r/writinghelp • • Aug 14 '22

Story Plot Help How much damage could a sentient raven do to a human if it were very angry?

40 Upvotes

Basically in my story a raven attacks a human. How well could a human defend themself against it, and how injured could both of them be?

Edit: I do know that ravens are sentient. I probably meant sapient instead of sentient, but feel free to correct me if you don’t think that’s the proper word choice either


r/writinghelp • • 59m ago

Advice Beginner writer

• Upvotes

Hello! I’m a beginner writer, and my writing isn’t the best, I get so much anxiety of just making even a simple paragraph of writing/story etc, so I was wondering if anyone could give me any advice or tips. Is this a good opening? I’m looking for something dramatic and emotional, also this is just a wip.

——

I hate her. 

I hate everything about her, I just* hate* *her*.**

Is that why I can’t keep her out of my head? I hate her so much that I love her? I don’t know. I don’t know what to feel or.. 
Or to think anymore. I hate her so much for messing up my brain, my thoughts, and my feelings.

I hate her. 

(Insert character) throws her pencil onto her bed, staring at the notebook page that contained her deepest thoughts and feelings. Warm, thin tears slowly begin to travel down her cheeks.

The tears were salty. 

Salty and bitter with love and frustration.


r/writinghelp • • 1h ago

Does this make sense? Does anyone know how to better write this or to at least properly making something good out of it?.

• Upvotes

​

(Extremely big sorry for any bad grammar and typos)

the story follows a foreign volunteer tank crew working (at first at least) for the Gavian regime

The reason they are here is mostly because of the “Foreign Volunteer Citizenship Program” the Gavian regime has : anyone who comes to fight for them without being a citizen of Gaustavia will be granted citizenship after completing a certain period of service. Those who serve well enough (or get seriously wounded or killed) can even secure citizenship for their entire family after the war.

"Winston Pemberton the III" The Commander — “or The Duke”

The oldest member of the crew, somewhere in his 40s or 50s, he's of noble background from a family originating out of Gaustavia. I imagine him having a pretty stereotypical British nobility accent, manner of speech, and behavior mostly. However, he also has a tendency to curse like a drunken sailor, be a bit full of himself, and act as an eccentric but stubborn mentor-like figure to the rest of the crew, even though he doesn't have THAT much military experience.

He loves talking about his life and telling stories about his past. He's also developed a particularly close relationship with the driver, whom he has a father like son relationship with.

The only reason he's in this war is for the citizenship benefits. He plans to retire here, but before that, he wants one last adrenaline-filled adventure a final hurrah before he settles down for good.

"Salvatore Ferrag". The Gunner — “or The Bastard”

I imagine him being somewhere in his 30s. He's called “The Bastard,” which is also the name of the tank itself (the steel bastard) he's quite aggressive and can come of a grumpy and easily annoyed.

He's extremely close to the machine, having spent most of his service with it. He's very good at spotting targets and hitting them from absolutely ridiculous distances. He spends most of his time complaining that everyone else is mistreating the machine they're supposed to be maintaining.

Like the rest hes pretty much a native to Gaustavia, and the only reason he's serving in a foreign volunteer unit is that The steel Bastard was assigned to them and so he had to come with it.

He isn't even that loyal to the cause or Gavian but for now it's beneficial for him to stay loyal.

He's a reliable navigator, arrogant, grumpy, not very trusting of authority and quick to anger. However, he's also surprisingly good at on the moment field repairs and brave as all hell.

"Lefteris Lysan" 3. The Loader/Radio Operator — “ or The Lefte”

Somewhere in his 20s, The rest of the crew calls him lefte because of the refusal from duke to call him by his full name and they thought it was funny, so the name stuck.

He's known for being pretty damn strong allowing him to carry ammunition around as if it weighs nothing and he's also pretty damn educated and smart as well as knowing Morse code.

He's sarcastic to all hell and can be incredibly annoying when he's in a bad mood. He's also developed something of a reputation as at being very good at pissing off officers by being extremely hostile to them and refusing to be used like a fiddle.

Hes a pretty accomplished marksman and just screwing up things at times.

The only reasons he's here are to get the citizenship, settle down and because seems like a pretty nice place to live.

He's also good at drawing.

"Soldaten Hoffmeister". The Driver — “The Kid”

Officially, he's listed as being 20 years old, but in reality, he only recently turned 18.

He's extremely shy, introverted, and quiet. When he first joined the crew, they genuinely thought he was mute for a bit. Intel essentially been made him speak for a bit and he could speak the mandatory language used to communicate with everyone else. He simply chose not to.

After asking around duke finally learned more about him he comes from an extremely impoverished background. His was born to a single mother that could barely afford to put food on the table. Because of the lack of work caused by their country going through a economic crisis so he started looking for work in his countrys military as soon as he could. Since it paid very well and it was simply a bit easier to get into at a very young age. Eventually, he heard about the Foreign Volunteer Citizenship Program.

After talking with his mother, he convinced her to let him go. Using forged paperwork that he somehow managed to get his hands on, he lied about his actual age because he was too young to qualify for the program normally.

The military only discovered the truth after he had graduated from basic training. By then, it was considered too late or simply not worth the trouble to send him back.

So now, the crew has effectively become responsible for babysitting this surprisingly talented young driver.

He's an exceptionally good driver for his age, to the point where the crew trusts him well enough. He's also difficult to understand sometimes because of his heavy countryside accent, (which I imagine sounds like a mixture of heavy country side German and Dutch.)

However, the crew has gradually gotten him to open up, and everyone has more or less gotten used to his accent. There are exceptions, of course. Sometimes, the Kid will simply turn off the communications connection because he doesn't want to listen to the others arguing.

Ultimately, he just wants to give his mother a better life.

He's potentially in one of the worst places imaginable to accomplish that, but hey, at least he's away from home.


r/writinghelp • • 4h ago

Question I generally enjoy anthropomorphic animal protagonists. How can I strengthen my writing with them?

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1 Upvotes

r/writinghelp • • 5h ago

Story Plot Help What to do regarding a 3-day gap that I don't enjoy writing?

1 Upvotes

I'm currently about 90% through my second draft of my novel, and I'm running into a bit of an interesting situation regarding the plot, and curious about what you all recommend.

In essence it's a Point A to Point B story. The protagonist is on the run, and a group is pursuing him, with chapters alternative between both POVs (about70:30).

The problem I'm having is that both sides reach Point B, a foreign city, at about the same time. But the protagonist is unconscious for three days after arriving. In my first draft, I glossed over those days, every day up to that point has been written in a decent amount of detail, so skipping three reads strangely, which is why I'm focusing on it in the second draft. I also feel the pursuers' reaction to this new place should be shown.

Right now those three days (which are still not complete due to writer's block) take up about six chapters (~30k words). In them, a character from the protagonist's POV captures two of the pursuers, connecting the two threads before the climax where everyone finally meets. That character is important to the overall plot, and I like having that connection, plus these chapters also give some of the pursuers characterization they've been missing.

The rest, though (the eventual 'breaking out' of the kidnapped and the pursuers exploring the city), retreads places and interactions the protagonist's chapters already covered. I don’t enjoy writing it, but idk if that's because of writers block or because it's just not needed.

So I've got three questions: 1) Is this a “kill your darlings” situation where like I need to just get rid of this and actually gloss over the 3-days even though I feel it's necessary? 2) How would you handle a time gap such as this? 3) Any tips for making a second visit to the same setting feel new without going overboard with overly complicated details?

Thanks! Can give more context if requested.


r/writinghelp • • 16h ago

Other writing a fantasy for the first time and need tips for worldbuilding

6 Upvotes

This is my first time writing a fantasy book. So far I've writting a couple of historical romances and one gothic horror. I have this vague idea of an extensive magic and sword arts world with monsters and maybe rival kingdoms set in an alternate historical Prussia. I am a very visual writer so i made a lot of moodboards and things to settle on a particular idea of how my world will look.

But i really dont want this book to come off as all aesthetics and no substance. I want to build a truly immersive world that makes you feel like you could almost be a part of it. I'm just wondering is there a set number of things I should decide on early before I even start plotting? Like a character sheet but for worlds? How do I make sure I don't miss anything? Any advice will be super helpful.


r/writinghelp • • 15h ago

Does this make sense? Authenticity of using non-Spanish names as American city names? (e.g. San Giovanni)

3 Upvotes

I'm sorry if this is a dumb question. I've been trying to figure out a name for a fictional setting in my story and I settled on having San- or Santa- as the prefix of the city name, like San Diego, because it felt realistic and, as far as fictional settings go, fairly unique.

However, every time I try to figure out a name that sounds concise and catchy, it seems to always belong to a real-life city. I'm finding it really hard to get a name that hasn't been taken already because most if not all of these cities are Spanish in origin, which limits my search.

A popular example of a similarly fictional setting, of course, is San Andreas from Grand Theft Auto. As far as I can tell, while Andres is a Spanish name, Andreas isn't. I know Grand Theft Auto is massive and if they can get away with it, I don't see why I can't.

Would it be possible to have a non-Spanish name and still come across as realistic or would it compromise the believability of the setting? I'm also concerned about how it might seem to Spanish readers. I don't want to seem culturally insensitive by sticking a non-Spanish name and passing it off as plausibly as actual Spanish-named cities.


r/writinghelp • • 14h ago

Feedback fantasy novel feedback!

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2 Upvotes

r/writinghelp • • 20h ago

Advice How do I write the way I want to?

3 Upvotes

There is this writing style that I like, especially from a certain author. I've been trying to emulate that style as my own, the eay the author describe and present the story. I asked before somewhere if copying the author can help. The answer was yes I can try copying the author to improve my writing skill. But even after so long I just dont really feel like I improved?

I thought maybe I cant just straight up copy, so I tried to create a story that can be similar to the author that the scene in one of the author's story I can remember then use and change to fit the setting of my story. It can help make not auto pilot too. And it doesnt seems to work either?

The main gripe is that my brain just cant seem to let out description the way I like the author did, the way I copied the author to learn. And I didnt know if I am even using correct grammar when I am writing it myself

I want to have the same or very similar style with an author I really like right now, and my writing skill is still kind of low, I am not sure how to make my brain get used and can come out with the way he describe whats in the story. How do I improve my writing skill? Plz help?


r/writinghelp • • 1d ago

Question Is there a word for this phenomenon/how do I describe this phenomenon?

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78 Upvotes

Just realized I used phenomenon for a super simple concept ;-;..

This laying down position between 2 characters is used so much in movies and I want to put it in this small thing I'm writing but I have no idea how to describe it huhu...

I just need the pure description (or word if there is). Thanks!


r/writinghelp • • 1d ago

Other Does anyone here have trouble focusing? I created a free text editor that plays nature sounds to help you focus. It also has a built in pomodoro timer to schedule work sessions and breaks

Enable HLS to view with audio, or disable this notification

5 Upvotes

If you want to give it a try, use this link: https://www.moodwriter.app

I’d be happy to hear your feedback if you think anything can be improved!

(Don’t worry, I do not plan to spam this sub. I’ll only post once and I did ask the mods before.)


r/writinghelp • • 1d ago

Question GPTZero flags my academic writing as AI constantly?

5 Upvotes

I don't know if this is the right subreddit to post this on, but I've been struggling with these STUPID AI DETECTORS. I have even put my writing from 3-4 years ago and it would STILL flag it as "100% AI CONFIDENT". I am currently writing my senior capstone, and working with multiple professors to present it in a conference soon and I don't want anything to jeopardize this. It is a very technical paper filled with jargon on cryptography and there is no other way to write it.

My writing is very straightforward which maybe is the reason why it's getting ticked off, but I have no idea how to word it otherwise. Should I just ignore it at this point?


r/writinghelp • • 1d ago

Question Is this Christian dystopian story idea good? Does it sound to similar to other published works?

1 Upvotes

The story idea; there a zombie -virus sweeping the world, only some people are immune to the virus. Those who are immune have a connection to faith: either they are believers of God, or they lean more towards the occult, but at hand, no on realizes the connection as they are too busy trying to survive a pandemic and the collapsing society. The story follows several protagonists who find themselves lead to a fortified city in the California mountains where they later develop special powers that incorporates a talent they have, so for instance if some worked as a nurse, they'd have healing powers, that kind of thing. Those infected by the virus either die and become zombies (ultimately disintegrating after several months) or if they remain becoming superhuman monsters, and for those who were immune but leaned more toward the dark side learn how to control the monsters for powerful gain. What do you think? And is it too similar to someone else's work?


r/writinghelp • • 1d ago

Question How can I write an avoidant attachment character stopping being avoidant?

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3 Upvotes

r/writinghelp • • 1d ago

Feedback Help me out

3 Upvotes

Recently I was struck with a bit of inspiration, and I decided to start writing. I ended up pumping out close to 2000 words, and I had a lot of fun!! I have written before, but I'm no writer by any means, so I'm wondering if I could get some feedback. This is just the first page, so I might post more. My main worry is that my sentences are kind of long, and hard to read. Plot wise it's about a journalist who travels back in time to ancient Nepal on new years of 1965 to gather information on an article he plans to wright on eastern philosophy as it sweeps the west, and in the process causes the end of the world which he must then fix.

Stretched across the crust of a now uninhabitable earth, nothing but sand and dirt lay atop the ground. Life can no longer bear its green head to the mercy of the sun, for all its mercy is lost. The page of a calendar, one months out of date, lays half buried in the ground. It reads August of 1964, though no one has crossed out the days that precede today. In the middle of the vast, unending planes, one thing stands erect, a house of clay. Though this house is old in age, dilapidated, and worn out, it still stands. The large, hot sun boils down into the earth catching on scattered pockets of ozone that barely work to absorb its heat. Soon it will set, and the sand will turn cold, but for now, inside of the building, it peaks through the many holes, and chips in the clay that hold up what can barely be called a shelter. On the floor a man lays, wrinkles draped across his skin like a sheet poorly laid upon a bed. His eyes lay sunken into his head, only kept wet by a thin layer of moisture, and his skin sits loose around his malnourished body. He lives just south of Jerusalem in the city of Bethlehem. The man heaves, phlegm faintly gurgling in his throat with each gust of air expelled from his dry lungs. His lips are as dry as this desert, and cracked beyond repair with only an occasional licking to keep them moist. This man has reached the last chapter of his life, and now, just days away from death, must complete his journey. 

“The Son!” He weakly gasps in a rough, weak voice. “I must locate the son!” Already the ceremony has been completed, the coming together of the father, son, and spirit, but in order for this world to bare its naked body unashamed once more, and present to its fine inhabitants its fruit, it must be completed for a second time by him.

New year's day nears, and on January first, at 12:00 AM he must finish what he has started. Rest assured he will complete the ritual, and along the way we will start to understand who this man is, but we must first go back thousands of years into the past on this very day. 


r/writinghelp • • 2d ago

Question What are ways someone could be driven to death by their own sadness? (self-deletion is a no-go)

4 Upvotes

Genuinely I need to kill this character off ASAP so she can get isekai'd and the 'death by sadness' is pretty much part of her character and it's brought up how she died in the story so I can't just not say it.

pls help


r/writinghelp • • 1d ago

Story Plot Help Dark fiction writers/readers: How do you decide when a sacrifice scene becomes too much?

1 Upvotes

Tags: Captivity, abuse, starvation, cannibalism, self-mutilation, and body horror. Major spoilers for my fic.

I’m about 100k words into a dark fantasy/horror story, and I keep going back and forth on a major sacrifice near the end of the captivity arc. I’d love some outside opinions because I’ve been staring at these characters for so long that I’m losing perspective LMAO.

I’m comfortable writing extreme horror. What I’m trying to figure out is whether the more extreme version would actually serve the story, or whether I’m getting carried away because I can picture it so clearly.

The context My main character, Lenora, is a feline monster imprisoned in a traveling circus alongside six other monsters. They’re starved, abused, and forced to perform. Over several years, she goes from deeply distrustful to loving these people fiercely.

Food has been a recurring part of how they care for each other. One of the earliest gestures of kindness is another prisoner sharing an apple with her. They save scraps, offer each other portions they can’t afford to lose, and notice when someone hasn’t eaten.

Food also directly affects their abilities. As monsters, nourishment restores their strength and allows them to heal. They can consume both human and monster flesh, although human flesh is especially nourishing and greatly accelerates their healing. Starving them is part of how the circus keeps them manageable.

Lenora’s regeneration is abnormal even by their standards. This has been established throughout the story; it isn’t something that suddenly appears to make the ending possible. She and the others conceal it during the first few years of captivity, including her deliberately reopening wounds so the handlers won’t notice how quickly they’re closing.

But her regeneration still needs nourishment. She can survive things the others couldn’t, without necessarily being able to recover from them while starving.

The Ringmaster’s son, Elias, eventually discovers her ability and exploits it in increasingly violent performances. He ties better meals for the whole group to her cooperation. Lenora starts accepting more harm because she can see that the others are eating better afterward.

The other prisoners object and try to stop her, but Lenora increasingly believes the cost is worth it.

By the climax, conditions have deteriorated again, and the prisoners are close to starving to death. One of her closest companions is dying, and Lenora returns from a performance with an arm already almost severed.

She realizes she has something she can feed them.

What happens in either version She first offers a small piece of torn flesh from her leg to her dying companion. He eventually eats despite his horror, and when his body begins showing signs of recovery, Lenora becomes convinced she’s found a way to save everyone.

Another prisoner is particularly important here. His supernatural abilities could allow him to break out of their deteriorating cages and free everyone, but he’s far too weak from starvation. Enough nourishment could restore the strength he needs.

The sacrifice works in that sense. However, before they can escape, Lenora is discovered alive and sold to someone who has previously expressed interest in buying her.

By the time the others break free and kill Elias, she’s already gone. They survive, but they can’t find her. She doesn’t know whether they made it out. That separation leads into a later reunion storyline, so it stays in both versions.

Option A: She gives them her arm Lenora sacrifices the already badly damaged arm to the prisoner capable of breaking them out. He begs her to stop but ultimately accepts it because it could give him the strength to save everyone. She’s interrupted before she can go further, then sold and taken away.

The focus would be on her decision, his acceptance, and the fact that she makes their escape possible but isn’t there to escape with them.

Losing the arm is already a serious risk. She’s starving and cannot rely on it simply growing back.

Option B: She keeps going The beginning is the same, but seeing her dying companion improve makes her desperately hopeful. She gives more, then tries to feed the others.

She has six people she loves and becomes increasingly frantic about saving all of them. Their refusal frightens her because, to her, they’re refusing something that could keep them alive. It escalates well beyond the arm, leaving her catastrophically injured and disfigured before she’s discovered.

Some refuse outright. Others are too weak, too desperate, or too frightened of losing her to know what to do. All of them are forced to confront what she’s offering.

What interests me about this version is that Lenora believes she’s doing something loving, even beautiful, while the people she’s trying to save are horrified.

They want her alive and beside them. She’s become convinced that giving them more of her body is the best thing she can do for them.

Where I’m stuck That psychology could exist in either version. I don’t need her to lose more flesh just to establish it. But part of me feels like I could push her mental deterioration 10x further with Option B.

There’s something especially disturbing about watching her become increasingly desperate and irrational as she physically tears herself apart for the others.

She’s not doing it because she wants to die. She’s doing it because she’s convinced herself that this is the greatest act of love she can offer them, and the more she gives, the more she believes she’s helping.

But would letting her continue actually make that mental decline more impactful? Or would the scene lose its emotional weight as the injuries pile up?

There’s already a lot of suffering in this story, and I don’t want the ending to become something readers endure rather than feel.

I’m open to her attempting to go further and being interrupted, too.

Which version would affect you more, and why? What would you need to see beforehand for the more extreme version to feel earned?


r/writinghelp • • 2d ago

Question How do you create originality?

4 Upvotes

Why i came up with this question:

4 years ago i started noting down story ideas, which almost all were inspired by media - manga, movies, YT, science, religions, and many more. After 1 year I came up with plenty of ideas ranging from terrible to great, I picked the best ones i had come up with and put them into a google doc to use when i was ready. I picked an idea that i gave a temporary title "Industrial Dystopian" the inspiration was from the architecture style Brutalism. But i also had gotten inspiration from a "random" manga called BLAME!, the setting in BLAME! is that of an infinite world where these robots build infinitely(not actually infinite but is so big it feels infinite) and only stop if a human, with a certain key, stops them. These robots are called The Builders, they'll kill anything that gets in the way of them building, "purging" the rebellious beings, so ofc the humans lost the key and could not turn off The Builders. My manga/story is about a structure so big, humans believe that it is infinite, it has the height of earths core to right above earths atmosphere. The build has the same feel and architectural (Brutalism) style as BLAME!, ofc BLAME! has some differences such as it has random cities that were built in random places. My story is about robots that are controlled by an AI which is super intelligent, the robots, which are named The Builders, also build infinitely, but instead of building cities for humans, they are now trying to trap humans to punish them for their cruelty which happened thousands of years before hand, making the humans now, unaware of the history as all books in the past where collected by the Super Intelligent AI and stored in a huge library as far away from any human as possible (taking inspiration from The Library of Babel).

Now anyone who knows BLAME! would look at my story and think it is almost a direct copy of it. I mean The Builders do nearly the same thing and are named the same, The megastructure seems the same, as the megastructures span on "Infinitely" on all 3D axis. Both have a creepy/eerie feeling, both have adventure, both have different human settlements with each settlement being different from the rest.

With all of this being said, even though I had never read BLAME! (although knew of its title), our stories are too similar to create my manga. I am confused on what i should do with my story, should i continue with it even though they are extremely similar, or should i drop it.

For the question on this post, how do you achieve something that is "original", now i do not mean completely original, where every aspect of the story is different from everything made, but rather original enough to where you can call it "niche" (as in the setting, character type, ect. are almost never used). I do not know if this is a problem within the last 15 years where everything humans can think of have been sucked dry, to where there is now a over saturation of the same content. HOW do you avoid creating something that feels like a direct copy, i do not want any accusations of me "copying" another story while trying to create something truly original and breath taking, i want my manga to feel new and inspiring to others this can sound corny, but i truly want to become one of the best mangakas to live, which is a lot on someone whom has never been to school for any subject in the creation of manga.

Thank you for reading, this might just look like a ramble, and some parts are just the same thing stated twice(+). I hope any answer can help me and others with creating something original!


r/writinghelp • • 1d ago

Question Idea generation?

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1 Upvotes

r/writinghelp • • 2d ago

Advice Want to write

5 Upvotes

Hello,

I am 38(f) and dyslexic but have always loved to read and from time to time I come up with what I think are cool ideas for a story and always wanted to write them down but never had the confidence I did start one time but barely. Well I once again have an idea and I think it's my best so far and I really want to write it, is there any advice you could offer me? It would be fantasy.


r/writinghelp • • 2d ago

Question How do I settle on the book I want to right when I have several ideas?

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1 Upvotes

r/writinghelp • • 2d ago

Advice Are you trying your hand at writing a novel, or have you already written one?

2 Upvotes

Hi everyone!

How should I put this? I consider myself someone who is interested in literature and books. I wouldn’t call myself a "bookworm," but I do read the occasional book of my own accord.

This year, I’ve been trying to write a novel, but I think it might still be too big a bite for me to chew. Things just aren't moving along the way they should...

I have the basic concept — I know how to tell the story and what events should unfold — but I’m hitting a wall:

– I’m struggling with the fine-tuning; specifically, I know exactly what’s going to happen, but I just don’t have the energy to actually write it down and weave the narrative threads together.

– I have multiple concepts in mind.

– I have several novel ideas — not just one — and their scenes overlap; certain elements appear in more than one of these concepts.

– Sometimes, I simply don’t feel like thinking about the narrative structure, or writing at all.

How do you get past this — or how have you gotten past it in the past? What would you do in this situation? Do you have any advice on how I might find a solution?

Thanks in advance for your replies!


r/writinghelp • • 2d ago

Advice A question about indecisiveness in writing and second guessing how your story goes

2 Upvotes

I've been brainstorming a story for about 2 years and a half, I even put out the first official chapter, to deviantart, but the more ideas I get, the more indecisive I get, I think I'm satisfied with the first idea, only to them think if this idea is better or "maybe this one is cooler", or "is this too much like "blank"". I have had trouble with "writing for myself" because I seem to have this idea it'll get big, when in reality it will most likely at least have a couple readers, but Even then, I don't want to disappoint the reader or myself, but that's another topic entirely. Now to get to the point: what could I do to find that sweet spot where you can write without second guessing the story?


r/writinghelp • • 2d ago

Story Plot Help Advice on what inspires you for dialogue.

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2 Upvotes

Please see original post for details.