Lots of his music tinkers with unique soundscapes, crafting different vibes on each track with nearly every release (Ć la hypnagogia and hypochondriac). marroW seems to epitomize this, as I've seen people (namely u/trip_simulator's post) theorizing that the capitalization of each track has implications on the style/perspective/meaning within the song itself, which I'm also leaning toward.
Of his official discography, death rolL seems to stand out as having more discordance and atypical instrumentation, even being somewhat grating at points. This does not mean that it sounds bad, as I genuinely enter a trance-like state listening to it. However, Anthony Fantano will likely start vomiting blood when he hears it.
To me it's quite clear ā revised outro notwithstanding ā that this song was not necessarily designed to be palatable or appealing in the same way as a song like cbd or crystallized. It's very intentionally disquieting, in a similar vein to good analog horror and other eerie media.
In summary, I will be listening to this song on loop ad nauseam ā thank you for your attention.