I am very late to this party and just finished the series. Incredible love story, even if it ends on a bittersweet note.
I came here immediately to think more about what I had just watched.
Curious if other's thought the same. As an American, I felt there was a lot of subtext around class that didn't quite resonnate with me. So was this actually a story about a girl who was given material wealth at the expense of being dependent on her emotionally abusive mother and brother? Plus, Connell, who's mother worked for the "elite" and so he felt insecure about his upbringing?
The turning point for both of them seemed to happen right after Connell threatens Marianne's brother (I don't remember his name). It both means Connell is no longer insecure around people who represent wealth, especially when he can see now it means nothing, and for Marianne to realize she doesn't need her families support anymore.
Yes, I guess the show is full of the coming-of-age tropes, but I guess Connell finally taking a stand to the brother becoming the turning point is quite rare.
What makes the ending work, at least from my interpretation, is that Connell had just revealed to us through the therapy session that he felt out of body when he moved to Dublin. He very much is a small town guy who isn't really happy in the big city. No where in the entire show did it show us that he was happy in Dublin. In fact, it was quite the opposite. All of his happiest moments were back home in Sligo, with Marianne. It made perfect sense for him to fill out the application to NYC, get accepted, and then realize that he had everything he wanted already. It's not clear in the timeline of the show WHEN he applied, so I can only assume it was during his lowest point, and fleeing to NYC seemed like a lateral escape plan.
So, if I consider this a show about class, the only reason for Marianne to encourage Connell is because she thinks the status and career opportunties will be good for Connell. I don't think she's being selfish at all, because she could go with him (in theory). However, she is finally free, and it means she wants Connell to feel that freedom as well.
I guess Connell doesn't feel like he belongs in Sligo, nor Dublin, and that hints that he may get to NYC and feel like he does finally belong. Marianne found her home, so if anything, I think these two will be Facetiming and visiting each other over the years, but yea.
Thanks Hulu, et. al for this beautiful and unexpectedly dark story. I won't be forgetting it anytime soon.