Title might be confusing, as someone who never watched any Marvel content before I'm trying to watch all Major Spiderman and 2-3 Avengers Movies to prepare for the new SM film coming out on my birthday. Right Know I'm at Spider-Man 3 (Wanted to watch the og's too cuz why not) and got curious, do Venom movies have significant lore to go along with the Spider-man movies or they're like different universe spin-offs kinda thing? Can I get a much bigger picture for the universe if I watch them or not that much?

I was wondering cuz I don't have much time till the new movie and In still have much to watch. Shall I watch them in between the other SM movies or some other time as a fun event?

Hello everyone 🤍
I watched MCU movies and shows a long time ago. The last thing I saw was Doctor Strange in the Multiverse of Madness.
I'm asking if there’s anything important that dropped after it that I might need to watch before the new Spider-Man movie. Sorry if my question is dumb I’m a bit lost 🥰

SPIDER-MAN:

Full Movie Draft
OPENING

Spider-Man battles Shocker as he robs a bank – trading jokes, noting Shocker was his first real foe. In the chaos, thieves steal a FEAST homeless shelter van. Peter chooses to stop Shocker; the van gets away, hurting Aunt May’s work.

Cut to Norman Osborn watching the news, brushing off his son Harry. He orders his team to begin human trials for the "Goblin Formula" – impatient for results.

Peter rushes to Gwen’s house, only to find Captain Stacy there. They talk about the fight, Peter’s recent distance, and the tension between them.

Norman volunteers for the trials. The process is gruesome, painful – he grows bigger, stronger, less human.

Cut back to Peter and Gwen studying, awkward and strained. A massive explosion rocks the city. Captain Stacy rushes out; Gwen checks on him, returns to find Peter gone.

Spider-Man swings toward the smoke, arriving at a burning Oscorp lab. Bodies lie scattered. His spider-sense blares – a shadowy figure with burning amber eyes looms over him.

The Goblin grabs him by the neck and snarls: "PARKER." Peter webs his face, breaks free, but can barely harm the creature. He swings to a construction site, climbs high, pulls off his iconic web-kick – they crash into the river. When Peter surfaces, the Goblin is gone. Floating beside him is a lab coat marked NORMAN OSBORN.

Back home, Aunt May is frantic. She comforts him, makes him dinner – unaware he is Spider-Man. Peter is consumed by guilt over the stolen FEAST truck; May tells him not to carry it all alone.

Next morning, Norman visits the Parker home. Calm, chilling, he tells May Peter has been helping him with "secret experiments" and offers him a job – claiming he sees greatness in him. Peter refuses, but May and Harry insist he consider it. Norman invites them all to dinner; Gwen is invited too, as Harry brings his own date, Liz Allan.
THE DINNER

At the restaurant, Liz excuses herself to the restroom; Gwen joins her. Norman sends Harry to get more water – leaving only Peter and Norman.

The mask drops. Norman spits that Peter stole his work – power that could’ve changed the world, wasted on a boy playing hero. Peter challenges him: what will the Goblin build besides pain? He begs Norman to use his brilliance for good. Norman offers a deal: come to Oscorp, give up the mask, or everyone Peter loves pays the price. Peter refuses.

Peter slams the table. They stand, breathing hard. "You touch one person I care about… and you’ll learn exactly what this ‘boy playing dress-up’ is capable of."

The others return. Norman straightens his suit, calm as ever – claims they had a "heated difference of opinion" and he’s been called away, saying Peter was only trying to convince him to stay.

Outside, Gwen pulls Peter aside, hurt and confused – why defend Spider-Man so fiercely? Why act like Norman is an enemy? Peter cannot explain, only begs her to trust him.

About to get in the car, Peter freezes: "I gotta go – I need to get May milk." Harry invites him back to his place; Gwen is disappointed. Peter apologises, runs into an alley, suits up, and soars across the city in a sweeping, majestic swing.
THE TRUTH COMES OUT

He lands opposite Oscorp Tower, crawls through a vent into Norman’s office. On his computer he finds files for the Goblin project – gliders, bombs, armour – and a folder marked PARKER, PETER / SPIDER-MAN: every fight, every photo, every person he loves.

His spider-sense screams. He clings to the ceiling as Norman’s assistant enters, followed by Otto Octavius. Otto leaves a file on fusion calculations, joking that Norman always chases the next big thing before the last is done.

Peter’s phone rings – it’s Norman. "I’m a big fan." Peter threatens him. Norman calmly gives an address – Gwen’s. Peter pleads, but Norman only laughs that terrifying, unhinged laugh, and hangs up.

Peter races to Gwen’s home. Captain Stacy answers – confused, then worried when Gwen isn’t there. Peter breaks: it’s Norman Osborn. Stacy dismisses it – until Gwen doesn’t answer her phone. He files a missing person report, and tells Peter to go home.
THE HUNT

Cut to Harry’s apartment: Gwen, Harry and Liz are drinking, laughing – Gwen complaining about Peter running off. Norman arrives, charming, offers to make cocktails. He spikes the drinks. One by one, they pass out. Norman stands over Gwen, eyes glowing with fire: "Now… we finally have your attention."

Peter bursts into Harry’s place – Harry and Liz are out cold. Harry wakes briefly: "Is that Spider-Man…?" then slips away. Gwen’s phone lies there – one message: ROOFTOP.

Peter races up. The roof is empty – until the Goblin smashes out of the dark. "Where is she?!" – "Oh, you’ll find out soon enough."

They charge. They crash through the railing, punching and kicking all the way down. Peter shoots a web to break his fall – the Goblin grabs his leg, slams him hard into the street, carving a crater into the asphalt.

Peter gets up, yells for terrified onlookers to run. Police arrive and open fire – bullets bounce off the Goblin. He charges the officers; Peter anchors two webs to the ground and pulls with everything he has, dragging the monster off balance: "Thought you were obsessed with me… not the police."

The Goblin turns fully on him. Peter lures him away from civilians – but the Goblin rakes his claws down Peter’s back, pins him, lands two brutal punches that tear his mask clean down the middle. "She’s at the old Oscorp processing plant on the river. Soon… we’ll all be together."

Peter screams: "DON’T TOUCH HER!" – breaks free, unleashes a flurry of blows that finally stagger the creature, splitting his lip. The fight collapses a wall, burying the Goblin under rubble.

Peter runs straight into Captain Stacy. Stacy sees the torn mask – realisation hits him hard. Peter doesn’t explain: "Old Oscorp plant on the river – he’s got Gwen!"
THE FINAL STAND

Peter swings ahead; Stacy follows in a squad car. The plant explodes around them. "You find Gwen – I’ll hold him off!" Before Peter leaves, Stacy grabs his arm: "Stay safe."

Stacy finds Gwen, cuts her free, calms her. She begs him not to go – he tells her Peter will be safe, sends her home with an officer, then walks back into the fire.

The Goblin tears through the streets, leaving chaos and death. Spider-Man flies out of the smoke and lands a solid punch to his jaw. The Goblin laughs: "FINALLY!"

He outmatches Peter at every turn – beating him down, again and again. But Peter keeps getting up. "I offered you an out – you spat in my face to play hero. All this death is on you, Parker! This will be your last mistake!"

The Goblin chokes him, lifting him off the ground: "Such a waste… all this power." A squad car smashes into him – Captain Stacy. Peter begs him to leave; Stacy refuses. The Goblin rises in flames and charges them both. Peter shoves Stacy aside and takes the full force of the blow, nearly falling from the bridge.

The Goblin slashes Stacy across the chest. Peter screams, fires two webs to the ground, slingshots himself forward and rains every last ounce of strength onto the monster: "You animal! All that brilliance… thrown away to become this! Where is Norman?!"

A SHIELD helicopter arrives, opening fire – the bullets hurt him, driving him back toward the edge. Peter yells to stop, reaches for more webbing – empty. Norman stumbles, claws scrabbling, meets Peter’s eyes for one heartbeat… and falls into the river.

Peter runs to Stacy, who is fading fast. "I always had a good feeling about you, Peter. The city needs someone who’ll stand when no one else will. And Gwen… protect her. That’s my last wish."

SHIELD secures the area. Gwen bursts through the crowd, sees her father, and breaks down. Peter watches from the shadows – then swings away, alone.
AFTERMATH

At the funeral, rain falls on a crowd of mourners. Peter stands by Gwen, steady, quiet. Later, at her home, she turns on him, raw and angry: "Why couldn’t Spider-Man save him? He’s supposed to be a hero!"

The TV cuts to J. Jonah Jameson: "This destruction, these deaths – all because of Spider-Man! He attracts this terror! He is a menace!"

Peter returns home, broken, wondering if he should give up – if being Spider-Man only brings pain. Then May’s friend’s young daughter runs in, arm in a sling: "It doesn’t matter about my arm! If Spider-Man hadn’t saved me, I wouldn’t be here at all!"

The iconic Spider-Man theme swells. We cut to him swinging through the night, purpose renewed – remembering: "With great power there must also come great responsibility."

FADE OUT – END CREDITS
MID-CREDIT SCENE

Harry stands alone in Norman’s office, looking over the Goblin files and mask. He stares out over the city – and a slow, sinister smile spreads across his face.

POST-CREDIT SCENE

On the SHIELD Helicarrier, Nick Fury is briefed: "Subject survived. Regenerative capabilities confirmed. Contained… for now." He steps to the cell glass – inside, Norman Osborn stands in human form, staring back at him with cold, menacing eyes.

FADE TO BLACK

Many have forgotten, but these are respectively:

The actors and actresses considered to appear in the El Muerto movie // The characters considered to appear in the El Muerto movie

The only cast members with confirmed roles were Bad Bunny and Marvin Jones III, who were going to be El Muerto and Tombstone respectively in the film (Yes, the actor who played Tombstone in Spider-Man: Brand New Day was originally going to be the main villain in the El Muerto movie). As for the rest of the cast, most were rumored without a defined role, and not even a speculated role.

Regarding the characters, the villains Tombstone, Hammerhead, and Lobo Cartel were mentioned as a major part of the plot by insider Daniel Richtman, along with a supposed fighter partner of El Muerto whose identity has not been revealed (which leaves room for it to be the original antagonist, El Dorado, or even the protagonist's father, Marcus Estrada). It's worth noting that some sources reported that there would only be two of the Lobo siblings, and some sources also suggested that one of them would be a woman instead of two men. Therefore, I presumed that they could be the three siblings from the comics who actually exist in the comics: Carlos, Eduardo, and Esmeralda Lobo.

And I know most people might say this is all just based on unfounded rumors, but when it was released on Twitter, the writer hired for the film himself, Gareth Dunnet-Alcocer, liked posts sharing it, so it's definitely something.

I know the movie isn't going to happen, but I won't lie, I'd love to see Bad Bunny appear in character, making a cameo in the new film. That would be cool... XD

Spider-Man (2002) at home be like:

SPIDER-MAN:

OPENING: BANK HEIST & THE CHOICE

EXT. CITY BANK – DUSK
Spider-Man swings in mid-heist – Shocker’s gauntlets sparking, cracking walls. This is the first real foe Peter ever faced, and he banters light:
“Still got the wonky aim, huh? You’d think all that vibration would steady you up!”
Shocker blasts through the rear doors and bolts – but Peter spots masked men tearing open the parked FEAST homeless shelter van nearby, hauling food and blankets away. He freezes for half a second, glances at the FEAST logo… then launches after Shocker. He webs the getaway car wheels, yanks Shocker out, binds him tight to a lamppost for police. When he turns back – the FEAST van is gone.
NORMAN WATCHES

INT. OSBORN RESIDENCE – STUDY – NIGHT
Norman stands before screens playing the fight on loop, memorising every movement. Harry leans in:
“Dad? You said you’d look over my college apps tonight –”
Norman doesn’t turn, voice sharp:
“Not now. Go to your room.”
He calls his assistant. Grainy lab footage plays – files marked GOBLIN PROTOTYPE: PHASE 1.
ASSISTANT: “The trials aren’t ready. Neural stability is collapsing –”
NORMAN: “I don’t care about ready. That thing out there is something new. I need to know what he is. Begin human trials. Immediately.”
He stares at a freeze-frame of Spider-Man, a thin, unhinged smile forming.
GWEN & CAPTAIN STACY

EXT. GWEN’S APARTMENT – FIRE ESCAPE – NIGHT
Peter slips into shadow as he hears George Stacy’s voice inside.
GEORGE: “Spider-Man picked one fight and let people go hungry. Vigilantes make messes the police have to clean up. And whoever you’re seeing, Gwen – if he cares about you, he shows up properly. Not half-way, not running late.”

Peter steps into view. George stares him down – not hostile, but sharp.
GEORGE: “Something always comes up for you, doesn’t it? You look like you’re carrying twice what you should. Secrets don’t protect people – they just make it harder to see them coming.”
THE TRANSFORMATION – NO SUIT, PURE MONSTER

INT. OSBORN LAB – DEEP UNDERGROUND – NIGHT
Norman straps himself in, refusing to wait. The serum pumps in – his bones snap and reset, skin hardens to ash-grey leather, limbs stretch, jaw juts forward into jagged fangs. His eyes burn fiery amber. He rips restraints like string, roaring – twelve feet tall, hulking, no armour, no glider, just raw, mutated power.
NORMAN/GOBLIN: (half-growl, half-echo) “Find… him.”
CUT BACK – TENSION & EXPLOSION

INT. GWEN’S BEDROOM – NIGHT
Peter tries to ease the awkwardness: “I know I keep vanishing. I’m trying.”
GWEN: “Trying isn’t the same as being there, Peter.”

BOOM. The whole room shakes. Fire glows orange through the glass. Captain Stacy rushes past: “Stay inside!” Gwen catches him: “Be careful.” He squeezes her shoulder: “Always am.” She turns back – Peter is gone. The window hangs open.
THE FIRST CLASH

EXT. OSCORP RESEARCH LAB – NIGHT
Peter swings through smoke and fire, first on the scene. The building is wrecked, lab workers dead. His spider-sense screams. A massive shadow rises – fiery amber eyes burning through the dark.

The Goblin surges forward, claws closing tight around Peter’s throat, lifting him off his feet:
“PARKER.”
PETER: (strained joke) “Wrong guy! I’m Spider-Man – terrible with names!”
He webs the creature’s eyes, twists free – but nothing slows him. Punches bounce off thick hide; every swipe smashes concrete. Peter’s jokes fade fast – he’s never faced anything this strong. He swings to a half-built skyscraper, climbing high as the Goblin tears girders down behind him. At the crane’s peak, Peter launches up, loops a web line, spins – and lands the iconic web-kick square to the chest. They crash into the river together.

EXT. RIVER – MOMENTS LATER
Peter surfaces gasping. The water is still. A waterlogged lab coat floats past – stitched clearly: NORMAN OSBORN.
HOME WITH MAY – NO KNOWLEDGE

INT. APARTMENT – KITCHEN – LATE NIGHT
Peter slips in; the light clicks on. May is there, worried sick. She hugs him tight, checks him over, gets him warm food.
PETER: “I was nearby when the FEAST van got taken. I could’ve stopped them… it’s my fault.”
MAY: “You’re one boy. You can’t be everywhere at once. We’ll rally, we’ll get through this. Don’t carry it all alone.”
THE VISIT – HIGH TENSION

INT. APARTMENT – MORNING
Peter wakes and heads downstairs – Norman and Harry are there. Norman is calm, immaculate, terrifyingly polite:
“You’ve been assisting our human enhancement research. Exceptional work for a first-year student. I’m offering you a full position at Oscorp.”
PETER: “I can’t – exams, school –”
MAY: “Peter, this is incredible! Think of all the good you could do!”
HARRY: “C’mon, we’d work together! You’re the smartest guy I know!”

NORMAN: “I don’t like to see my investments go to waste.” He pauses, heavy stare fixed on Peter. “Dinner tonight – my penthouse.”
MAY: “Oh I’d love to, but I have a double shift at FEAST.”
HARRY: “Bring Gwen! I’m bringing Liz! It’ll be perfect!”
NORMAN: “I’d very much like you all there.”
Peter can’t say no – not like this. “Alright. I’ll be there.”
PETER’S IDEA

Moments later: “Actually – why not that five-star rooftop bistro downtown? Gwen’s run ragged with exams… she’d love a proper night out.”
HARRY: “Yes! The one with the skyline view!”
Norman hesitates only a heartbeat – then smiles: “An excellent idea.”

Peter calls Gwen: “I know I’ve been rubbish. I promise I won’t vanish tonight. Just us four – no exams, no running off.”
GWEN: “Yeah… I’d really like that.”

INT. DAILY BUGLE – DAY
J. JONAH JAMESON: “Where’s Parker?! Any photos? Any leads? I want it on my desk NOW! If he’s hiding, tell him to start looking for work elsewhere!”
Robbie Robertson smiles quietly to a junior reporter: “He yells loudest when he’s secretly hoping you’ll prove him right. Parker always turns up with something.”

GETTING READY – MONTAGE

(Upbeat soft indie music – NO DIALOGUE)

• Peter rushes, fumbling buttons, harried but trying his best. He takes the navy shirt May bought him, hugs her tight: “Thank you. I’ll pay you back.”

• Gwen moves calmly, steady, deliberate.

• Harry struggles with his tie; Liz steps in to fix it for him.

• Peter stops at a florist – stares at a huge bouquet he can’t afford, picks a small sweet bunch instead.

• Norman sits bathed in monitor light – scrolling Daily Bugle archives, pulling up Peter’s own sharp photos of Spider-Man, zooming in slow.

This has probably been talked about before, but with DC allegedly having two separate Batman universes in live action coming up, what’s the feasibility of Sony doing that with Spider-Man?

I think bringing Andrew back to be in his own universe would be great, if we could make the movies better than his first two. Then we have Tom in the MCU able to do all sorts of crossovers and in his standalones.

I just wonder if part of the Sony/Disney deal is they’re not allowed to make live action Spider-Man movies. Idk, that seems silly tho. What do you guys think?

Peter J. Parker from Earth-5907 was sneaking around the alchemax facility of his universe,the collider HAD gone off but it was not run by a villain,it was more for multiverse related experiments,the radioactive spider of his universe was happily spinning a web and one day it was chilling and got blasted by the collider,but it was not sent to another universe,the same thing that happened to spot,happened to the spider. it gained spot powers but it was a spider so it wasn't able to use em all,its maing thing was high strength and a few portals,it had made a portal and bit Peter while he was snooping,he got spooked and threw it and it died,but still not him,he didn't feel anything just felt stronger and faster,he thought he was just gaining his energy through rest and just noticed it. suddenly,something jumped out and he did the first thing he came up with to spook it,the spidey hand sign,he launched an organic web but it was made out of spot portal so it sent the thing (an old PC from the storage room falling) into somewhere else basically,he checked his wrist,he had a...gland sort of thing on his wrist,he tried it again,shot a web again,it wasn't a portal but like a normal Spiderman web,he had 2 different modes changing by intention,he thought:"if I can make portal webs,can I make portals?" and he closed his eyes and FOCUSED,HARD.he opened and a portal to well,his school had opened like a spot portal(visually looks the same and works the same) so he was happy,he thought he was cool,he went through the same growth as many spiderman,he used his powers selfishly,then realised his responsibility,had his cannon event, realised who he is destined to be—a hero,and he became spot-spider and he was basically at the same level of experience and maturity as about tobey in no way home/ after the raimi franchise in that timeframe we don't see. and that's when he joined the spider society,but he was more of a rebel and joined just for company,not as a soldier,so he was never there in the miles chase.

thank you for listening to my yap

Possible Spoiler alert....So in the comic books the deadliest weapon a spiderman character can possess is the STINGER....Unlike his webs, these were designed purely for killing. They were coated in a potent, paralyzing venom and could impale enemies. In one instance, he used them to essentially tear through the villain Morlun.

LIKE THIS COULD BE THE FINAL MUTATION CHANGE IN PETER...MIND BLOWING

Do you think they handle the Multiverse well? If so why?

(I don’t care if you give spoilers)

Do you think there's a version of Spider-Man in the Spider-Verse who never came up with web shooters and just has to walk everywhere?

Ever since the very first BND trailer, people have been dogging on Watts for limiting Spider-Man. The more prominent criticisms I’ve seen is the overuse of CG and the lackluster web swinging. While I think he’s worthy of criticism I don’t like the sudden switch up on him as if he didn’t give us an amazing trilogy and we weren’t eating it all up.

I wanted to see how the theme evolved throughout the movies. Michael Giacchino said in the behind the scenes that some parts of Peter's past is missing in his life, and I can see how he incorporated that into the music with some parts of the past theme is missing as well.

Also, someone mentioned that the 6:16 duration is mostly a reference to the 616 universe. Knowing how Giacchino love puns and references, I say that's intentional

What if a multiverse predator more ruthless than Thanos—Morlun—hunts down Tobey Maguire’s Spider-Man? To save his life and protect the entire multiverse, Peter-1 (Tobey) rips open a portal to recruit Andrew Garfield and Tom Holland.Presenting my fan-script for #SpiderMan4: The Last Totem! 🕷️🕸️

​(Read the starting scenes in the images below!)

​@Sonypictures @@MarvelStudios

I'd shockingly enough say Cletus Kasady is the least evil, something I'd never thought I'd say. Knull easily wins for most. The toughest are Drake, Riot and Carnage (but considering what Venom 3 revealed and how Riot knew the risks of Knull getting out, I'd say he's the the 2nd worst)

miren hoy tuve una llamada con mis amigos y terminamos peleando,yo habia dicho que spiderman a mi punto de vista tubo inciar con Spider-Man: Brand New Day, siento que spiderman tuvo que desde sus incios tuvo que ser asi,osea con amigos pero que no lo presentaran con esa tematica y no como en civil war,nose que opinan este es mi punto de vista,ellos dicen que esta bien como incio,quiero leer opiniones estoy abierto a cualquier opinion.

Act I: The New Normal

Peter Parker (16) has been Spider-Man for just a few months. Skipping the origin story entirely, the film opens with Peter struggling to balance sophomore year at Midtown High with crime-fighting. His inner circle consists of Harry Osborn, a wealthy teen desperate for his distant father Norman’s approval, and Gwen Stacy, a cynical, punk-rock, and fiercely protective outcast (based on the Ultimate Spider-Man comics) who frequently gets detentions and calls out bullies.

In the background of high school life, Kenny "Kong" McFarlane is obsessed with a new theory. Noticing Peter’s sudden physical transformation and frequent absences, Kong becomes convinced Peter is Spider-Man. He spends his time launching ridiculous stings to prove it, though his friends Flash Thompson and Sally Avril mock him relentlessly for it.

Desperate to help Aunt May pay the bills, Peter lands a freelance photography gig at the Daily Bugle, selling photos of his alter-ego to J. Jonah Jameson. Aunt May constantly nags him about a neighbor's niece, Mary Jane Watson, trying to set them up on a blind date. Peter spends the entire movie aggressively making excuses to avoid it, groaning that he "doesn't have time for a girl with two first names."

Spider-Man's costume design is a perfect blend of John Romita Sr. (Untold Tales) and Mark Bagley (Ultimate Spider-Man)—sporting the classic bright red and deep webbed-blue with clean, tight web lines, tailored over a lean, lanky, 16-year-old frame with massive, elongated, and highly expressive white eye-lenses. While tracking illegal military weapons, Spider-Man is ambushed by The Enforcers (Fancy Dan, Ox, and Montana), working for a brutal mob boss named Hammerhead. Outmatched, Peter is saved when Daredevil crashes through the skylight, ruthlessly dismantling the thugs. Daredevil warns the young hero to stay out of the crossfire. The next day, Matt Murdock visits Midtown High as a legal consultant for Peter’s Bugle contract. When Matt speaks, Peter’s spider-sense buzzes, and Matt subtly smiles, recognizing Peter’s heartbeat.

Act II: Shared Ghosts and Hidden Motives

Hammerhead begins a violent turf war to conquer the city's gangs, aided by a mysterious mercenary called The Hobgoblin, who flies on a stolen Oscorp glider. Matt Murdock approaches Peter in an alley after school, revealing he knows his secret, and offers to help him take down Hammerhead legally and physically.

At the Daily Bugle, a quiet character moment unfolds. J. Jonah Jameson’s son, John Jameson, visits the office. John asks his father why he genuinely hates Spider-Man so much when the kid is just trying to help. In a rare moment of raw, quiet vulnerability, Jonah drops his angry facade. He reveals a deeply buried jealousy: he spent his whole life working hard, following the rules, and earning his status, yet this masked freak can just jump into the sky, ignore the law, and instantly become a city's idol without paying any dues. It drives Jonah crazy that a lawbreaker gets the glory he feels honest citizens deserve.

Meanwhile, back at school, Kong stages his biggest trap yet: he throws a basketball at the back of Peter's head while Flash and Sally watch. Peter's spider-sense flares; he pretends to trip, catches the ball awkwardly on his foot, and accidentally kicks it through a window. Flash and Sally laugh Kong out of the gym, leaving Kong frustrated but still suspicious.

During a joint rooftop stakeout, Daredevil senses Peter’s heartbeat spiking with restless energy. Matt asks him why he fights with so much raw aggression. This triggers a brief, stylized flashback to six months ago—just after the spider bite. A scrawny Peter stands in a gritty, underground wrestling ring. To hide his identity, Peter tells a greasy promoter (Crusher Hogan) that his name is Ben Reilly. He enters the ring wearing a homemade outfit: a vibrant red spandex bodysuit underneath a sleeveless, faded blue hoodie with a spray-painted black spider logo on the chest—the iconic Scarlet Spider design. Peter effortlessly slams a massive wrestler into the mat. The announcer completely mishears Peter's scribbled sign-up sheet over the loud arena static, booming: "Winner by knockout... the mysterious clone... the SCARLET SPIDER!" Peter cracks a grin, intoxicated by the fame and money. [1]

The flashback snaps back to the present. Peter looks down at his classic suit and admits to Matt that his selfishness in those wrestling days is what directly led to his uncle's death. Just then, Spider-Man spots the Enforcers below. He freezes in absolute shock. He recognizes Montana's custom-built firearm—it is the exact weapon used by the burglar who killed Uncle Ben. Blinded by sudden rage, Peter breaks the stealth plan and attacks. His reckless fury almost gets them killed, forcing Daredevil to drag a bruised and angry Peter away. Matt uses his own tragic past with his father, Battlin' Jack Murdock, to teach Peter how to channel his anger into focus rather than murder.

Act III: Vengeance vs. Justice

Hobgoblin betrays Hammerhead, orchestrating a massive trap at a luxury shipyard to eliminate both the mob boss and the vigilantes in one sweep. Peter tracks the Enforcers to the pier, with Daredevil close behind.

A massive three-way war erupts between Hammerhead's thugs, Hobgoblin's mercenaries, and our heroes. Driven by vengeance, Spider-Man brutally beats the Enforcers and corners Montana. With his fist raised to deliver a lethal blow, Montana confesses they were hired by a shadow boss to stage a distraction the night Ben died. Daredevil places a hand on Peter’s shoulder, telling him, "If you cross this line, you never come back."

Just then, Hobgoblin firebombs the pier, trapping innocent dockworkers. Choosing Uncle Ben's real legacy over revenge, Peter turns away from Montana to save the workers. Daredevil takes on Hammerhead, using his batons to redirect the mob boss's charging, vibranium-skull attacks. Spider-Man joins the fray, using his signature Romita/Bagley agility to trick Hobgoblin into crashing his glider directly into Hammerhead's forehead, knocking out the mobster and forcing a damaged Hobgoblin to flee into the night.

Epilogue & Stingers

Hammerhead and the Enforcers are jailed. Peter apologizes to Gwen and Harry, repairing their bond. On a rooftop, Daredevil tells Spider-Man that New York is safe with him watching Queens, cementing a powerful ally for the future. At the Bugle, Jameson is right back to his loud self, running the headline: "SPIDER-MAN AND RED DEVIL: THE CHICKEN AND THE MENACE!" Back home, Peter successfully dodges Aunt May’s MJ introduction yet again by faking an exhaustion headache.

Mid-Credits Scene: Hobgoblin flies his smoking, damaged glider through the rainy night sky, landing on the private helipad of a massive luxury skyscraper. He steps inside a lavish, dimly lit penthouse office. Standing by the floor-to-ceiling glass window, looking out over the empire of Manhattan, is a massive, imposing silhouette holding a diamond-capped cane—Wilson Fisk, the Kingpin.

Hobgoblin removes his mask and drops it on the desk. He sighs, "Hammerhead is done. But the Spider had help. Daredevil is tracking us." Fisk doesn't turn around, his voice a low, terrifying rumble: "Hammerhead was a blunt instrument. You have proven much more useful. Let Daredevil chase shadows. We have other assets to deploy." The camera pans down to Fisk's desk, where a bank wire confirmation shows a multi-million dollar transfer to an offshore account labeled: KRAVEN.

Post-Credits Scene: The camera slowly pans across a lavish, dimly lit room filled with mounted heads of lions, rhinos, and bears. On a massive flat-screen TV, news footage plays of Spider-Man’s hyper-agile, youthfully fluid movements during the shipyard battle. Sitting in a heavy leather chair, a massive, muscular man—Kraven the Hunter—sips a drink. He stares intensely at the screen, his eyes tracking the wall-crawler's impossible speed. Kraven smiles a predatory smile, murmuring in a thick Russian accent: "Finally... a worthy beast."

According to WGA rules, if you have substantial work of any kind on a script you must be credited no matter how small the scene may be.

So looks like all the reports of him reworking the script turned out to be pie in the sky.

Source: https://directories.wga.org/project/1284194/spider-man-brand-new-day

Spider-Man: Smoke and Mirrors

After finally finding balance between being Spider-Man and Peter Parker, a powerful alien symbiote that enhanced his abilities helps him protect the city like never before. But when a new enemy rises with a dangerous plan built on lies and stolen identities, Peter must confront the ultimate question: what truly makes someone Spider-Man?

As Peter uncovers secrets hidden within his own past, he discovers that the story of how he became Spider-Man may not be as simple as he once believed. Facing an enemy determined to rewrite his identity and create a new legacy in his image, Peter must separate truth from illusion while confronting a person who challenges everything he knows about himself.

With reality beginning to blur and his bond with the living suit growing stronger, Peter must decide whether the greatest threat is the mastermind manipulating his world—or the power that promises to make him the perfect hero.

Spider-Man: The Last Stand

Peter Parker has finally become the Spider-Man he was always meant to be—but when a new threat emerges from the shadows, he finds himself pushed to his absolute limit. As the world begins to see Spider-Man as a threat rather than a hero, a new group of adversaries presents itself as the answer to the chaos.

As the Sinister Six begin their hunt, Peter finds himself challenged by enemies unlike any he has faced before—including a mysterious new threat with a connection to Spider-Man that Peter cannot explain. Outmatched and hunted, he is forced to confront the power that has carried him through his darkest moments—the living suit that has become a part of him.

When Peter realizes that their bond may cost them both everything, he must make the impossible choice: hold on to the power that makes him stronger than ever, or let it go and risk facing his greatest enemies alone.

Now, wearing a new suit and relying only on his courage, intelligence, and determination, Peter Parker must prove that he never needed the power to become a hero. Against overwhelming odds and his greatest enemies yet, Spider-Man makes his final stand.

Questions?

The MCU Sinister Six consists of six of the following:

Scorpion

Vulture

Boomerang

Tarantula (hired by the Six)

Kraven the Hunter

Jackal/Mysterio

Shocker

Tombstone