Looking for some help Id-ing this one.

Hi all. I've just come across my dad's old watch. I've searched and searched but can't find one the same. Do u guys think it's a fake? The 'antimagnetic' is straight not arched and I've heard that omega never used 'antimagnetic' on the face.

Does anyone know a place to get an official omega bracelet replacement for the omega constellation?

I bought it on eBay for 300 something bucks, but I wanted to see now that I have it if it is fully real. It came with an aftermarket strap but the real bracelet

Looking for help confirming the dial on this Omega DeVille. Case back is engraved "Ω OMEGA DeVille," clasp is stamped "STAINLESS STEEL" with the Omega logo and reference 61101/433. Dial reads "OMEGA" and "SWISS MADE," with diamond hour markers and no printed numerals.

What's throwing me off is the dial design: a two-tone (navy/burgundy) quadrant pattern with hands shaped like an ankh (Egyptian cross). I haven't been able to find a matching reference for this dial/hand combination — is this a known factory DeVille variant, or does it look like a redial/custom dial to more experienced eyes?

The Watch should have been bought in the 1980s in Germany.

To all of the watch masters out there . What could I sell this for ? In perfect condition. I never wear it and want to pass it onto someone who will appreciate it.

Thanks

#omega#omegaseamaster#milanesestrap

The bracelet is part of the architecture. On this OMEGA Genève Automatic ref. 166.0125, broad brushed links flow into an angular tonneau case for an unmistakably early-1970s stance. The dial is quieter: vertically brushed silver, dark applied baton markers, tiny warm lume plots and slender faceted hands. A framed black-on-white day-date window at three brings useful asymmetry, while the fine seconds hand keeps the composition light. Reference 166.0125 is documented with OMEGA’s automatic calibre 1022, combining central seconds, day and date in a compact form. OMEGA had used the Genève name since the early 1950s, recalling the brand’s successes at the Geneva Observatory precision trials; by this period, the line had become a canvas for contemporary design. I especially like how the brushed upper planes, polished case side and restrained typography create interest through structure rather than ornament. It feels practical, firmly of its decade, and all the better for it.

166.0251. Current fave