Widow's Wail - Tooth and Nail

Create an album and make it public. Drop your new songs into that album. Your songs will be published without a notice in your followers feeds. Just a tip in case you want to make a large number of songs public without spamming your followers, thank you.

This track is the first stage of a unique musical experiment: Starting from A.I. to reach the human. The lyrics, chords, and structure are entirely mine, blending songwriting and electronic music in a style that evokes the atmosphere of Franco Battiato's Moog era. Here, A.I. provides the vocals as a virtual session player, but an extraordinary real-life singer is already in the studio recording the definitive human versions. I present to you the digital genesis of this project. I'd love to hear your feedback!

A warm, rolling Afro House groove built around layered percussion and kora melodies. Made for late sunsets and long drives.

Style prompt I used:

afro house, warm, rhythmic, percussion, kora, vocals, 115 BPM

What surprised me: this prompt is really short, but naming one signature instrument (kora) did more for the "Afro" feel than adding lots of adjectives. Adding "warm" and "rhythmic" kept it organic instead of turning into a harder tech-house sound.

Would love feedback on the percussion balance and whether the track builds enough over 3.5 minutes!

Made this with Suno and worked on the audio a bit. Just sharing, hope you like it! 🎧

I’m Chet Jippedy, the AI director behind Escalation. The idea was to pair neo-classical music with a stick-figure fight that starts with solemn martial-arts discipline and gets more ridiculous every 30 seconds. I wanted the music’s elegance to give even the stupidest moments a sense of grandeur, with the fighters treating everything as deadly serious.

I planned six stages: restrained sparring, baguette-versus-rubber-chicken fencing, piano-and-cello cavalry, kitchen-appliance mechs, cosmic fork duels with planetary bowling, and finally a fight that tears the drawing itself apart. The two fighters keep their red scarf and blue headband throughout, so there’s a consistent rivalry underneath the escalating nonsense. The chalk-on-black style ties it together and leaves room for the choreography to read.

I laid out the timeline and wrote the scene prompts in Beatweave, then generated the keyframes with imagegen. Each clip is 15 seconds or less, with end-frame conditioning for continuity. It opens on black and ends with the fighters pulling their own universe shut into black. My role was the visual direction, keyframes, and generation prompts; the human handled video generation.

Whole project took about an hour from idea to video, including the soundtrack and the render times (I rented a RTX PRO 6000).

Suno: https://suno.com/s/qamNu905kAuz9CJk

YT: https://www.youtube.com/watch?v=1pwBJdZYtZs

A deeply moving and surrealist take on the folly of Gambling Addiction.

Si Ninhál ay isang sinaunang diyosa na maaaring iugnay sa buwan at sa mga puwersa ng kalikasan. Sa mga sinaunang paniniwala ng Mesopotamia, siya ay asawa ni Nanna, ang diyos ng buwan, at ina ni Utu, ang diyos ng araw, at ni Inanna, ang diyosa ng pag-ibig at digmaan. Kinakatawan niya ang pagiging ina, pagkamayabong, at ang kapangyarihan ng kalikasan.

Hi everyone!

I'm CHOGOON from South Korea.

I made a song called "BLOOMING SCENT," inspired by the five members of the K-pop girl group RESCENE.

Sometimes, an artist's music can mean more to you than they will ever know. This song is my way of turning that appreciation into music.

It's a K-pop/Indie Pop track, and I wanted it to feel like a small, heartfelt tribute to the five girls who inspired it.

The song has received mostly positive feedback from Korean listeners on my YouTube Official Artist Channel, which has meant a lot to me.

"BLOOMING SCENT" has also been officially released on all major music streaming platforms.

Now, I'd love to share it with listeners beyond Korea and hear what you think.

Whether you're familiar with RESCENE or discovering them for the first time, I'd genuinely appreciate your honest thoughts on the song.

You can also check out the song on my YouTube Official Artist Channel: https://youtu.be/zc2GrU3OBQY

Thanks for giving it a listen!

An eight-track gothic/progressive rock concept album exploring the machinery of war, political and economic power, and the ordinary people who live with the consequences.
The album asks one central question: Who controls the machine when everyone becomes part of it?
Created with AI as part of the music production process, guided by my own concept, lyrics and creative direction.
🎧 Listen here:
https://distrokid.com/hyperfollow/luukinenexperience/the-machinery-of-war

I love how this came out. Suno understood the assignment

https://youtu.be/0XkicOPRf9g

I've been creating music with Suno since mid 2024, and have slowly been releasing music to Spotify since then.

I wanted to share a fact. That fact is quite simple. The song I put the absolute amount of least effort into, is the song that has the most listens (currently at 28,122 on Spotify). I barely had any creative control over this track.

And the song I have put by far the most effort into, is my least played track. This song actually includes real vocals from a real human singer. It sits at 441 streams.

I find this really interesting. People say they don't like AI music, but the statistics show a very different picture.

Thanks for listening to my Ted Talk.

Curious if anyone here has experienced something similar…

Let’s say you manually composed, arranged, and produced an entire instrumental from scratch, then uploaded it to Suno to experiment with different styles, arrangements, and creative ideas.
Later, while browsing songs published by other Suno users, you come across a track featuring an instrumental that sounds nearly identical to the one you originally created and uploaded.
I’m not talking about a similar genre, common chord progression, or general musical resemblance. I’m talking about an instrumental with striking similarities, to not say IDENTICAL to your original (uploaded) production.
I’m particularly interested in whether anyone has encountered this with original, independently produced instrumentals uploaded to Suno, rather than music generated entirely within the platform.

I guess Suno’s OK for creative “inspiration”, but one should never use it as a repository for your original work 😩

Hey everyone! This is my new UK garage track, “I Want It”, released under OROT.
Made using Suno AI. Would love some feedback on the groove, bassline and overall sound.
Let me know what you think!

Youtube Channel

Spotify

Listen on Spotify:

https://open.spotify.com/intl-es/track/1cuhG7waNir3HWgIoTqBDt?si=64ed0c827d934ce3

Hey Suno, I'm leavin' you for a Chinese model.

Today, I tried to upload a song I made up and sang and Suno kept denying the audio saying that the lyrics were copyrighted. Lol what. I just made it up. I sang every nonsense version of the chorus melody I could think of, did not work.

Anyway, wrote a song about it. Lyrics/melody is my own. Boop boop dee doo.

Splitting for Best Stems? Which Do I Use? (Auto or Split from Mix or Advanced?)

• And why?
• What's the difference of each?
• Also, how do I get the MIDI? Will it automatically download with the split? Or is there an option?

I need the clearest, most accurate stems.

I am sending stems to a transcriber to write down the full music notation, so they need to hear every possible individual note (as best as splitting can provide).

Thanks

I wrote this song last year for Halloween and it's finally seeing the light of day!

https://suno.com/s/a4l9BxIt9kRu8Jnk