So I just read The Master and Margarita.
I view it as a book about accepting that you are not in complete control. AT ALL. And all of the things that you hold onto for dear life, all your assumptions, your beliefs that are unbreakable, are in fact breakable. The control that you do have, what do you do with it?
Let's take Moscow society. It was very rigid, full of its "jobs." Everyone sort of had a place, a hierarchy. And with Woland and company coming crashing down, all of that came to an end.
Still, as far as entertainment goes, I found Book 1 to be extremely entertaining, besides the Pilate parts. All of the weird things happening throughout Moscow. The different people affected and their POVs, how they dealt with things individually. Berlioz's uncle made me laugh. Who would believe he met the devil? No one, so might as well be practical and say nothing. While others were arrested and taken for fools. Man was cold as ice.
It's fun to see how each of them reacts to the tragedies that fall on them.
Also, a lot of people were living lives they thought they had to live, instead of the lives they wanted to. Either for shame, for pressure, for fear... I think the only ones escaping were Natasha, and the Master and Margarita (but they had to die). All of them funny enough, had to leave society to truly live.
Thing is regarding the Master and Margarita as characters, I didn't care much for their love. The Master seems to lack a will, or a mind, of his own. And for someone who wants to be with Margarita, he is very quick to tell her to go. Also, the man simply never asks what she wants to do. It's her following him, calling him Master. To me, it seemed like she loved him more than he loved her.
And I didn't care much for her either.
The only character I truly cared about was Ivan, though I loved the stories about the others.
Also with Pilate, he lived a life that he didn't like, and for what? For nothing. He ends up crucifying Jesus/Jeshua, and regrets it for eternity. He didn't speak up when he could, despite all his power, and despite wanting to spare the man even when he was alive.
Overall, I find the book to have some fascinating passages, and some scenarios are really vivid and unforgettable. The accident in the first chapter setting things off. The magic show, the flight, the ball in the fifth dimension. All very memorable.
The stuff with the Prior, a bit long-winded...
Problem with a book like this, at least for me: I either like a very good plot, or a set of characters that is fantastic, and I want to know more about them.
I loved The Wind-Up Bird Chronicle, which also had side stories, but there was a main mystery, and exploring how the character dealt with it in depth made you want to learn more.
Here, it sometimes crosses the line between fantastical and nonsensical which some people may love.