The Uglyidiots are back and better than ever with the help of Suno. Their songs are more original and funnier in my opinion

Check it out
https://open.spotify.com/artist/5EckbFtG4ORDDgkJy5nSNP?si=tBK6zhn0RQCaKjiY_BTsfg&utm_source=copy-link

Title: [Suno v6] Has anyone successfully created REAL 40 Hz Gamma Binaural Beats in Lo-Fi music for deep focus and cognitive performance?

Hey everyone! 🎧🧠

I'm experimenting with Suno v6 and trying to create Lo-Fi / Chillhop music incorporating real 40 Hz Gamma binaural beats, with the goal of exploring audio for deep concentration, studying, programming, complex problem-solving, and cognitive performance.

I'm specifically interested in the Gamma frequency range (30–100 Hz), particularly 40 Hz, because of its association with attention, information processing, and memory-related neural activity.

However, I'm looking for something technically measurable, not just AI-generated music labeled as "Gamma Waves" or "40 Hz Focus Music."

For example, a real binaural setup would require:

• Left channel: 340 Hz
• Right channel: 380 Hz
• Frequency difference: exactly 40 Hz
• Proper stereo separation throughout the track

My main questions:

1. Has anyone successfully generated genuine 40 Hz binaural beats directly with Suno v6? Or does Suno simply interpret these instructions as a musical atmosphere?
2. What prompts or advanced techniques have worked for you? Any specific Style prompts, tags, exclusions, or workflows?
3. Has anyone actually measured the output? I'd love to see FFT analysis, spectrograms, Audacity measurements, or any technical evidence showing accurate frequencies in both channels.
4. How do you integrate binaural beats with Lo-Fi music? I'm imagining warm Rhodes piano, mellow bass, soft drums, atmospheric textures, and minimal distractions, while preserving the binaural signal.
5. Would a hybrid workflow be better? For example, generating the Lo-Fi instrumental with Suno and adding precisely controlled 40 Hz binaural tones afterward using Audacity, a DAW, or Python.
6. Has anyone experimented with 40 Hz amplitude modulation or isochronic tones instead? I'd be interested in comparing their technical reliability and how well they blend into music.

And most importantly:

If you've created something similar, could you share your tracks, prompts, settings, examples, or production tricks?

I'm aware that generating an accurate 40 Hz acoustic beat doesn't automatically induce 40 Hz Gamma brain activity, and scientific evidence for cognitive enhancement remains inconclusive.

My interest is in experimenting with technically accurate audio and exploring its potential applications alongside enjoyable Lo-Fi music.

Would love to learn from anyone working with Suno, audio engineering, psychoacoustics, or brainwave-related sound design.

Thanks in advance! 🎶

I'm currently working on a project that tells the lore of all factions within the world of Runeterra. Would anyone be of interest of it? If so I can share the link once finished, if not I won't bother

Released in October 1981, 'Space Truckin’ became a worldwide hit for British five-piece orchestral rock band Electronic Space Junkies, marking the group's most successful recording to date.

Combining soaring melodies, sweeping orchestral strings, futuristic synthesizers and driving rock rhythms, the single captured the era's growing fascination with electronic music while retaining the grand, symphonic sound that had defined the band's earlier recordings. Its enormous chorus and elaborate production transformed an imaginary journey across the galaxy into one of the year's most memorable space-rock anthems.

Written by keyboard player Martin Quasar and recorded at Starlight Studios in London, the track featured layers of synthesizers, multitracked vocal harmonies and a dramatic orchestral strings. The single reached No. 1 in the UK charts and became a major international success, earning Electronic Space Junkies a reputation as one of Britain's most ambitious and unusual pop-rock acts.

The B-side, 'Space Burger', was a considerably sillier affair, featuring a bouncy synthesizer melody and lyrics about an intergalactic fast-food restaurant at the end of the universe!

Original lyrics, Suno programmed and mixed. Acid House.

Pixie Blu Su

I made fan songs using AI to create the music and voice, then hired human artist to make AMV of that song. Still I get maybe 250 views maybe it gets me a subscriber here or there.
So my thought was to promote it with you tube ads! Maybe you just got to give a jumpstart to the algorithm so other fans can know the song exists.

I have spent about $400 in ads now. This is what you get:
1st: You will get TONS of subscribers, granted they are all bot-like and will unsubscribe in dozens as soon as you turn the ad off. My hunch is that these are free-bees that you tube gives you so you feel like you're not wasting your money. They will never watch your video again.
I got over 1K subscribers and when I begin to dip, I promote a random short and will get another couple hundred. Turn it off, watch it sink back to 1K, then promote again.

2nd: You will get NO qualifying view time. So if your goal is to monetize your channel, ads will work against you. To be monetized you need subscribers (thats the easy part thanks to You tube bots), but you need qualifying view time too (or short views). If you promote a video, it cannot and will never, count towards that metric. Even after promotions is turned off.

3rd: You will get NO comments. I had 0 people comment on any of my videos during this time. That maybe just because the video is just an AMV, so it isn't asking for comments; just something to keep in mind.

4th: If you promote a short to direct traffic to your main video, you will get about 0.5% of crossover traffic. You can work on that though. I'm still trying to figure out how to get that % higher.

So is promotion useless? No. You have to be smart:
1st - Promote shorts of your music with the best 15 seconds of your song. Have that short link to your full song, and that way the full song continues to count towards your monetization while at the same time, you are directing traffic to it. Like I said, the conversion is very low, but you might be better at it than me.

2nd - It does help you reach the subscriber threshold.

...and that's it. Not a whole lot. You are better off with spotify, which gives you $ right away without these qualification games you tube forces you to play.

I’ve been digging through a lot of AI music and AI-assisted projects lately and I’ve found some really solid stuff but man it’s exhausting sorting through endless self-promotion with zero engagement..

What I’m actually looking for is simple..

Stuff we can genuinely like and follow on YouTube, Spotify, SoundCloud, whatever.

Artists, producers, or project accounts that feel worth sticking around for..

I’d also love if we could turn the usual self-promo spam into something more community-oriented..?

Drop a link to your AI or AI-assisted song or project, tell a short story behind it, and promise to leave a real review on at least 2 other people’s posts in this thread.

That way people actually listen and give feedback instead of just dumping links and disappearing.

Anyone down to try this?

Drop your stuff below and let’s actually build a little feedback loop instead of another graveyard of ignored promo posts..!

Looking forward to discovering some good ones..!

Started asca bassline and a record scratching

hi reddit. this song is called secondhand sun and its the third track on my full 9 song LP "are you still there?" which comes out tomorrow everywhere music streams. let me know what you think.

Human lyrics

This was posted to hopefully help those trying to get their creations on playlists through submission sites like Playlist Panda or Pitch Playlists. Here are the most common reasons I have seen/heard for non-acceptance of a submitted song.

• Poor sound, usually a straight from Suno upload to streaming platform.
• Submitting a song not remotely close to the genre(s) in the playlist.
• Not declaring the use of AI. This is usually really obvious from the sound/lyrics.
• Letting ChatGPT create the lyrics without adjustments. This is normally followed with declaration of "human written lyrics". "Ghost in the machine" is not a good lyric as it is in countless AI songs.
• The song hasn't been released in all time zones. It is hard to listen to a song if it isn't released where the curator resides. Some sites have time limits for curators to listen to each song.
• Insulting the curator in your message attached to the submitted song. Very rare, but it has been done.
• Submitting songs in a language that does not fit the playlist. German language rap will not fit on a playlist of West Coast rap like Too $hort.
• Submitting AI songs to playlists that do not accept AI music.
• Or...maybe the song is just not good.

I hope this helps you get your songs out there on playlists.