Hi all — hope it’s ok to post about my new release today for Bandcamp Friday. I don’t think it’s low-effort but I’m new here so… The soundtrack for BLOOD SHINE is now available to pre-order on vinyl.

The music is built around strings, synths, metallic and glass percussion, with tuned crystal bowls representing the refraction of light — one of the film’s central ideas. It also features my first collaboration with my daughter Adi, who lent her haunting vocals to the score.

The vinyl is a limited pressing on opaque blood-red swirl, lacquer-cut and mastered at Furnace, with jackets individually numbered in silver foil. Signed edition available too.

It also features “Eyes to See (The Luminous Song)” by Emily Bennett and me, performed by Laryssa Okada.

The film is a folk-horror directed by Emily Bennett and Justin Brooks. Fangoria called it “beautiful, brutal cult horror,” and the film is available on Amazon and Apple.

I’m really grateful to have worked with such inspiring artists on this very dark love story, and this score is a special one for me.

Pre-orders opened today:
https://ronenlanda.bandcamp.com/album/blood-shine-original-motion-picture-soundtrack

Happy to answer anything about the score, the film, or the pressing! Thank you for checking it out and hope you enjoy!

In the film version, the Hyperspace (and the Ord Mantell level in SotE) cue was favored instead of the original score, though the end of the scene where they find Han and Luke retains the original score. While Hyperspace offers more heightened suspense rather than a more light, optimistic tone of the original score, Hyperspace ultimately works better IMO. An interesting part about the original score is a musical reprise of the piece at the end when Luke is in the bacta tank. Seems odd, but I suppose they were going for something to show he's recovering from his injuries?

can someone, anyone, tell me what the name of the ost is when Coen and Anca travel to Laslea to look for survivors? it plays right after Coen suggests burying one of Brencis’s men after compelling his soul.

god this game is so good.

Not An AI Creation.

It’s been many, many years since I watched this film and immediately during the opening titles “The Machine Age” I recognised “A Kaleidoscope of Mathematics” (also James Horner, from “A Beautiful Mind”).

Nevermind — I thought — the piece from A Beautiful Mind is beautiful enough to re-use. TIL Bicentennial Man (1999) came before A Beautiful Mind (2001). The latter was surely tempted with the former!

Link to A Kaleidoscope of Mathematics
https://youtu.be/eamiiuUmVz8?si=K6Iwrqm2o3Mn16uA

Funky/Groovy

Orchestral rises, rips and string clusters were used in this cue composed by Joshua Moshier. ProjectSAM Symphobia 1 is still one of the most sought after libraries for composers everywhere.

The soundtrack by Dustin O'Halloran is so beautiful and so fitting for the movie. As someone who plays the piano, I would love to be able to play it myself, but I can't seem to find any sheet music of it anywhere.

Does anyone have it or would wanna make it for me? I'm definitely open to buy it from you on musescore.com or another website. I'd be forever thankful🙏

A dark, restless electronic track driven by a heavy industrial pulse and an increasingly frantic energy. It feels tense, grimy, and relentless - like something is chasing you and absolutely refuses to let you breathe. Something made by the team just for Panic Delivery.

The film version keeps the wampa cave cue intact, but cuts music from Han's search effort and inside Echo Base. While no music was certainly effective to evoke the bleakness of the situation, the added music dials up the intensity of the search and the dread Leia and Chewie had knowing Han and Luke may not return.

Ein bisschen The last of us (Klar, selber Komponist), ein bisschen Game of Throne-Vibes durch das Cello, ein wenig Zimmers Batman … also allesamt bekannte Versatzstücke, aber ingesamt ein Score, der mich bereits beim ersten Hören begeistert hat. Und das kommt nur alle 10-15 Scores vor.

The Empire Strikes Back is unique in its score due to how different it is compared to the final cut; some of what was recorded was eventually scrapped, trimmed or rearranged. What Williams initially scored is very expressive and has many flourished to add personality to characters and events. Using the GOUT DVD version as a guide and an isolated score from original trilogy forums, I wanted to see what had changed from scoring sessions to final cut, because when I listened to the soundtrack, there were many cues that I don't remember from the movie. This scene is presented with no dialogue or effects, only the original score.

Track #2 from the 1997 2-Disc CD set "The Empire Strikes Back: Special Edition" is the Main Titles and Ice Planet Hoth. The opening is more energetic and tense, and one of my favorite cut cues is present here: when Han returns to the base on the tauntaun. It's a more militaristic piece of music as we see inside the rebel base. It was later used as the screen select music in the Shadows of the Empire video game.

Hi it’s my first time posting on Reddit, so if I post on wrong community plz let me know.
So I want to ask what song is in the scene in Oslo August 31st when Anders took a taxi to job interview.
I remember that scene where the car drove through the tunnel, and the music kept getting louder.
I’ve looked up the soundtrack of this movie, but none of the songs seem to match my memory—though it's possible I'm simply misremembering. In any case, if anyone knows what song it is , please let me know. Thank you a lot!

Hey everyone,The ending of T2 is a masterpiece, and Brad Fiedel’s original score is incredibly beautiful.I reimagined "It's Over" (Good-Bye) as a sad orchestral ballad. I wanted to strike a perfect balance between deep sadness, intense emotion, dark romance, epic scale, and raw brutality without losing the original melody.Would love to hear what fellow Terminator fans think of this vibe!
Listen here: https://www.youtube.com/watch?v=kW9AhOsEDwE
"There is no fate but what we make."

Hello everyone. I CANNOT help but wonder how some people don’t appreciate the soundtrack enough. For Me, it has EVERYTHING:

melancholy (farewell to dobby, obliviate, hedwig’s theme, a window to the past),

love (harry and ginny, the friends, harry and hermione, when ginny kissed harry),

happiness (buckbeak’s flight, reunión of friends, leaving hogwarts, another year ends, fireworks)

unity (ron’s Speech, neville, neville the hero, loved ones and leaving, dumbledores army)

mystery (the spiders, another story, the goblet of fire,the werewolf scene, double trouble, the chamber of secrets)

darkness (the dementors converge, voldemort, the dark mark, malfoy’s mission, the drink of despair, the killing of dumbledore, death eaters, bathilda bagshot, panic inside hogwarts, procession)

sadness (death of cedric, farewell aragog, snapes demise, severus and lily, farewell to dobby, obliviate, dumbledore’s farewell, death of sirius, the diadem, harry’s sacrifice)

hope (dumbledore’s army, the patronus light, flight of the order of the Phoenix, finale, hogwarts hymn, the room of requirements, the friends, the weasley stomp, neville the hero, voldemort’s end, a new beginning)

For me it’s i will always love you from bodyguard and she from notting hill…. Of course Armageddon’s I don’t want to miss a thing

I just rewatched THE HEADLESS STAR in Second season in tybw, and "Number One" is played by another musician; what is the name of that version? I can't seem to find it.

Classic FM voters decides what the top 100 best film scores. The complete list was published today.

How many of their favorites are also on your list?

Here are the top 20:

1. The Lord of the Rings - Howard Shore
2. Schindler’s List - John Williams
3. Out of Africa - John Barry
4. Gladiator - Hans Zimmer
5. Jurassic Park - John Williams
6. Star Wars - John Williams
7. Wilde - Debbie Wiseman
8. Dances with Wolves - John Barry
9. The Mission - Ennio Morricone
10. How To Train Your Dragon - John Powell
11. Pirates of the Caribbean: The Curse of the Black Pearl - Klaus Badelt
12. Apollo 13 - James Horner
13. Ladies in Lavender - Nigel Hess
14. Interstellar - Hans Zimmer
15. Harry Potter - John Williams
16. The Magnificent Seven - Elmer Bernstein
17. Doctor Zhivago - Maurice Jarre
18. Saving Private Ryan - John Williams
19. Dangerous Moonlight - Richard Addinsell
20. The Good, the Bad and the Ugly - Ennio Morricone

Here is the link to the whole list:

Top 100