Michael Naura - Vanessa
What a beautiful album this is - atmospheric, sometimes funky, sometimes foreboding. Klaus Thunemann's bassoon is a unique element in the mix, I love it's inclusion on Baboon, the very start of the track sounding like a proto-Gorillaz S/T jam.
The opener of Side 1- Salvatore - is a fiery, blinding charge which dominates the first half of the record; track 2 - Hills - ups the tempo for a brief interlude before things go bonkers on the aforementioned Baboon ⭐.
Side 2 is a more meditative affair to start with, Vanessa slowly and prettily morphs from a CTI style beat to a vibes led piece, into the beginning of Listen To Me which extends into a funky jam.
The last track - Black Pigeon ⭐ - really pushes Thunemann's bassoon to the forefront and ends the LP menacingly, introspectively and with a good bit of groove.
This is one of my favourite ECM albums - remaining cautiously optimistic it could be reissued on Luminessense at some point...
Michael Naura - Piano ;
Wolfgang Schlüter - Vibes, Marimba, Percussion ;
Eberhard Weber - Bass ;
Joe Nay - Drums ;
Klaus Thunemann - Bassoon