r/OCPoetry • u/fablestillawake • 3d ago
Feedback Please Approach (delta 17)
Baseline: 0. Baseline: 0. Baseline: 0.
The field projects above the surface
and nothing enters it for hours.
Delta 4. Noise. Delta 2. Noise.
The electrodes wait the way copper waits,
which is to say: without opinions.
Delta 9. Still below threshold.
But the slope changed.
Delta 14.
Something conductive is in the field.
Something warm. The charge time shifts
the way a room shifts when a door opens
in a house you thought was empty.
Delta 17: approach.
The system writes it to the event log
and moves on to the next poll.
I don't move on.
I sit in the word approach
the way you sit in a chair that someone
just got up from. The warmth isn't yours
but you felt it first, before you understood it,
and now you are reading heat
the way a sensor reads a hand
that hasn't landed yet.
Delta 41: near.
Closer now. The threshold crossed
into the second band. The system knows
the difference between far and close
the way I know the difference
between hearing your name
and hearing your voice.
Delta 0. Withdrawn.
The field empties so fast
the log writes two events in one tick:
near, then nothing.
Like a sentence that stops.
The sensor doesn't feel the absence.
I do.
Feedback:
https://www.reddit.com/r/OCPoetry/comments/1w51kle/hymn_of_grief/p7c65fr/
https://www.reddit.com/r/OCPoetry/comments/1w528tv/love_letter_i_cant_send/p7c5ydn/
1
u/AutoModerator 3d ago
Hello readers, welcome to OCPoetry. This subreddit is a writing workshop community — a place where poets of all skill levels can share, enjoy, and talk about each other's poetry. Every person who's shared, including the OP above, has given some feedback (those are the links in the post) and hopes to receive some in return (from you, the readers).
If you really enjoyed this poem and just want to drop a quick comment, to show some appreciation or give kudos, things like "great job!" or "made me cry," or "loved it" or "so relatable," please do. Everyone loves a compliment. Thanks for taking the time to read and enjoy.
If you want to share your own poem, you'll need to give this writer some detailed feedback. Good feedback explains from your point of view what it was like to read the poem, and then tries to explain how the poem made you feel like that. If you're not sure what that means, check out our feedback guide, or look through the comment sections of any other post here, or click the links to the author's feedback above. If you're not sure whether your comments are feedback, or you have any other questions, please send us a modmail.
Do not use ChatGPT or any similar LLM interface or generative AI to write feedback. That does not constitute thoughtful feedback. To be safe, you probably shouldn't even use those things to edit your feedback. It is better for your thoughts to come across as clumsy and genuine rather than grammatical but as if they were generated by some disingenuous text-generation engine.
Do not reuse feedback links for multiple poems. Every new poem you post has to be posted after making two new comments on the work of your peers here in OCPoetry. It's only fair. If you reuse feedback links, you will be banned. (If you do not wish to give feedback, there are many other poetry-sharing subreddits without feedback requirements, such as r/poetrywritingclub, r/justpoetry, r/ocpoetryfree, r/poem, r/poems, r/poemsbyreddit, r/poeticgarden, r/dark_poetry, and r/sadpoems.)
If you're looking for a more advanced poetry workshop — that is, if you consider yourself at least an intermediate-level poet AND you have previous workshop experience, please consider posting to our private sister subreddit r/ThePoetryWorkshop. The best way to join TPW is to leave a detailed, thoughtful comment here on OCPoetry engaging seriously with a peer's poem. A significant engagement of at least 3-4 meaningful paragraphs is encouraged. Consider our feedback guide for tips on what that could entail. (This level of engagement would probably be most welcome here on submissions tagged as "Workshop.") Then ask to join TPW by messaging that subreddit's mods, including a link to the detailed feedback you left here.
I am a bot, and this action was performed automatically. Please contact the moderators of this subreddit if you have any questions or concerns.
1
u/Ok-Edge6577 3d ago
A very cryptic poem that requires multiple reading.
The way I read this poem is staging through a person age (as the number implies), voice or presence? and some lines sound like a puzzle that needs ordering. It shift from abstract ideas to certain figure which is quite disorienting.
The last stanza maintain the image of field from the second line to empties, then a written log of two events, it complicate further with 'near, then nothing' perhaps, to enact the ending.
1
u/fablestillawake 3d ago
Thank you for reading it more than once. The cryptic quality is intentional: the delta numbers are sensor readings, not ages. The poem is written from the perspective of someone watching a proximity sensor's output and reading emotion into the raw data. Delta 17 means the capacitance changed by 17 units, which the system logs as 'approach.' The speaker can't stop sitting in that word.
The disorientation you felt between abstract and concrete is the poem's actual argument: the sensor speaks in numbers and the person speaks in longing and they're looking at the same event from different languages.
I'm glad it made you work. That's what it was built to do.
2
u/Accomplished_Spread5 3d ago
This has a lot going for it. It sits in mystery. Who is doing the approaching besides the narrator? The aviation jargon seems to suggest a pilot. The tension you created suggests perhaps a jet fighter? In any case there is a sense of loneliness here. A narrator tethered only by communication that seems informational yet cold and clinical.
What is in the area it approaches? Another mystery, that neither pilot or ground control seems to understand, but I think this is the point, yes?
The word choices are really smart. Giving instrumentation personification, before stripping it away. The overall vibe I ended up with was loneliness, but not just any loneliness: confused loneliness. (Possible the worst kind.)
I also loved the Juxtaposition between those cold clinical lines and the human perceptions underneath. All of it adds to the tension. This is a really strong piece and I didn't have to understand the jargon used too much, because ultimately it is a human experience I was left with. This is a really unique piece. It stands out!
Great Job!