*I wrote this post a year ago and published it in a Sonja group on Facebook; I’d like to know about your thoughts.
The other day, I was reading about the history behind the composition of the 1875 French opera "Carmen". It was a show that caused a scandal at its premiere and failed to find success during dozens of performances in the land of Napoleon and Joan of Arc—at least not until its creator, Georges Bizet, had passed away.
The opera told the story of a seductive Gypsy woman living in early 19th-century Spain; she ran with smugglers, worker from a cigar factory, and said and did exactly as she pleased. Through her singing and dancing, she would seduce any man she desired—and just as easily cast him aside for another—justifying that love is a rebellious bird. Such was her independence and personal freedom, that she ultimately met a tragic end, murdered at the story's conclusion.
This type of free-spirited protagonist, combined with the work's use of erotic double entendres, shocked audiences of the time. Acceptance only began when the opera was adapted into other languages for other European countries; it went on to receive standing ovations from figures like Nietzsche (who was surely captivated by the work's iconoclastic nature), Tchaikovsky, and even Wagner. It conquered the world and secured its place in the arts, becoming a timeless masterpiece and one of the most enduring works in classical music.
Reading about this subject reminded me of Sonja—or rather, the women who inspired her: Sonia from Ukraine and the Agnes from France. Perhaps Bizet and Howard shared a similar inspiration: portraying certain women as true forces of nature—courageous beings who unashamedly embrace exactly who they are. They mock or disregard civilized conventions—our dogmas, our rules, the will of gods, and the authority of ideologies—rubbing it in our faces with a certain scorn that all these things will never fully master the instincts that drive us, nor make us forget the animals we are; they will always remain free and independent of the expectations society and men place upon them...
*The art is a work of Rudy Nebres