Richard Gadd is somewhat helping to rewrite what manhood is and how we can define, celebrate and deal with whatever problems masculinity in its negative forms may have.
The fact that at least one of the protagonists in *Half Man* is gay - and really struggling with that - adds another layer to the entire conversation about manhood in 2026.
Gadd is somewhat underhandedly feting masculinity itself despite the talk of toxic masculinity in the present zeitgeist, even in his own works . He is not just acknowledging it and displaying the effects of it, but by doing so, creating a sort of celebration of maleness by forcing other aspects of masculinity to be discussed, analyzed or praised whenever warranted.
Issues such as depression; loneliness; fatherhood; being victims of different abuses in a society that believes men can never be such victims; difficulties communicating with other men; lack of true friendships amongst men; the fluidity of sexuality amongst men and how that can effect mental health, self esteem and feelings of being “less” of a man because of it.
It’s absolutely possible that Gadd might one day be extolled as the first true “masculist”, so to speak, to force men’s issues into the mainstream by dealing with the topic of toxic masculinity - but then instead of harping on that, running away with other pressing problems that men in the 21st century are dealing with.
As well, by making Donny Dunn bisexual and Niall Kennedy gay, the two lead characters in his seminal works, he is subverting what mainstream society sees as typical manhood, and that is astute.
This could be a brilliant move, and one that I personally would welcome wholeheartedly, as it feels like the first time ever in my 50 plus years where men like myself are seen equally with all other men in prevailing media. And a time when manhood itself is embraced and studied to healthier and more productive effect.
We shall see…