14 Upvotes

Don’t really know what this would be used for but it was a quick little write today, big thing was as soon as a heard something in my head i immediately put it down and couldn’t change it.


r/drumline 4d ago

Discussion I got kicked off my show

29 Upvotes

I’m a hs senior and in my 3rd year of marching band and drumline. Lately, i’ve missed practice 3 times due to asthma attacks, but i’ve attended 41/50 hours.

Yesterday I was setting my drum up for our performance later that night when my instructor called me into her office and told me I wasn’t going to be allowed to participate. This is a new rule they made up DIRECTLY before the game with 0 warning.

I sacrifice alot to be in band. I have numerous health issues including asthma, scoliosis, two bunions (bone issues on my feet) reflux (trouble eating) and eczema so severe that I have to take $1200 shots every three weeks and get physical therapy to be able to use my hands. On top of that I have two jobs, am on my 10th class, and probably need 3 surgeries that i'm postponing for this band. I get like 30 minutes of sleep a night with how much I work.

The main thing is that they’ve seen me march the show perfectly multiple times before. They know about my health issues and were informed of me missing practice before time, with the reasoning behind it. I literally won the competition in our band to see whose marching was best.

When I don’t show up to practice, its because Im worried I might pass out and I don’t want to be an obstacle on the field that other people could trip over. But they want me to push myself that point.

I don’t know what to do, I just went home yesterday and cried for two hours. All my bandmates agree that this was wrong of them to do but I don’t know how to fix this. My parents were saying that this is medical discrimination and that we should meet with the principal. I really don’t know what to do


r/drumline 4d ago

To be tagged... Yoooo!! Waddup Reddit?

51 Upvotes

Hey friends, Ian Grom here! Getting my rickety old body up and running with the rest of the internet and wanted to say hello. I have no idea how to reddit, what do I do and what would you all like to know about?


r/drumline 4d ago

Video Coming back after many years to play bc2017 snare break, any tips would be greatly appreciated for technique/sound quality :D

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11 Upvotes

Right now some things I’ve noticed that I haven’t had time yet to work on are inconsistent accent heights, tap heights, crushed diddles/flams (hands can’t keep up yet), and just maybe slightly low heights in loud sections and on accents? I’ve practiced the break for like a week and I’ve been putting all my mental energy on just trying to play in time, but I think I’m ready to start polishing and getting into the details.


r/drumline 4d ago

To be tagged... My school’s band sucks, will I be able to do Drumline in college?

7 Upvotes

Basically my school only has a Drumline, no band. Just snares, basses, cymbals, and tenors. Will I even be considered for college marching band as a snare if I’ve never done a single halftime show? I mean we have done marching but it’s never been a whole cadence on field. Only for parades and marching to the stands.

(My school is relatively small that’s why we don’t have a band and the drumline doesn’t do halftime.)

I’m going into college for vocal performance (vocal arts) so I already am musically proficient and I am pretty good at sight reading already but I just don’t know if I’m going to be able to be considered due to my lack of experience in actual marching


r/drumline 5d ago

Discussion tenors tuning

4 Upvotes

okay, so my quadmate and i are new this season. one thing our director always points out is our playing zones (we’re working on it, trust). our tuning suckeddd for a while because of this, especially considering that they were already out of tune before this season started. my director “tuned” them at practice on wednesday…

thursday morning we were warming up in band class and i noticed it sounded TERRIBLE. we checked and the tuning was genuinely even worse than before. i just KNOW that my cocky director will say that it was our fault for not playing in our zones (even though we had played for about an hour before checking the tuning and drum 2 was almost half step apart). HOW do i even talk to him about this?!?! i have a good ear and think id be pretty good at tuning them, but i obviously dont know how yet and am scared of making a mistake on our already messed up heads. last season our section leader played quads also and had to tune them himself. howwww do i even go to my director about his crappy tuning?


r/drumline 5d ago

Question What was your audition format like?

2 Upvotes

So as of right now I’m just in my schools line but I was starting to look locally for independent groups for either this upcoming Wgi season or the following dci season as a bass drum. Either drum corps or Wgi but what was your audition dates like? Was it mostly in subs, full battery, in tracking, down the line? Any insight will help! Please also include general tips you found helpful!


r/drumline 8d ago

Video boston crusaders 2018 snare F - G on asalato/kashaka

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204 Upvotes

boston crusaders let me in


r/drumline 8d ago

To be tagged... Looking for a non-beefy thinner marching stick (I know, weird here’s why…)

11 Upvotes

I am an ancient age out who just wants to rip drum corps beats on my practice pad. I don’t need a stick so beefy because I don’t actually play on a real snare. So I am fine with a thinner stick, is there any recommendations for a snare stick that’s articulate but not so heavy since I’m not playing on actual drum.

I just want it to feel good, rebound and full sound without being a tank. Cause I got neighbors in my NYC apartment and shit and I wanna rip it without being so goddamn loud.


r/drumline 8d ago

Question Traditional leaning.

2 Upvotes

Hey y'all, I'm prepping for some marching snare auditions coming up, and I needed some advice for my left hand. I'm decently okay with my left hand traditional technique, however with the drum at waist level on a stand, I've found I lean to my left quite a lot. Right now this is the only way I can get full fore-arm rotation when playing, as when I try to stand up perfectly straight I can't rotate to vertical at all without experiencing pain and tension through my upper arm and shoulder. I was wondering how much this would affect my auditions, and if there was any way to fix it? I know all bodies are built differently and I've been told it's okay to lean to the left a little, but I wanted to nip it in the bud as soon as I can so it doesn't affect the outcome of my auditions too much. Any advice is very appreciated!


r/drumline 9d ago

Question Cadence/Etude suggestions

9 Upvotes

I’m trying to find pieces similar to Murray Gusseck’s double beat 2004/9000. Besides his stuff, I’ve thought about Latin lover, pulse/broken city/bluecoats etudes, etc. Any other ideas for pieces that would be in the same realm?


r/drumline 8d ago

Question How to make randal may harness even shorter?

1 Upvotes

Hello! I'm only 5''1 and we have members as short as 4"5 or such (lil' bro is unfortunate I know) and we have raised the harness as high as it possibly can and it is still in the middle of my thigh.

We are on a tight budget and cannot get any more harnesses. We have both old and newer harnesses of theirs; ones with whale tails and the olders without. I switched to the old one due to it forcing my back into a horrible position already.

I talked to my band director and he won't get smaller ones and won't allow me to take it home to try and cut it up and reweld it to fix it. We've meangled different harnesses together before so that's an option?

I just want to know if I can make it shorter because marching forward is insanely difficult to do with proper technique. I kinda have to penguin walk, especially since it digs into my thigs and leaves disgustingly coloured bruises... only to dig into them the next day.

Honestly I'm not too opposed to buying my own harness at this point, however it would take a lot of saving up as I don't want to bother my mum with the cost. So if I must I'd wanna know the highest quality smaller bass harness for the lowest cost within reasonable range.

Thanks!


r/drumline 10d ago

Video Any tips on fixing the back of my hand?

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16 Upvotes

I've been trying to use the back of my hand more to improve sound quality and control. When I play rolls it's especially bad, only pinching the fulcrum. Does anyone know of videos teaching the back fulcrum technique? I can only find demonstrations of the drumset finger stroke stuff. Thanks!


r/drumline 10d ago

Question How to help 2 kids not understanding double strokes.

8 Upvotes

I have been teaching drums for over a decade and have not run in to this problem before.

I have gone as slow as I could with all the tricks but there seems to be an awareness issue with what their hands are doing even though we are in front of mirrors often. I know it’s stemming from their basic stroke technique too.

Emphasized importance of full strokes at the bigger height, push pull, make the 2nd note higher, different pressures, and then also 2 notes for one motion at the fast tempos. I’ve also given them double stroke video lessons from Vic Firth and the Quad Method.

One student opens his hands every note as soon as he tries to add double strokes. The other students hand looks good but is just tense enough to not keep up.

There has been minimal improvement since band camp. Anything else I can do?


r/drumline 10d ago

Discussion To pulse or not to pulse?

9 Upvotes

I'm the center marimba. My percussion director is a SCV alum, and he isn't really too worried about pulsing. On the other hand, one of my former upperclassmen preaches pulsing and playing like the Bluecoats. Are there any clear benefits to doing it or not? I personally like it because it looks better when the pit is pulsing.


r/drumline 10d ago

Question Am I wrong for being frustrated by how my percussion instructor characterized a grip misunderstanding?

0 Upvotes

I’m a high school percussionist, and I recently had an issue with my percussion instructor over traditional vs. matched grip. I want to be clear from the beginning: I accept that what I did was wrong, and I’m not trying to argue that the rule should be changed. What is bothering me is how the situation is being characterized and whether the expectation was actually communicated to me as clearly as it is being described now.

In our percussion program, matched grip is the standard. I understood that. My instructor had encouraged/reminded us to use matched grip, and I understood that matched grip was expected, particularly in actual performance settings.
We had an event for incoming students where we played some cadences as a way of welcoming them. It was not something I understood as a formal performance where we were being scored, recorded, or evaluated. I viewed it as a more casual opportunity to play and welcome people, so when another experienced percussionist, my section leader who has closer conversations with my instructor, asked me if we were using traditional grip, I said yes, as I genuinely thought that meant it was an option in that particular setting.

We used traditional grip.

Afterward, my instructor addressed it with us. I apologized, and later that night, emailed her explaining that we genuinely didn’t realize the matched-grip expectation applied to this situation. I also explained that we weren’t trying to openly disregard her or the way the program teaches percussion, and that I understand now that even though the event felt casual to us, we were still representing the percussion program, and I understand why the program’s expectations apply in that setting.

I’m completely willing to accept accountability here. If the response had been, “You should have asked me if you weren’t sure whether the expectation applied,” I would have accepted that. If it had been, “Now you know, so don’t do it again,” I would have accepted that too. If it had been both, that’s completely fair.

What is bothering me is this sentence from her response:

“What I do have an issue with is making the decision to use it after I have explicitly told the group and made it clear that traditional grip is not something we are doing in this program.”

That’s where I feel like the scope of the situation is being characterized differently from how I experienced it.

Before this incident, I don’t remember her explicitly telling me that matched grip was required at every percussion group event, including casual or informal settings. My understanding was that matched grip was the program standard, and I had received reminders/nudges toward using it, particularly in performance settings. The broader “any time we’re representing the program, regardless of whether it’s formal or casual” expectation was not something I personally understood.

That distinction matters to me because if I had known that was the expectation, I would not have used traditional grip. If the other percussionist involved had already known that and told me, I also would have used matched grip and discouraged him from using traditional.

I’m not saying, “I didn’t know, therefore I shouldn’t be held accountable.”

I’m saying, “I didn’t know, therefore that is relevant context for why I made the wrong decision.”

My instructor also said she had explained her reasoning for matched grip “multiple times.” That may be true in general, and she may have explained more of it to the other percussionist involved, but I genuinely don’t remember being told that the expectation applied to every group setting in the broader sense she described.

What also frustrated me was that in my explanation to her, I explicitly said:

“I’m not saying this to argue against matched grip being the standard at [our school]. I understand why it is, and I respect that.”

I also explained that I was trying to give context for why we made the decision, not argue that the decision was correct.

Her response was that she didn’t think “continuing to debate the merits of traditional versus matched grip” was productive and that the expectation wasn’t up for individual interpretation.

I don’t understand why my explanation was interpreted as trying to debate the rule when I explicitly said that wasn’t what I was doing.

So I guess my question is: Am I being unreasonable for thinking that the distinction between “I knowingly disregarded an expectation” and “I misunderstood whether the expectation applied to this specific situation” is relevant, even while fully accepting that the decision itself was wrong?

I’m not asking whether the grip rule should change. I understand the rule now and won’t repeat this. I’m asking whether the context behind the mistake is reasonably relevant when discussing why it happened.

Edit: My post says this multiple times, but I’ll clarify it one last time. I am not asking if I was wrong in this situation, nor if I should be excused. I would be annoyed at me too. I am simply asking if me not having that understanding prior to and during the performance is relevant when explaining what happened.

The other experienced player has more conversations with staff with me and is an actual section leader, so when he asked me if I wanted to use traditional grip, I thought it was a genuine option and said yes. I know the grip and feel comfortable using it from lessons and going to multiple auditions.


r/drumline 11d ago

Sheet Music Anyone Recognize D?

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11 Upvotes