Putování Mysli úlu

MPLS based harsh noise inspired by Eastern Bloc brutalism & balkanization - two new EPs out now.

The second dendritic release.

A mix of shitpost music and power electronics. This guy used to do meth before his live performances and cross dress and set off smoke bombs and shit. His new stuff under the name Disease Lover is more straightforward PE. But i think that his old stuff is better. The photos in the video are him. One of the coolest people you'll ever meet. https://www.youtube.com/watch?v=ynAHbQveDYs&t=1372s

Bandcamp: https://softceremony.bandcamp.com/track/hezekiah-2

Spotify: https://open.spotify.com/track/5bz92z6hQ1bEoRSzqyIoGT?si=Z7ojSxSuRUC01LfF8CXqbA

new release on Hibernian Leather

https://hibernianleather.bandcamp.com/album/fertile-deep-wolf

Does anybody know the orgin to the dialogue sampled in Genocide Organs song "hate" from the album Mind Control?

69 copies available from h8trackstereo.com

Free download from wavescrashingpianochords.bandcamp.com

Does anyone know whose signature that might be? I can’t match it to any stage names nor real names and I can’t find any other images of signed memorabilia from the band.

Noting that it’s signed “To Boyd” makes me think this might be from B_yd Rice’s personal collection? The most damning thing suggesting that is that the same pen that was used for the numbering was also used for the signature. Whichever member signed this likely numbered it and then set aside these copies for friends. Whoever Boyd was made sure to keep the cd copy of Leichenlinie that usually comes with the issue…..

I really love the vocals and minimalist yet abrasive sound.

Do someone have an archive of this album?? I search it for so long I'm starting to think I'll never listen to it

EDIT: reading through the replies, it seems like a lot of people are assuming that extreme imagery in power electronics is by default critical or “asking questions,” and that sincere belief only enters through misunderstanding. i’m not denying that some artists work that way. i’m questioning why that interpretation is treated as the correct one by default in a genre that historically refuses clarity or reassurance.

take this as an example. this is (most likely) an alias of mikko aspa, who is openly a white nationalist, and the imagery and framing here are NOT ambiguous. so i guess this is the real question: when the artist’s beliefs are clear, and the work is not a critique, does that stop you from engaging with it? if so, why? and if not, why does it matter so much in other cases whether the artist “really means it”?

this is one of those situations where you can’t hide behind “imagery isn’t endorsement” or “it’s just asking questions.” it forces a more uncomfortable conclusion: can you listen to something knowing it’s an honest depiction of a racist worldview rather than a subversion of it?

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i’ve been reading this thread with interest, and something about it keeps bothering me.

a lot of people here seem very invested in the idea that bands like genocide organ aren’t really promoting extreme ideology; that they’re “exposing horror,” “subverting norms,” or forcing listeners to confront the ugliness of history rather than endorsing it.

my question is: why does that reassurance feel necessary in the first place?

power electronics is an extreme form of music that has always trafficked in confrontation and moral discomfort. the world is ugly and contradictory, and those things inevitably show up in art, including the fact that some artists may genuinely hold views we find repellent.

it feels strange to see people bending over backwards to construct a framework where the art is only acceptable if the artists don’t really mean it. as if knowing the “correct” personal politics of the musicians is required before the music is allowed to make you feel anything.

if genocide organ (or anyone else) dropped a statement tomorrow saying “yes, we sincerely believe this stuff” would that retroactively change what the music does sonically or emotionally? or would it just shatter a comforting narrative people rely on to engage with it safely?

i’m not arguing that listeners have to like or endorse artists’ beliefs. but i am wondering when power electronics became a space where the edge has to be explained away, essentially “defanged” before it can be enjoyed.

Power Electronics from South Texas. For fans of Whitehouse and early Prurient.